'The way I see it, a country with a stupid shape like this one can't have too much smart people in it.' On the contrary, as Reuben's diatribe reveals, 'paper-bag shaped' Trinidad is full of schemers and dreamers. Maharaj's characters struggle heroically, though sometimes comically and oddly, to make their mark on the earth. It is as if the more frustrating their outward circumstances, the more intense their inner lives. Bashir Ali, the librarian, has developed an intimate relationship with his books, and a passionate hatred of their borrowers. 'Bhaji and rice! You put bhaji and rice on top of Virginia!' Hoobnath Hingoo, the metalwork technician, imagines a dire fate for the arrogant young engineers who lord it around the oil refinery. 'Barbecue the whole side of them. Grill them nice and black. Afterwards we could have a sale. Grill engineers. Going cheap. Eat as much as you like...' And of course there is Roop, the writer, who wants to escape from his gas station 'to write that book... about everything I ever thought of since I born.' Anyone who enjoys the comedies of V.S. Naipaul will find great pleasure in Maharaj's elegant and arresting style, but they will also find in Maharaj a profound empathy and understanding of his characters and their world. In the process, he gives a rewarding and insightful portrayal of the Indo-Trinidadian world in the late 20th century. Rabindranth Maharaj was born in Trinidad. He now lives and teaches in Toronto. Several further collections of his stories have been published in Canada.

Much admired in Europe, Landolfi has been called "the Italian Kafka"; he is often linked with the Surrealists, and in the intellectual quality of his fantasy there are certain affinities with Borges; but beyond these superficial comparisons, his is a truly unique--and fascinating--art. It is based in a prodigious imagination, a very curious sense of humor and a rare command of irony.

He Played For His Wife…And Other Stories continues a rich tradition of fictional writing on one of the world’s greatest games. A ghost at the table, a heads-up with Shakespeare, a high stakes stick-up, a hand played on Death Row, tales of pioneers and knaves, even a celestial argy-bargy – each story in this anthology reveals that when it comes to playing poker, no one can hide from their true selves. Whoever you are, you can be sure all your passions and compulsions, your desires, your foibles and idiosyncrasies will be unsparingly crystalised and exposed on the baize. First mentioned in print in a military history book published in 1836, the game of poker quickly found its way into the modern literary canon. Requiring technical skill and creative fiction in equal measure, poker is the quintessential writer’s game. From John Steinbeck, Bret Harte, Henry James to Damon Runyon, writers throughout the ages have found in poker a natural prism to refract complex human experience. Poker is one of the few sports to have spawned a literature almost as rich and colourful as its own exotic history. Featuring contributions from Booker Prize-winning novelist D.B.C. Pierre, award-winning playwright Patrick Marber, actor Neil Pearson and poet laureate Carol Ann Duffy, He Played For His Wife…And Other Stories is a compelling collection that will appeal to poker fans everywhere.

With her peerless ability to give us the essence of a life in often brief but spacious and timeless stories, Alice Munro illumines the moment a life is shaped -- the moment a dream, or sex, or perhaps a simple twist of fate turns a person out of his or her accustomed path and into another way of being. Suffused with Munro's clarity of vision and her unparalleled gift for storytelling, these stories (set in the world Munro has made her own: the countryside and towns around Lake Huron) about departures and beginnings, accidents, dangers, and homecomings both virtual and real, paint a vivid and lasting portrait of how strange, dangerous, and extraordinary the ordinary life can be.

“Filled with exquisitely calibrated gradations and expressions of class, conducted with symphonic intensity and complexity. . . . Extraordinarily well-made.” —New York Times Book Review Married Love is a masterful collection of short fiction from one of today’s most accomplished storytellers. These tales showcase the qualities for which Tessa Hadley has long been praised: her humor, warmth, and psychological acuity; her powerful, precise, and emotionally dense prose; her unflinching examinations of family relationships. Here are stories that range widely across generations and classes, exploring the private and public lives of unforgettable characters: a young girl who haunts the edges of her parents’ party; a wife released by the sudden death of her film-director husband; an eighteen-year-old who insists on marrying her music professor, only to find herself shut out from his secrets. Hadley evokes worlds that expand in the imagination far beyond the pages, capturing domestic dramas, generational sagas, wrenching love affairs and epiphanies, and distilling them to remarkable effect. “Hadley parses the meaning of love in all its paradoxical, panoramic glory.” —Booklist “These stories are gemlike and unforgettable.” —Kate Tuttle, Boston Globe “One of the most interesting writers around.” —Philip Womack, The Spectator “Only Alice Munro and Colm Tóibin . . . are so adept at portraying whole lives in a few thousand words. . . . Hadley joins their company as one of the most clear-sighted chroniclers of contemporary emotional journeys.” —Edmund Gordon, The Guardian “There is a grand sweep and an emotional charge that brings to mind DH Lawrence.” —Elena Seymenliyska, Daily Telegraph (London)) “An exceptional storyteller.” —Library Journal “Shrewd, insightful, unpredictable.” —Kirkus Reviews

