What happened to the people who remained in the former South Vietnam after the war ended in April 1975? Few of us know. The war-weary United States had turned its attention away from the region, and the Communist leadership closed Vietnam to Western journalists. For more than a decade, little was heard, but retribution against the South Vietnamese was swift and unending. Hundreds of thousands of former South Vietnamese military officers were sent to Reeducation Camps. Expecting a confinement of just ten days, most were incarcerated for years, suffering brutality, starvation and death. The families of prisoners had property and savings confiscated. They were denied jobs and medical care. They lived in poverty. Ultimately, nearly a million Boat People chose to escape Vietnam by sea, taking their chances in fragile overcrowded vessels. Thousands died at the hands of pirates and the unforgiving ocean. This is the true story of Quoc Pham, a former South Vietnamese naval officer, and his wife Kim-Cuong. It tells of the love between a man and a woman and their courage in the face of hopelessness. It is a story of a people of what happened in Vietnam while the world looked away.

DIVExamines what happens to our paradigms of the American south if we understand the "south" hemispherically, to include Latin America and the Caribbean./div

YOU TRUSTED HER YOU SHOULDN'T HAVE Every Monday Ellie looks after her 4-year-old grandson Josh. The love she feels for him is different to anything she's experienced before. The only thing that can mar her happiness is her husband's affair. But he swore it was over, and Ellie has decided to be thankful for what she's got. Then one day, while she's looking after Josh, her husband gets a call from that woman. And in a moment of pure rage, Ellie takes her eyes off her grandson. The accident that happens will change Ellie's life forever. Not least when the police discover that her younger brother died in similar circumstances thirty-five years ago... JANE CORRY - THE QUEEN OF THE TWISTY READ: 'Few writers can match Jane Corry in her compelling portrayals of damaged women and their dangerous liaisons' Cara Hunter, author of Close To Home 'Compulsive, edgy and with some fabulous twists that I didn't see coming!' B A Paris, author of Behind Closed Doors 'Beautifully written...The Dead Ex totally hooked me' Peter James 'The Dead Ex is compelling, twisty and utterly gripping. I couldn't put it down' Emma Curtis 'Suspense, thrills and intelligent storytelling. I highly recommend it!' LJ Ross 'A compelling and deftly plotted thriller, with echoes of Apple Tree Yard, The Dead Ex kept me guessing right until the (shocking) end' Nuala Ellwood 'Fans of psychological thrillers will be hooked after the first page' Closer 'Psychological thriller writing at its very best' SD Sykes 'Jane Corry's experiences working with prisoners adds a unique authenticity to this twisty thriller' Emily Elgar 'A powerful and addictive read' Kate Furnivall 'This twisty tale of love and revenge is a compulsive read' Kate Hamer 'I loved The Dead Ex! Full of twists & turns that come together in the most unexpected fashion.' Louise Jensen, author of The Sister Jane Corry takes you to places you'd never want to go and marshals her plot lines expertly - by the time I finished I had twisted blood' T.A Cotterell 'Jane Corry's writing grabs you at the first page and doesn't let go' Sue Fortin 'Jane Corry explores the dark underbelly of the prison...an intricately plotted thriller with a surprising twist' Sanjida Kay 'Jane Corry hooks us from page one' Jane Holland

Why can't we look away? Whether we admit it or not, we're fascinated by evil. Dark fantasies, morbid curiosities, Schadenfreude: As conventional wisdom has it, these are the symptoms of our wicked side, and we succumb to them at our own peril. But we're still compelled to look whenever we pass a grisly accident on the highway, and there's no slaking our thirst for gory entertainments like horror movies and police procedurals. What makes these spectacles so irresistible? In Everyone Loves a Good Train Wreck, the scholar Eric G. Wilson sets out to discover the source of our attraction to the caustic, drawing on the findings of biologists, sociologists, psychologists, anthropologists, philosophers, theologians, and artists. A professor of English literature and a lifelong student of the macabre, Wilson believes there's something nourishing in darkness. "To repress death is to lose the feeling of life," he writes. "A closeness to death discloses our most fertile energies." His examples are legion, and startling in their diversity. Citing everything from elephant graveyards and Susan Sontag's On Photography to the Tiger Woods sex scandal and Steel Magnolias, Wilson finds heartening truths wherever he confronts death. In Everyone Loves a Good Train Wreck, the perverse is never far from the sublime. The result is a powerful and delightfully provocative defense of what it means to be human—for better and for worse.

