Chadds Ford, an upscale suburb in southeastern Pennsylvania, devotes a lot of energy to creating a historical identity. Numerous institutions participate in this task, including museums, a land conservancy dedicated to the preservation of its historical landscape, and the Historical Society, which is responsible for an annual community celebration. Larger institutions related to regional tourism and suburban development generate a steady flow of texts about Chadds Ford in the form of glossy travel magazines, pamphlets, brochures, and gallery displays.

This ethnography of teenage suburban drug dealers “provides a fascinating and powerful counterpoint to the devastation of the drug war” (Alice Goffman, author of On the Run). When we think about young people dealing drugs, we tend to picture it happening in disadvantaged, crime-ridden, urban neighborhoods. But drugs are used everywhere. And teenage users in the suburbs tend to buy drugs from their peers, dealers who have their own culture and code, distinct from their urban counterparts. In Code of the Suburb, Scott Jacques and Richard Wright offer a fascinating ethnography of the culture of suburban drug dealers. Drawing on fieldwork among teens in a wealthy suburb of Atlanta, they carefully parse the complicated code that governs relationships among buyers, sellers, police, and other suburbanites. That code differs from the one followed by urban drug dealers in one crucial respect: whereas urban drug dealers see violent vengeance as crucial to status and security, the opposite is true for their suburban counterparts. As Jacques and Wright show, suburban drug dealers accord status to deliberate avoidance of conflict, which helps keep their drug markets more peaceful—and, consequently, less likely to be noticed by law enforcement.

The fun and fantasy continue with bestselling and award-winning author M. T. Anderson.You haven't seen strange until you've seen what Brian and Gregory are up against.... Something incredibly strange is happening. It's not The Game of Sunken Places-Brian and Gregory have been through that before. But still...strange creatures have begun to chase after them. And Gregory's adventurous cousin Prudence has disappeared. When Brian and Gregory go to the Vermont woods to track down Prudence, they find many things are...off. People are not where they're supposed to be. Time has stopped working properly.

A “funny and self-revealing” meditation on keeping your faith alive and vibrant in a world of strip malls, SUVs, and soccer games (Denver Post). Many seekers find themselves adrift in the seemingly unreal world of the suburbs. They read spirituality books, but struggle to stay connected to God while doing carpool duty or coaching soccer. In this book, Dave Goetz, a former pastor, shows that the suburbs are indeed a real world—but a spiritually corrosive one that can truly be toxic to the soul. Suburbanites need to understand how this comfortable, predictable environment affects them and what spiritual disciplines are needed for their faith to survive and thrive. Goetz identifies eight toxins in the suburban life, such as hyper-competition and the “transactional” friendship, and suggests eight corresponding disciplines to keep the spiritual life authentic. Goetz weaves sociology studies, his own experiences, current events, wisdom of the spiritual masters, and a little humor to equip spiritual suburbanites for relating to God amid Starbucks, strip malls, and perfect lawns. “Goetz’s witty new book deals with desperate housewives, clueless husbands, and stressed children—and the spirit-deadening alienation sometimes found in their housing tracts and cul-de-sacs.” —Orlando Sentinel

For decades the suburbs have been where art happens despite: despite the conformity, the emptiness, the sameness. Time and again, the story is one of gems formed under pressure and that resentment of the suburbs is the key ingredient for creative transcendence. But what if, contrary to that, the suburb has actually been an incubator for distinctly American art, as positively and as surely as in any other cultural hothouse? Mixing personal experience, cultural reportage, and history while rejecting clichés and pieties and these essays stretch across the country in an effort to show that this uniquely American milieu deserves another look.

Between the wars, the lives of four neighboring English families intersect in this “highly recommended” saga by a New York Times–bestselling author (Sunday Express). In the spring of 1919, his wife’s death brings Sergeant Jim Carver home from the front. He returns to be a single parent to his seven children in a place he has never lived: Number Twenty, Manor Park Avenue, in a South London suburb. The Carvers’ neighbor Eunice Fraser, at Number Twenty-Two, has also known tragedy. Her soldier husband was killed, leaving her and her eight-year-old son, Esme, to fend for themselves. At Number Four, Edith Clegg takes in lodgers and looks after her sister, Becky, whose mind has been shattered by a past trauma. No one knows much about the Friths, at Number Seventeen, who moved to the Avenue before the war. The first book in the two-part historical series the Avenue, which also includes The Avenue Goes to War, The Dreaming Suburb takes readers into the everyday lives of these English families between World War I and World War II, as their hopes, dreams, and struggles are played out against a radically changing world.

"The growth of Northeast Baltimore illustrates the American transition from settlement to suburb. Here we witness a model that has played out again and again on this continent. By revealing the unseen layers of a rich history, Eric Holcomb presents the features of this model that are unique to this corner of the world. It is a specific and loving portrait."—from the foreword by Kathleen G. Kotarba Northeast Baltimore has undergone a transformation from a rural area into a "city suburb," an experience shared by many similar U.S. metropolitan areas. Eric L. Holcomb traces this prototypical process from the region’s origins as a hunting ground of the Susquehannocks, through its earliest settlement by Europeans in the eighteenth century and its idealization as a picturesque landscape during the nineteenth century, to its rise as a suburb in the twentieth century. Holcomb’s obvious passion for the area, combined with his thorough research in geographic indicators such as land ownership patterns, provide a lush empirical foundation for this richly illustrated history.

America’s suburbs are not the homogenous places we sometimes take them for. Today’s suburbs are racially, ethnically, and economically diverse, with as many Democratic as Republican voters, a growing population of renters, and rising poverty. The cliche of white picket fences is well past its expiration date. The history of suburbia is equally surprising: American suburbs were once fertile ground for utopian planning, communal living, socially-conscious design, and integrated housing. We have forgotten that we built suburbs like these, such as the co-housing commune of Old Economy, Pennsylvania; a tiny-house anarchist community in Piscataway, New Jersey; a government-planned garden city in Greenbelt, Maryland; a racially integrated subdivision (before the Fair Housing Act) in Trevose, Pennsylvania; experimental Modernist enclaves in Lexington, Massachusetts; and the mixed-use, architecturally daring Reston, Virginia. Inside Radical Suburbs you will find blueprints for affordable, walkable, and integrated communities, filled with a range of environmentally sound residential options. Radical Suburbs is a history that will help us remake the future and rethink our assumptions of suburbia.

A companion to an exhibition at The Hudson River Museum, a collection of original essays accompanies an array of photographs, paintings, maps, ephemera, and other images that capture the growth, development, and transformation of the suburban New York community of Westchester over the course of a more than a century. Simultaneous.

Two cousins, one from the city and one from the suburbs, spend a day and a night together at each other's house, and decide that each likes his own home better.