A superb collection of short fiction--her first in thirty years and spanning many geographies--from the critically acclaimed author of Monkeys, Evening, and Thirty Girls. A NEW YORK TIMES NOTABLE BOOK. A writer dryly catalogs the myriad reasons she cannot write; an artist bicycles through a protest encampment in lower Manhattan and ruminates on an elusive lover; an old woman on her deathbed calls out for a man other than her husband; a hapless fifteen-year-old boy finds himself in sexual peril; two young people in the 1990s fall helplessly in love, then bicker just as helplessly, tortured by jealousy and mistrust. In each of these stories Minot explores the difficult geometry of human relations, the lure of love and physical desire, and the lifelong quest for meaning and connection. Her characters are all searching for truth, in feeling and in action, as societal norms are upended and justice and coherence flounder. Urgent and immediate, precisely observed, deeply felt, and gorgeously written, the stories in Why I Don't Write showcase an author at the top of her form.

In the tradition of George Saunders and Aimee Bender, an exuberantly imagined debut that chronicles an ordinary world marked by unusual phenomena. The eighteen stories of Manuel Gonzales’s exhilarating first book render the fantastic commonplace and the ordinary extraordinary, in prose that thrums with energy and shimmers with beauty. In “The Artist’s Voice” we meet one of the world’s foremost composers, a man who speaks through his ears. A hijacked plane circles a city for twenty years in “Pilot, Copilot, Writer.” Sound can kill in “The Sounds of Early Morning.” And, in the title story, a man is at war with the wife he accidentally shrank. For these characters, the phenomenal isn’t necessarily special—but it’s often dangerous. In slightly fantastical settings, Gonzales illustrates very real guilt over small and large marital missteps, the intense desire for the reinvention of self, and the powerful urges we feel to defend and provide for the people we love. With wit and insight, these stories subvert our expectations and challenge us to look at our surroundings with fresh eyes. Brilliantly conceived, strikingly original, and told with the narrative instinct of a born storyteller, The Miniature Wife is an unforgettable debut.

Premchand Is India . . . If You Haven T Read Premchand, You Have Missed Out On A Lot The Hindu Considered One Of The Greatest Fiction Writers In Hindi, Munshi Premchand (1880 1936) Wrote Over Three Hundred Short Stories, A Dozen Novels And Two Plays Over A Prolific Career Spanning Three Decades. Though Best Known For His Stories Exposing The Horrors Of Poverty And Social Injustice, He Wrote On A Variety Of Themes With Equal Facility Romance, Satire, Social Dramas, Nationalist Tales, And Yarns Steeped In Folklore. The Co-Wife And Other Stories Brings Together Twenty Classic Tales Of Premchand Which Provide A Glimpse Of The Author S Extraordinary Range And Diversity. While Some Cast A Harrowing Look At Poverty, Reflecting Premchand S Sympathy With The Underdog, Others Expose Human Foibles Without Being Judgmental And Tackle Gender Politics In A Humorous And Ironic Manner. This Collection Also Includes An Imaginative Foray Into Historical Fiction, A Nostalgic Look At Childhood, A Comic Exploration Of The Theme Of Women S Autonomy, And Stories That Reveal The Writer S Profound Empathy With Animals. Ruth Vanita S Sensitive Translation Captures The Power And Beauty Of Premchand S Language, Conveying The Nuances Of The Original And Bringing To Life The Author S Inherent Humanism.

A critical evaluation of Philip Roth—the first of its kind—that takes on the man, the myth, and the work Philip Roth is one of the most renowned writers of our time. From his debut, Goodbye, Columbus, which won the National Book Award in 1960, and the explosion of Portnoy's Complaint in 1969 to his haunting reimagining of Anne Frank's story in The Ghost Writer ten years later and the series of masterworks starting in the mid-eighties—The Counterlife, Patrimony, Operation Shylock, Sabbath's Theater, American Pastoral, The HumanStain—Roth has produced some of the great American literature of the modern era. And yet there has been no major critical work about him until now. Here, at last, is the story of Roth's creative life. Roth Unbound is not a biography—though it contains a wealth of previously undisclosed biographical details and unpublished material—but something ultimately more rewarding: the exploration of a great writer through his art. Claudia Roth Pierpont, a staff writer for The New Yorker, has known Roth for nearly a decade. Her carefully researched and gracefully written account is filled with remarks from Roth himself, drawn from their ongoing conversations. Here are insights and anecdotes that will change the way many readers perceive this most controversial and galvanizing writer: a young and unhappily married Roth struggling to write; a wildly successful Roth, after the uproar over Portnoy, working to help writers from Eastern Europe and to get their books known in the West; Roth responding to the early, Jewish—and the later, feminist—attacks on his work. Here are Roth's family, his inspirations, his critics, the full range of his fiction, and his friendships with such figures as Saul Bellow and John Updike. Here is Roth at work and at play. Roth Unbound is a major achievement—a highly readable story that helps us make sense of one of the most vital literary careers of the twentieth and twenty-first centuries.