The commedia dell'arte was an improvised drama performed by masked players. How did the actors react to these demands and limitations? What force kept this form of theatre alive for more than two centuries and made Harlequin such a potent image? In this study of the commedia dell'arte, originally published in 1987, Professor Nicoll's concern is not to provide an historical survey of its origins or to trace the ascent and descent of Harlequin or any or any other character or 'mask', but rather to explore critically the answers to these and related questions. His arguments are based on the evidence of the play scenarios and contemporary documents as far as possible, and are illuminated by many illustrations that are either little-known or had not previously been reproduced.

"Every society honors its live conformists and its dead troublemakers." In an ancient world divided by colors, where everyone wears masks, superstitions abound, and mysterious creatures called the Harlequins exist... Here, a clever teen of the Black Chromes named Asheva loses everything he's ever known and embarks on a treacherous and exciting journey that takes him through the wild forests of the Black Nation to the vast plains of Ayas, a Blue Chrome city of astounding beauty, where further danger lies. But the journey will also result in an astounding truth, when Asheva ultimately discovers that beneath the masks all Chromes wear, nothing is what it seems.

'They will play with us, then destroy us... They are what we fear in the dark.' The first warning is unexpected, calculated. The second warning is a gift: a plain white mask, carefully wrapped. But white is good - white means we are only being watched. It seems the power that connects me, Anita Blake, with Jean-Claude Vampire Master of the City and Richard, leader of the werewolves, is attracting very unwelcome attention - from creatures so feared no vampire will willingly speak their name. They are known as the Harlequin, and they have the authority to pass judgement upon me. It is forbidden to speak of the Harlequin unless you've been contacted. And to be contacted is to face a sentence of death.

A financial empire is about to be shattered by a terrifying international conspiracy. Can Desmond help his friend Harlequin save his bank - and his family? Paul Desmond admires his close friend George Harlequin for his impeccable European breeding. Head of a prestigious Swiss bank, Harlequin belongs to a vanishing class of gentlemen whose handshake is their bond. Then their gilded world is blown apart. A computer printout identifies the Harlequin et Cie bank as the target of a gigantic takeover. The mastermind is Basil Yanko, a ruthless financial genius whose instruments are fraud, blackmail and terror. As the conflict moves from Zurich to London, New York and Mexico, Harlequin must become a 'villain by necessity'. Can Desmond help his friend save his bank-and his family? 'A skilfully woven web of fraud, blackmail and murder.' The Sunday Telegraph 'In a tiny group of best-selling novelists, Morris West qualifies as the brains of the organisation.' Time 'The classiest of thrillers.' Daily Mirror

One night with her boss leaves a secretary pregnant and hoping he opens his eyes to love in this sexy romance from a USA Today–bestselling author. He may be the richest man on earth, but self-made Joao Oliviera’s latest deal is personal. To ensure victory, he needs his right-hand woman, Saffron Everhart. But the undeniable tension between them is higher than ever since they finally surrendered to a one-off, emotionally charged night together. And it’s about to skyrocket again, because Joao’s just found out that Saffron is pregnant!

The book charts an extraordinary period in Danish history: the "Press Freedom Period" of 1770-73, in which King Christian 7's physician J.F. Struensee introduced a series of radical enlightenment reforms beginning with the total abolishment of censorship. The book investigates the sudden avalanche of pamphlets and debates, initiating the modern public sphere of Denmark-Norway. Publications show a surprising variety, from serious political, economic, and philosophical treatises over criticism, polemics, ridicule, entertainment, and to spin campaigns, obscenities, libel, threats. A successful coup against Struensee led to his subsequent public execution in Copenhagen, and the latter half of the period saw the gradual smothering of the new public sphere as well as an international pamphlet storm over what was happening in Denmark. Readers all over Europe proved curious to learn about the radical experiment with enlightened absolutism in Denmark; interest was heightened by the involvement of the Danish Queen, the English princess Caroline Matilda to whom Struensee had an intimate relation. The book is a detailed portrayal of a seminal event in the development of the public sphere in Europe.