Quentin Reynolds, noted author and columnist for Colliers magazine, was among the select group of American correspondents that recorded and recounted the Second World War in Europe from the very beginning. In this witty, perceptive and personal account the author tells of the fall of France and the Battle of Britain. “Collier’s our reporter tells the inside story of everyday life in England, particularly in London, and makes you feel, for sure “‘there’ll always be an England’”. No mawkish sentimentality here, but cold hard facts about people, conditions and life and death. Reynolds was there in time to see France Collapse and he bears witness to the courage of the French soldiers, bewildered and betrayed by their leaders. He escaped south to Bordeaux, he got to England, to Ireland. He sees the Englishman in his home, his pub, his factory, his hospital, his airfield, his shelter. You meet R.A.F. men, labor leaders, members of the cabinet. Without belittling the punishment England is taking, he gives you confidence in their survival. Interesting and enlightening reading.”-Kirkus Reviews.

This is a new release of the original 1940 edition.

Born in a small South Georgia town in 1946, Bay McQueen, a beautiful African American woman, struggles to understand the turbulent world around her. Her unstable home life creates problems, especially since her parents know nothing about raising three daughters. Worse, she discovers prejudice against her from other African Americans simply because she has a darker complexion. Bay is a teenager during the 1960s when the South becomes a hotbed of political and civil unrest. Several months after Bay graduates from high school, her mother pressures her to fi nd work. She makes an appointment at the employment agency and meets Bill Durkeston, a young employment officer who also happens to be white and the sparks between the two are immediate. Bill helps Bay acquire her fi rst job as a bank teller, and it is clear that he is smitten by her beauty. But the racial taboos discourage Bay from pursuing the relationship. Unfortunately, she can't stop thinking about Bill, even after he marries someone else. He feels the same, and their desire for each other never subsides. Filled with vivid details of the South during the 1960s, The Wounded Whole is a compelling novel of love, race relations, and the illusion of reality.

Reunited with her ex, a military vet faces internal battles and physical danger in this romantic suspense tale by a New York Times–bestselling author. Mariah Conrad has come home. Badly wounded on active duty in Afghanistan and finally released stateside, she has no family to call on and nowhere to go—until Quinn Walker arrives at her bedside. Quinn . . . her brother-in-arms, ex-lover and now maybe her future. Quinn brings Mariah to his log cabin in the Appalachian Mountains of Kentucky to rest and recuperate both physically and emotionally. While she’s incredibly grateful, Mariah is also confused and frustrated. She’s always stood on her own two feet, but now even that can literally be torture. She’s having flashbacks and blackouts, hearing helicopter noises in the night. She wants to push Quinn away—and hold him closer than ever. But will she get the chance? Those helicopters are more than just post-traumatic stress; they’re real—and dangerous. Bad things are happening on the mountain. Suddenly there’s a battle to be fought on the home front, and no guarantee of survival.

The Wounded River takes the reader back more than 130 years to reveal a marvelous, first-hand account of nineteenth-century warfare. In the process, the work cuts the legends and mythology that have come to frame and define accounts of America's bloodiest war. Of equal significance, Peter Josyph's editorial work on this superb collection of letters from the Western Americana Division of Yale University's Beinecke Rare Book and Manuscripts Library enhances and clarifies Lauderdale's experinces as a surgeon aboard the U.S. Army hospital ship D. A. January. The reader looks on while Lauderdale, a New York civilian contract surgeon, operates on hundreds of Confederate and Union wounded. The young doctor's clear writing style and his great compassion for these unfortunate men whose bodies were ripped apart by bullets, shell fragments, and bayonets permits us to catch a disturbiing glimpse of what modern warfare does to humanity. Finally, we learn of Lauderdale's motives for volunteering, his impressions of the "hospital ship" D. A. January, Confederate morale, the Abolitionist cause, and black slavery. The Wounded River is a must read for anyone interested in the real American Civil War.

James Maloneys start in life was rooted in abuse, rejection, and fear. As a teenager, facing thoughts of suicide, he cried out to God, If Youre real, You're going to have to reveal Yourself to me. Jesus Christ appeared to James in a cloud of glory and told him, I have heard your cry for acceptance. I have heard your cry for reality, and I love you just the way you are. Like many others in this world, James suffered under severe wounds of rejection stemming from physical and emotional abuse as a child. He labored under fear and isolation. Even so, his moving testimony shows Jesus as the Great Physicianone who can uproot any issue and touch any person and make them whole, no matter how wounded they may be. The Wounded Cry is a dynamic, true story of one young mans search for acceptance and love, and how a touch from God can turn any horrible situation into a praise report of His glory.

