Occitania, known today as the "south of France," had its own language and culture in the Middle Ages. Its troubadours created "courtly love" and a new poetic language in the vernacular, which were to influence European literature for centuries. There are many books on the troubadours, but this is the first comprehensive study of the society in which they lived. For readers of literature it offers a wide-ranging insight into the realities that lay behind the poetic mystique. For historians it opens up an important and neglected area of medieval Europe.

Fredric L. Cheyette's illustrated book is a biography of an extraordinary warrior woman and of a unique, vulnerable, doomed society. Throughout her long reign, viscountess Ermengard roamed Occitania receiving oaths of fidelity, negotiating treaties, settling disputes among the lords of her lands, and camping with her armies before the walls of besieged cities.

This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning of the history of modern European verse, the troubadours were the prime poets and composers of the twelfth and thirteenth centuries in the South of France. No study of medieval literature is complete without an examination of the courtly love which is celebrated in the elaborately rhymed stanzas of troubadour verse, creations whose words and melodies were imitated by poets and musicians all over medieval Europe. The words of about 2,500 troubadour songs have survived, along with 250 melodies, and all have come under intense scholarly scrutiny. This Handbook brings together the fruits of this scrutiny, giving teachers and students an overview of the fundamental issues in troubadour scholarship. All quotations are given in the original Old Occitan and in English. The editors provide a list of troubadour editions and an index, and each chapter includes a list of additional readings. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. This book is a reference volume and a digest of more than a century of scholarly work on troubadour poetry. Written by leading scholars, it summarizes the current consensus on the various facets of troubadour studies. Standing at the beginning

The dazzling culture of the troubadours - the virtuosity of their songs, the subtlety of their exploration of love, and the glamorous international careers some troubadours enjoyed - fascinated contemporaries and had a lasting influence on European life and literature. Apart from the refined love songs for which the troubadours are renowned, the tradition includes political and satirical poetry, devotional lyrics and bawdy or zany poems. It is also in the troubadour song-books that the only substantial collection of medieval lyrics by women is preserved. This book offers a general introduction to the troubadours. Its sixteen newly-commissioned essays, written by leading scholars from Britain, the US, France, Italy and Spain, trace the historical development and setting of troubadour song, engage with the main trends in troubadour criticism, and examine the reception of troubadour poetry. Appendices offer an invaluable guide to the troubadours, to technical vocabulary, to research tools and to surviving manuscripts.

The author offers an accessible overview of the vibrant personal and intellectual developments in the medieval court and monasteries during Eleanor of Aquitaine's lifetime. Primary documents, biographical material and thematic chapters bring this unique period to life. Eleanor of Aquitaine lived in a remarkable age. The 12th century saw significant advances in both the intellectual and emotional spheres. Scholars explored new areas of philosophy and science and also began to reflect on relationships and what it meant to be human and an individual. For the troubadours and the writers of the new romances, who composed in vernacular language, the focus of their works was the expression of personal feelings and the image of the feminine. Women had had more significant parts to play in the first millennium than in the second, because with the militarization of Europe and the emergence of universities, from which women were excluded, they lost much of their influence. This created an imbalance in society and it is within this context that Eleanor's life should be reviewed. The period is sometimes called the Twelfth Century Awakening due to the outpouring of extraordinary intellectual inquiry and discovery. Cathedral schools and universities, Islamic influence on European thought, the classical revival, vernacular literature, and Gothic architecture all exerted powerful pulls on the era's culture and politics. Accounts of Eleanor of Aquitaine's life provides a rare glimpse into women's lives during the medieval period, and though an admittedly extraordinary figure, we are able to draw some general conclusions about marriage and motherhood. Troubadours and courtly love, which revolved around declarations of service, devotion, and passion, and an emerging sense of the self. Thematic chapters hit the major topics, laying them out in clear and easy-to-follow writing. Nineteen biographical sketches bring to life the topics, and 15 primary documents, including songs, letters, and poems provide a close-up glimpse of how the people of the time saw their own world. Genealogical tables, maps, chronology, and a timeline provide useful and information quickly. The book concludes with an annotated bibliography and an index.

The lyrics of medieval "courtly love" songs are characteristically self-conscious. Giving Voice to Love investigates similar self-consciousness in the musical settings. Moments and examples where voice, melody, rhythm, form, and genre seem to comment on music itself tell us about musical responses to the courtly chanson tradition, and musical reflections on the complexity of self-expression.

