During the 1930s in the United States, the Works Progress Administration developed the Federal Writers’ Project to support writers and artists while making a national effort to document the country’s shared history and culture. The American Guide series consists of individual guides to each of the states. Little-known authors—many of whom would later become celebrated literary figures—were commissioned to write these important books. John Steinbeck, Saul Bellow, Zora Neale Hurston, and Ralph Ellison are among the more than 6,000 writers, editors, historians, and researchers who documented this celebration of local histories. Photographs, drawings, driving tours, detailed descriptions of towns, and rich cultural details exhibit each state’s unique flavor. The WPA Guide to the Show-Me State of Missouri literally shows the reader the virtues of this lovely region, by including vivid pictures of Art Deco skyscrapers in downtown Kansas City, farm scenes, the Ozark Mountains, and the Missouri and Mississippi Rivers. It includes historical essays about the influence of these rivers on the state as well as Missouri’s important role in the American Civil War.

Originally published during the Great Depression, The WPA Guide nevertheless finds much to celebrate in the heartland of America. Nearly three dozen essays highlight Iowa's demography, economy, and culture but the heart of the book is a detailed traveler's guide, organized as seventeen different tours, that directs the reader to communities of particual social and historical interest.

In 1935 the FDR administration put 40,000 unemployed artists to work in four federal arts projects. The main contribution of one unit, the Federal Writers Project, was the American Guide Series, a collectively composed set of guidebooks to every state, most regions, and many cities, towns, and villages across the United States. The WPA arts projects were poised on the cusp of the modern bureaucratization of culture. They occurred at a moment when the federal government was extending its reach into citizens' daily lives. The 400 guidebooks the teams produced have been widely celebrated as icons of American democracy and diversity. Clumped together, they manifest a lofty role for the project and a heavy responsibility for its teams of writers. The guides assumed the authority of conceptualizing the national identity. In The WPA Guides: Mapping America Christine Bold closely examines this publicized view of the guides and reveals its flaws. Her research in archival materials reveals the negotiations and conflicts between the central editors in Washington and the local people in the states. Race, region, and gender are taken as important categories within which difference and conflict appear. She looks at the guidebook for each of five distinctively different locations -- Idaho, New York City, North Carolina, Missouri, and U.S. One and the Oregon Trail--to assess the editorial plotting of such issues as gender, race, ethnicity, and class. As regionalists jostled with federal officialdom, the faultlines of the project gaped open. Spotlighting the controversies between federal and state bureaucracies, Bold concludes that the image of America that the WPA fostered is closer to fabrication than to actuality. Christine Bold is director of the Centre for Cultural Studies and an associate professor of English at the University of Guelph in Guelph, Ontario.

Autobiographical accounts of former slaves compiled in the 1930s by the Federal Writers Project of the Works Progress Administration.

Once considered a "foolish boondoggle" of Franklin Delano Roosevelt's Works Progress Administration, the Federal Writers' Project was initiated to allow employment opportunity to those associated with the arts during the Great Depression. The American Guide Series became the most successful venture, offering jobs to writers nationwide as each state endeavored to produce a comprehensive guidebook. Under the direction of Charles van Ravenswaay, former director of the Missouri Historical Society, Missouri: A Guide to the "Show Me" State was first published in 1941. Now, in a classic reprint, Missouri Historical Society Press restores this guidebook to its original splendor and returns it to the bookshelves. With a current road map included with the book, travelers can compare sights and tours described in the antiquated guide and see how they have developed or disappeared. As Walter A. Schroeder and Howard W. Marshall describe in the updated introduction, "The `unmarked, dirt road, impassable when wet, ' that we encounter in reading the WPA guide is no longer a hurdle to be negotiated in order to reach an out-of-the-way site." Due to nearly thirty thousand additional miles of paved roadway and endless gas station and motel chains, every corner of Missouri is now easily accessible. And, as Missouri Historical Society President Robert R. Archibald states in the foreword, "If you are the kind of traveler who has no intention of stirring from a comfortable chair near the reading lamp, this reprint is really all the equipment you require for a fascinating journey through the Missouri of the past."