Mark Holloway doesn't want to talk about the bloody history of New Zealand and its people but he discovers that God does. God explains how we got into the mess of racial tension we're in, that neither is without guilt. He unfolds the reason he brought Māori and Pākehā to New Zealand - a reason that would ultimately change the entire world.

E. T. A. Hoffmann’s classic tales of Gothic horror and fantasy are presented in a new translation accompanying the beguiling drawings of Natalie Frank E. T. A. Hoffmann (1776–1822) was one of the greatest German Romantic authors of fantasy and a pioneer in the genre we now call Gothic horror. His innovative stories explore ideas of madness, genius, doppelgängers, artificial intelligence, and the boundaries between realities and dreams. Artist Natalie Frank and leading fairy-tale scholar Jack Zipes have joined forces in this lavishly illustrated volume of five of Hoffmann’s most influential tales: The Golden Pot, The Sandman, The Nutcracker and the Mouse King, The Mystifying Child, and The Mines of Falun. In addition to offering fresh translations, Zipes introduces the project and sheds light on how Hoffmann’s lifetime of personal traumas shaped his writing. Frank’s richly rendered gouache and chalk pastels reveal Hoffmann’s worlds in full-page drawings and marginalia. Pivotal scenes of transformation, courage, love, desire, and betrayal are illustrated through a feminist lens, focusing on strong, self-aware female characters. A foreword by novelist Karen Russell delves into the influence the tales had on her own literary career and the ways in which she emulates Hoffmann today. The Wounded Storyteller will introduce Hoffmann’s timeless work to a new generation of readers.

If you've ever been there,you've never forgotten. The feeling is as haunting and familiar as the smellof a junior high school locker room. It's the feeling of being undersized ... or oversized ... or klutzy ... or less than beautiful. Of being a nerd ... or a geek ... or just, somehow, different. It's knowing you are vulnerable-and someone is ready and willing to take full advantage of your weakness by making your life miserable. It's the fraternity you never wanted to join-the fellowship of the wounded spirit. And bestselling novelist Frank Peretti is a member, too. This book is the haunting true story of pain Frank Peretti never forgot but never, until recently, shared with the world. It's the story of growing up with a medical condition that left him disfigured. A series of surgeries and the slow miracle of answered prayer took care of the deformity, but not the underdeveloped frame or the excruciating reality of being different. And it was for these petty "crimes" that Peretti was prosecuted every day at school-especially in gym class, but also in the halls, on the school grounds, even in his own neighborhood. No wonder he found himself relating to movie monsters who were hated but also feared-and who eventually exacted a bloody revenge on their tormentors! In Peretti's case, deliverance eventually came-through time, through prayer, through a teacher's caring intervention, and his own willingness to seek help. But he has never forgotten what life was like at the bottom of the junior high foodchain. And from the reservoir of those agonizing memories he sends a compelling message to victims, to bullies, and to authorities who have the power to intervene-that it's never OK for the strong to abuse the weak. And that we allow such abuse at the expense of our souls ... and our very civilization. Especially in the wake of the massacre at Columbine High School-perpetuated by two troubled but also tormented outsiders--this message takes on haunting resonance. Frank Peretti believes we cannot afford to overlook the continuing reality of wounded spirits, not only in our schools, but in our homes, churches, and workplaces. His approach is both tender and tough as he issues a ringing call for a change in attitude. It's a call for all of us to stop thinking of abuse as "normal," even among kids. It's a call for the strong to stand up and protect the weak, not prey upon them. It's a call for those in authority to pay attention to the violence being done to the vulnerable in the midst of our everyday lives and to take action to help. Most of all, it's a call for bullies and victims alike (many of us are both) to seek the healing and forgiveness offered in Jesus Christ. For that healing is really the heart of this book-the only reality that can break the natural cycle of victimization and abuse. Only in Christ, Peretti reminds, is there hope for the wounded spirits-but that hope ispowerful enough to change everything.