Introduction to the Updated Expanded Edition With the feedback from our readers we expanded our first edition's content. We have fixed the few errors and rare factual inaccuracies we had found. Several readers asked that we look at and make meaning about more of their songs. We have done that with three (see next page): 'Question, ' 'New Horizons, ' and 'I'm just a singer' (in a R&R band). Just after completing this book we went on their first "Moodies Cruise" and now include a summary of our experience there. We obtained the new Timeless Flight box set that was released three months after this book and listened to the CDs and watched its DVD video material. We also read their extensive accompanying "coffee table" sized book. We have read the many online comments on this box set and have included a relevant few of them in our 7 page review of this large box set. This is a landmark book by two long-time Moody Blues fans. In this book we examine and bring to light the music and message of this great band of poets and musicians who have produced hit music for almost 50 years! Here's a little on what our book is about and the areas that we explore: How they are unique among bands and music groups What critics and others have said The nature of their musical magic and message How the Moodies' words and music work, song by song Using 7 levels of listening to their music Why listening to their music raises our consciousness How their fans have listened consistently for so long Why they have excelled for nearly ve decades From the Foreword by Moody Blues co-founder, keyboardist and vocalist Mike Pinder "It was very interesting to read Charles and Barbara Whitfield's interpretations of our music and message. They suggest clear and useful ideas and ways for those who are newly exploring our music and for the many who have been on this journey with us from the beginning. I have always been interested in the broader qualities of music to inform, heal, raise consciousness and uplift. This was often on my mind when I wrote a song or painted the backdrop for others in the band with counter melodies and my Mellotron. In contrast to most observers of our music, I saw how the authors here delve below the surface and give us an enjoyable interpretation of our words and music. They examine essentially their every aspect. Not only do they address our lyrics from a scholarly and poetic perspective, but they offer us some insightful and sometimes surprising interpretations of them beyond what many listeners and fans may consider. Music has changed our world. It has the potential for reaching within, opening our minds and our hearts to the power of Universal Love. It transforms, strengthens, relaxes, teaches and enlightens us. The Whitfields realize these truths and give us a strong base from which to experientially understand them. They integrate the many positive messages of our words and music by giving us a clear and constructive map of healing that is on the cutting edge of psychology, consciousness studies and spirituality. Memories are also closely associated with music. I have always thought that we hang our memories on the shape of sound. With memorable melodies, counter melodies and instrumentation we were able to create soundscapes for many to hang the best memories of their lives. Those of us who remember the 1960s and beyond will appreciate their attention to the detail of our works and the history of how it all came about. They show us how the Moodies have expressed, preserved and continue to remind us of the message and wisdom of the 60s by keeping it so alive. And how there was a natural spirituality that still lives in all of us and that is manifested in our descriptions of Love."

Kin to the Wind is the memoir of Moro, a gifted virtuoso guitarist and composer, who first played (and wrote his first composition) when he was six and performed his first of many concerts when he was twelve. The book recounts his journeys as he traveled the world as a troubadour, using only his guitar performances as currency. This talented former member of the world-famous New Christy Minstrels played in over 50 countries—in royal palaces, African casbahs, and even on a British warship in trade for his passage across the Indian Ocean. Bedouin smugglers took him across the Arabian Desert in their camel caravan, listening to his music beneath desert stars. While he was in Bangkok giving a command performance for Their Majesties King Bhumibol and Queen Sirikit of Thailand, the U.S. military invited him to play for the troops at their jungle camps. And he became the first entertainer to perform for American forces in the Vietnam conflict. He was also the first entertainer to appear at Paul Newman's famous 1960s exclusive Hollywood discotheque, THE FACTORY, where he played nightly. He followed that with an engagement at Howard Hughes' CABARET ROOM in Las Vegas where Mr. Hughes personally came to hear him. An Italian duchess who found him performing with a street-dancing flamenco troupe of gypsies in 1961 assisted him in obtaining a visa for Algeria where he then toured—during the violent Seven Years' War—and S.A.O. terrorists captured and held him. He played for them, literally for his life, whereupon they gave him money and let him go. Moro's memoir is an account of life's magic, suffused with an almost childlike innocence in his pursuit of dreams and his belief in the goodness of people the world over.

This work offers an edition and translation of some 30 poems by the trobairitz, a remarkable group of women poets from the twelfth and thirteenth centuries, who composed in the style and language of the troubadours. Introductory essays and notes by specialists in the field place the poems in literary, linguistic, historical, social and cultural contexts. English versions facing Occitan texts elucidate the original language and themes, while supplying poems that can be enjoyed by contemporary readers . The varied corpus includes love songs (cansos), debate poems (tensos), political satires (sirventes) and other lyrical sub-genres (including dawn-song, lament, ballad, chanson de mal mariee). To represent the range of female voices available in the lyric corpus of the troubadours, the editors have selected songs consistently attributed to historically documented women poets, as well as songs whose authorship is open to question. The latter may be presented by the manuscripts with or without a named woman poet, but all offer female speakers personae characteristic of troubadour poets in general.

"The Music of the Troubadours is the first comprehensive critical study of the extant melodies of the troubadours of Occitania. It begins with an overview of their social and political milieu in the twelfth and thirteenth centuries, then provides brief biographies of the troubadours whose music survives. The four manuscripts that transmit this music are described in detail, with attention to their genesis in the overlapping roles of composers, singers, and scribes"--Back cover