Annotation. This edited collection is the first to explore the implications of "Quantum Aesthetics" for social life. Contributors, who represent various disciplines, apply this philosophy to their respective fields of study.

This volume reprints Paul Forman's classic papers on the history of the scientific profession in post-World War I Germany and the invention of quantum mechanics. The Forman thesis became famous for its demonstration of the cultural conditioning of scientific knowledge, in particular by showing the historical connection between the culture of Weimar Germany — known for its irrationality and antiscientism — and the emerging concept of quantum acausality. From the moment of its publication, Forman's research provoked intense historical and philosophical debates. In 2007, participants at an international conference in Vancouver, Canada, discussed the implications of the Forman thesis for contemporary historiography. Their contributions collected in this volume represent cutting-edge research on the history of the quantum revolution and of German science.

Episodic and disconnected, much of postmodern fiction mirrors the world as quantum theorists describe it, according to Samuel Chase Coale. In Quirks of the Quantum, Coale shows how the doubts, misgivings, and ambiguities reflected in the postmodern American novel have been influenced by the metaphors and models of quantum theory. Coale explains the basic facets of quantum theory in lay terms and then applies them to a selection of texts, including Don DeLillo's Underworld, Joan Didion's Democracy, and Thomas Pynchon's Against the Day. Using a new approach to literature and culture, this book aims to bridge the gap between science and the humanities by suggesting the many areas where they connect.

Most of us are unaware of how much we depend on quantum mechanics on a day-to-day basis. Using illustrations and examples from science fiction pulp magazines and comic books, The Amazing Story of Quantum Mechanics explains the fundamental principles of quantum mechanics that underlie the world we live in. Watch a Video

The book offers a fresh look on man, cultures, and societies built on the current advances in the fields of quantum mechanics, quantum philosophy, and quantum consciousness. The authors have developed an inspiring theoretical framework transcending the boundaries of particular disciplines in social sciences and the humanities. Quantum anthropology is a perspective, studying man, culture, and humanity while taking into account the quantum nature of our reality. This framework redefines current anthropological theory in a new light, and provides an interdisciplinary overlap reaching to psychology, sociology, and consciousness studies. Contents 1. Introduction: Why Quantum Anthropology? 2. Empirical and Nonempirical Reality 3. Appearance, Frames, Intra-Acting Agencies, and Observer Effect 4. Emergence of Man and Culture 5. Fields, Groups, Cultures, and Social Complexity 6. Man as Embodiment 7. Collective Consciousness and Collective Unconscious in Anthropology 8. Life Trajectories of Man, Cultures and Societies 9. Death and Final Collapses of Cultures and Societies 10. Language, Collapse of Wave Function, and Deconstruction 11. Myth and Entanglement 12. Ritual, Observer Effect, and Collective Consciousness 13. Conclusions and Future Directions

“Anyone who is not shocked by quantum theory has not understood it.” Since Niels Bohr said this many years ago, quantum mechanics has only been getting more shocking. We now realize that it’s not really telling us that “weird” things happen out of sight, on the tiniest level, in the atomic world: rather, everything is quantum. But if quantum mechanics is correct, what seems obvious and right in our everyday world is built on foundations that don’t seem obvious or right at all—or even possible. An exhilarating tour of the contemporary quantum landscape, Beyond Weird is a book about what quantum physics really means—and what it doesn’t. Science writer Philip Ball offers an up-to-date, accessible account of the quest to come to grips with the most fundamental theory of physical reality, and to explain how its counterintuitive principles underpin the world we experience. Over the past decade it has become clear that quantum physics is less a theory about particles and waves, uncertainty and fuzziness, than a theory about information and knowledge—about what can be known, and how we can know it. Discoveries and experiments over the past few decades have called into question the meanings and limits of space and time, cause and effect, and, ultimately, of knowledge itself. The quantum world Ball shows us isn’t a different world. It is our world, and if anything deserves to be called “weird,” it’s us.

A theoretical physicist and feminist theorist, Karen Barad elaborates her theory of agential realism, a schema that is at once a new epistemology, ontology, and ethics.

Today, quantum information theory is among the most exciting scientific frontiers, attracting billions of dollars in funding and thousands of talented researchers. But as MIT physicist and historian David Kaiser reveals, this cutting-edge field has a surprisingly psychedelic past. How the Hippies Saved Physics introduces us to a band of freewheeling physicists who defied the imperative to "shut up and calculate" and helped to rejuvenate modern physics. For physicists, the 1970s were a time of stagnation. Jobs became scarce, and conformity was encouraged, sometimes stifling exploration of the mysteries of the physical world. Dissatisfied, underemployed, and eternally curious, an eccentric group of physicists in Berkeley, California, banded together to throw off the constraints of the physics mainstream and explore the wilder side of science. Dubbing themselves the "Fundamental Fysiks Group," they pursued an audacious, speculative approach to physics. They studied quantum entanglement and Bell's Theorem through the lens of Eastern mysticism and psychic mind-reading, discussing the latest research while lounging in hot tubs. Some even dabbled with LSD to enhance their creativity. Unlikely as it may seem, these iconoclasts spun modern physics in a new direction, forcing mainstream physicists to pay attention to the strange but exciting underpinnings of quantum theory. A lively, entertaining story that illuminates the relationship between creativity and scientific progress, How the Hippies Saved Physics takes us to a time when only the unlikeliest heroes could break the science world out of its rut.

Caro and Murphy introduce the philosophy of Quantum Aesthetics—a theoretical framework developed by Spanish-language theorists that has spread throughout the world in the last three years—to an English-speaking audience. In order to achieve this, writers from around the world were asked to either apply quantum aesthetics philosophy to their respective areas of study, or write about their current work within this theoretical framework. Chapters are devoted to the history of quantum aesthetics, quantum art, quantum literature, quantum politics, quantum anthropology, and so forth. In the end, the general elements of a quantum culture are outlined, and the differences that this culture shows with respect to old conceptualizations of this domain are explained. With respect to the field of cultural studies, this new approach to cultural analysis changes how societies can be investigated as well as provides cultural studies with a more comprehensive and integrated framework. Specifically noteworthy is that quantum aesthetics is less reductionistic than research strategies of the past. A provocative collection for scholars, students, and other researchers involved with the sociology of culture, cultural studies, social philosophy, and sociological theory.

While the physical sciences are a continuously evolving source of technology and of understanding about our world, they have become so specialized and rely on so much prerequisite knowledge that for many people today the divide between the sciences and the humanities seems even greater than it was when C. P. Snow delivered his famous 1959 lecture,