A New York Times Book Review Editors' Choice | Winner of the New Deal Book Award An immersive account of the New Deal project that created state-by-state guidebooks to America, in the midst of the Great Depression—and employed some of the biggest names in American letters The plan was as idealistic as it was audacious—and utterly unprecedented. Take thousands of hard-up writers and put them to work charting a country on the brink of social and economic collapse, with the aim of producing a series of guidebooks to the then forty-eight states—along with hundreds of other publications dedicated to cities, regions, and towns—while also gathering reams of folklore, narratives of formerly enslaved people, and even recipes, all of varying quality, each revealing distinct sensibilities. All this was the singular purview of the Federal Writers’ Project, a division of the Works Progress Administration founded in 1935 to employ jobless writers, from once-bestselling novelists and acclaimed poets to the more dubiously qualified. The FWP took up the lofty goal of rediscovering America in words and soon found itself embroiled in the day’s most heated arguments regarding radical politics, racial inclusion, and the purpose of writing—forcing it to reckon with the promises and failures of both the New Deal and the American experiment itself. Scott Borchert’s Republic of Detours tells the story of this raucous and remarkable undertaking by delving into the experiences of key figures and tracing the FWP from its optimistic early days to its dismemberment by the House Committee on Un-American Activities. We observe notable writers at their day jobs, including Nelson Algren, broke and smarting from the failure of his first novel; Zora Neale Hurston, the most widely published Black woman in the country; and Richard Wright, who arrived in the FWP’s chaotic New York City office on an upward career trajectory courtesy of the WPA. Meanwhile, Ralph Ellison, Studs Terkel, John Cheever, and other future literary stars found encouragement and security on the FWP payroll. By way of these and other stories, Borchert illuminates an essentially noble enterprise that sought to create a broad and inclusive self-portrait of America at a time when the nation’s very identity and future were thrown into question. As the United States enters a new era of economic distress, political strife, and culture-industry turmoil, this book’s lessons are urgent and strong.

The Ozarks region-spanning parts of Missouri, Arkansas, and Oklahoma-overflows with visible fragments of the past. A Living History of the Ozarks is a guide to the region through landmarks and sites which offer clues to its intriguing history. This splendorous land inspired Phyllis Rossiter, a native of the Ozarks, to write about the area to help people learn to appreciate its beauty and to recognize our dependence upon nature. "I feel that it's important to safeguard what we have left," says Rossiter. "In my writing, if I can help achieve that, then that's what I want to do-to help people acquire an appreciation for nature." Abounding with sparkling lakes and rivers (including the great Lake of the Ozarks), clear blue springs, rugged mountains, ancient caves, and windswept prairies, the Ozarks are a visitor's wonderland of natural beauty and legendary mystique. Author Phyllis Rossiter explores the major areas that make up the storied Ozarks. The Lake of the Ozarks region, the Springfield plateau, Ozark mountain country, the Buffalo National River, White River Hills, and the Big Spring region are all covered in depth. A detailed appendix lists places to view ongoing history such as caves and rock formations, Indian artifacts, bridges and ferries, gristmills, Civil War monuments, heritage crafts, mountain music, hiking trails, floatable rivers, national parks, and more. Offering keen insight on the area's history, as well as a complete guide to the sites and scenic spots of this popular American vacation destination, this book is a marvelous documentation of "living history" for tourists and interested area residents alike. Phyllis Rossiter resides in Gainesville, Missouri, where she is an active writer, photographer, conservationist, and lecturer. She is a member of the Missouri Writers Guild, the Ozarks Writers League, the Society of Children's Book Writers, and the Outdoor Writers of America.

During the Great Depression of the 1930s thousands of writers were hired by the Works Project Administration to create hundreds of guidebooks on all of the states in the U.S. These volumes that were produced became known as the American Guide Series. This series has been described as the biggest, fastest and most original research job in the history of the world. No library collection in Kentucky would be complete without a copy of Kentucky: A Guide To The Bluegrass State.