Terry Flynt is a struggling legal clerk, desperately trying to get promoted. And then he is given the biggest opportunity of his career: to help defend a millionaire accused of murdering a woman in his hotel suite. The only problem is that the accused man, Vernon James, turns out to be not only someone he knows, but someone he loathes. This case could potentially make Terry's career, but how can he defend a former friend who betrayed him so badly?With the trial date looming, Terry delves deeper into Vernon's life and is forced to confront secrets from their shared past that could have devastating consequences for them both. For years he has wanted to witness Vernon's downfall, but with so much at stake, how can Terry be sure that he is guilty? And what choices must he make to ensure that justice is done?

The horrific killing of two young Edinburgh women in October 1977 sparked a nationwide manhunt that turned into one of Britain's longest and most famous murder investigations. In The World's End Murders, Tom Wood and David Johnston tell the story of two innocent young women, Helen Scott and Christine Eadie, and of the extraordinary commitment of the police enquiry over three decades that eventually led to the discovery of links to their deaths with Angus Sinclair, one of Scotland's most notorious murderers and sex offenders But this is not a gruesome tale of murder. It is a story of heroes - of the families of Helen and Christine who, with quiet dignity, have carried an unimaginable burden down the years, and of the police officers, the support staff and the scientists who persisted in their investigations and never gave up. This edition has been fully updated to cover the sensational retrial of Angus Sinclair after he was acquitted in 2010. Angus Sinclair is the first person in Scottish legal history ever to have been tried for the same crime twice.

Everything you need to effectively defend the truths of the Bible and the beliefs of the Christian faith. Winner of the 2018 ECPA Christian Book award for Bible Reference Works. The truth of the Bible doesn't change, but its critics do. Now with his son, Sean McDowell, speaker and author Josh McDowell has updated and expanded the modern apologetics classic for a new generation. Evidence That Demands a Verdict provides an expansive defense of Christianity's core truths, rebuttals to some recent and popular forms of skepticism, and insightful responses to the Bible's most difficult and misused passages. It invites readers to bring their doubts and doesn't shy away from the tough questions. Topics and questions are covered in four main parts: Evidence for the Bible Evidence for Jesus Evidence for the Old Testament Evidence for Truth Also included, you'll find: An introduction about the biblical mandate to defend one's faith and why our faith is built on facts. A prologue describing why we live in a theistic universe. A closing response to the specific challenges of atheist New Testament scholar Bart Ehrman. Two reflections: "How to Know God Personally" and "He Changed My Life." Serving as a go-to reference for even the toughest questions, Evidence that Demands a Verdict continues to encourage and strengthen millions by providing Christians the answers they need to defend their faith against the harshest critics and skeptics. "Here's a treasure trove of apologetic gems! This is an indispensable book that all Christians should keep within reach." —Lee Strobel, bestselling author of The Case for Christ

First published in 1962, this is the biography of American journalist, novelist and screenwriter Adela Rogers St. Johns’ father, Earl Rogers, a renowned Los Angeles criminal defense lawyer in the early 20th century. St. Johns draws on a succession of her father’s well-known court trials, including the trial that centered on perhaps the most famous lawyer-client disagreements recorded in legal history: those that developed between Clarence Darrow, indicted for attempted jury bribery in Los Angeles in 1912, and Earl Rogers himself. St. Johns’ fascinating book was adapted for a TNT television film of the same name in 1991, starring Treat Williams as Earl Rogers and Olivia Burnette as the young Adela Rogers St. Johns.

Today, war is considered a last resort for resolving disagreements. But a day of staged slaughter on the battlefield was once seen as a legitimate means of settling political disputes. James Whitman argues that pitched battle was essentially a trial with a lawful verdict. And when this contained form of battle ceased to exist, the law of victory gave way to the rule of unbridled force. The Verdict of Battle explains why the ritualized violence of the past was more effective than modern warfare in bringing carnage to an end, and why humanitarian laws that cling to a notion of war as evil have led to longer, more barbaric conflicts. Belief that sovereigns could, by rights, wage war for profit made the eighteenth century battle’s golden age. A pitched battle was understood as a kind of legal proceeding in which both sides agreed to be bound by the result. To the victor went the spoils, including the fate of kingdoms. But with the nineteenth-century decline of monarchical legitimacy and the rise of republican sentiment, the public no longer accepted the verdict of pitched battles. Ideology rather than politics became war’s just cause. And because modern humanitarian law provided no means for declaring a victor or dispensing spoils at the end of battle, the violence of war dragged on. The most dangerous wars, Whitman asserts in this iconoclastic tour de force, are the lawless wars we wage today to remake the world in the name of higher moral imperatives.