It'd be hard to find anyone interested in comic books and their history who hasn't heard of Todd McFarlane's legal woes, but very few outside of McFarlane's immediate circle know just how many legal fights he was facing as the 1990s closed. Virtually all of McFarlane's court cases came down to three decisions, made by him alone. The first was to name a mobster in his Spawn comic after a hockey player, Tony Twist. The second was to hire Neil Gaiman to write a single issue of Spawn and the third came when he decided to buy all the remaining assets from Eclipse Comics at their bankruptcy sale. The first decision led to the Tony Twist trial, last two choices lead to Neil Gaiman filing suit and, ultimately, winning a portion of the Spawn universe and the hotly sought after, by some, character Miracleman.The Tony Twist trial was the beginning of a long, long period of uncertainty for Todd McFarlane and very nearly brought down the empire that he'd worked so hard to build. At its worst point, McFarlane was fighting to save his companies, to keep his characters and simply to survive. He was facing battles from several fronts, from people he did not previously personally know in the form of Tony Twist, to those whom he'd collaborated with, in the form of Neil Gaiman and also in bankruptcy courts. Clearly the fight that cost him the most, in pure financial terms, was that brought against him by Tony Twist. It would take years, and millions of dollars, to finally resolve. But the fight that potentially hurt him the most, both personally and professionally, was the one brought by Gaiman, as it gave the impression that McFarlane had appropriated characters created by Gaiman (albeit within the confines of the Spawn universe, along with Miracleman - but that's a book in itself) without proper accounting, permission or payments. This, to the comic book industry at large, showed McFarlane to be no better than the corporations that he'd spent years rallying against - Marvel and DC Comics. It would take the better part of two decades before McFarlane would emerge free and clear from these fights. He came out of it battered, bruised, facing charges of hypocrisy and with a serious hit to his reputation, but he wasn't totally beaten. Despite those who wished to see McFarlane fall completely from grace, he emerged relatively intact.

IT’S HERE: THE OFFICIAL INTRODUCTION TO THE LONG-AWAITED SPAWN’S UNIVERSE! A double-sized issue that begins a storyline so huge that three NEW SPAWN-related monthly titles will spill out from it, including… A new SPAWN title. GUNSLINGER SPAWN monthly. And a new TEAM book bringing a handful of these characters together in their own book. With this one-shot…the world of SPAWN changes forever! New heroes. New villains, and more importantly, new titles coming to a comic shop near you. Join this list of artists as we unveil a historic moment in the mythology of SPAWN’S UNIVERSE: JIM CHEUNG TODD McFARLANE STEPHEN SEGOVIA MARCIO TAKARA

TODD McFARLANE returns to pencil and ink SPAWN #301 with GREG CAPULLO, JASON SHAWN ALEXANDER, CLAYTON CRAIN, JEROME OPEÑA, and FRANCESCO MATTINA, and even more surprises to come in the record-breaking, longest-running creator-owned comic book in history!

This edition collects what was, at that time, the highest-selling comic book being published--the second volume of Spider-Man stories by Todd McFarlane, whose modern style redefined how a generation saw the web-slinger.

"THE LIFE AND DEATHS OF AL SIMMONS," Part One The road to SPAWN's record-setting 300th issue BEGINS HERE!!! Witness the secrets of Al Simmons past, present and future!!! Every hero! Every villain! Revisit Spawn's legend in an epic, wide-screen story from critically acclaimed illustrator, JASON SHAWN ALEXANDER, and legendary creator, TODD McFARLANE!

"Cult of Omega" (Part One) SPAWN raises some of the 'dead' as he storms a palace that has been hiding the secrets of a hidden society whose members can combine to become more powerful than any SPAWN throughout time! Lead by their new king... the OMEGA SPAWN! TODD McFARLANE and Carlo Barberi launch an exciting and dangerous new chapter for SPAWN!

SPAWN MAKES HISTORY! With this 300th issue, SPAWN becomes the longest-running independent series in comic book history. To celebrate, legendary artists TODD McFARLANE and GREG CAPULLO return with ALL-NEW interior pencils, with additional art provided by JASON SHAWN ALEXANDER, J. SCOTT CAMPBELL, and JEROME Opeña, a cavalcade of celebratory covers, and additional writing by SCOTT SNYDER! And next month, RECORDS WILL BE BROKEN with SPAWN #301! Retailers: see order form for incentives.

Todd McFarlane became a superstar illustrating the Amazing Spider-Man, but he changed the industry forever with his next project: the "adjectiveless" solo title SPIDER-MAN! Taking on both writing and art duties, McFarlane ushered Peter Parker into a gritty new era - and it began with Torment! When blood washes the Big Apple's streets, the webslinger heads into the sewers to stop the homicidal rampage of the Lizard. But what is driving his old friend and foe? Plus, in the ultimate Nineties team-up, Spidey joins X-Force to battle the unstoppable Juggernaut! COLLECTING: SPIDER-MAN (1990) 1-14, 16; X-FORCE (1991) 4

Blood washes the streets of the Big Apple. Torment plunges Spider-Man into the darkness within us all as he hunts the Lizard through the streets and sewars of New York City, trying to put an end to the bloodthirsty, homicidal rampage left in his wake. But what is driving the Lizard? Is it an answer that Spider-Man is prepared to face? Or will it be so shocking that it will make even the most courageous hero question his sanity? Collects Spider-Man #1-5.

Showcasing Todd McFarlane's unique art style, which burst onto the comic book scene in the late 1980s and forever changed the landscape of comic book art. Features art from original comic art boards, rare, never-before-seen sketches, as well as art from McFarlane's work on Batman, Spider-Man, and the Hulk (amongst many others), and his own top-selling creation, Spawn. Also features selected commentary by the artist himself.