Donna Cooner establishes herself as our own Jodi Picoult in this timely tale of sisters, loss, and redemption. Torrey Grey is famous. At least, on the internet. Thousands of people watch her popular videos on fashion and beauty. But when Torrey's sister is killed in an accident -- maybe because of Torrey and her videos -- Torrey's perfect world implodes. Now, strangers online are bashing Torrey. And at her new school, she doesn't know who to trust. Is queen bee Blair only being sweet because of Torrey's internet infamy? What about Raylene, who is decidedly unpopular, but seems accepts Torrey for who she is? And then there's Luis, with his brooding dark eyes, whose family runs the local funeral home. Torrey finds herself drawn to Luis, and his fascinating stories about El Dia de los Muertos, the Day of the Dead. As the Day of the Dead draws near, Torrey will have to really look at her own feelings about death, and life, and everything in between. Can she learn to mourn her sister out of the public eye?

In Can't Look Away, Carola Lovering "delivers another winner...a propulsive page-turner about young love and second chances. You won’t be able to put this down." —Laura Dave, #1 New York Times bestselling author of The Last Thing He Told Me. "Fans of Gillian Flynn and Paula Hawkins will enjoy this one." —Publishers Weekly In 2013, twenty-three-year old Molly Diamond is a barista, dreaming of becoming a writer. One night at a concert in East Williamsburg, she locks eyes with the lead singer, Jake Danner, and can’t look away. Molly and Jake fall quickly and deeply in love, especially after he writes a hit song about her that puts his band on the map. Nearly a decade later, Molly has given up writing and is living in Flynn Cove, Connecticut with her young daughter and her husband Hunter—who is decidedly not Jake Danner. Their life looks picture-perfect, but Molly is lonely; she feels out of place with the other women in their wealthy suburb, and is struggling to conceive their second child. When Sabrina, a newcomer in town, walks into the yoga studio where Molly teaches and confesses her own fertility struggles, Molly believes she's finally found a friend. But Sabrina has her own reasons for moving to Flynn Cove and befriending Molly. And as Sabrina’s secrets are slowly unspooled, her connection to Molly becomes clearer––as do secrets of Molly's own, which she’s worked hard to keep buried. Meanwhile, a new version of Jake's hit song is on the radio, forcing Molly to confront her past and ask the ultimate questions: What happens when life turns out nothing like we thought it would, when we were young and dreaming big? Does growing up mean choosing with your head, rather than your heart? And do we ever truly get over our first love?

Haunted by the terrible secret of their youth, brothers James and Kevin Bannon are bound by blood but divided by war. James marches for the Confederacy, Kevin for the Union. Drawing solace from the women they love, the brothers are swept up in a bloody whirlwind, hurtling toward one of the most unforgettable climaxes in contemporary historical fiction.

The extent and depth of evil confronting us on a daily basis can be overwhelming, so overwhelming we can be tempted to look away from it. After all, with evil lurking around every corner, what difference can a single person make? In fighting the evil of child sex trafficking in Cambodia, and focusing on one life at a time, God has taken Don and Bridget Brewster's seemingly insignificant and unqualified efforts to transform a community known for trafficking all its girls, to one that loves and protects all children. As the Brewsters took the lonely first steps of faith, God brought along others to serve with them. Through the telling of their story, the hope is that you will be challenged and inspired not to look away, but to say yes to fighting evils that surround us. In addition, you will find principles from their successes and warnings from their failures that can be used to fight evil anywhere.

Look Away! considers the U.S. South in relation to Latin America and the Caribbean. Given that some of the major characteristics that mark the South as exceptional within the United States—including the legacies of a plantation economy and slave trade—are common to most of the Americas, Look Away! points to postcolonial studies as perhaps the best perspective from which to comprehend the U.S. South. At the same time it shows how, as part of the United States, the South—both center and margin, victor and defeated, and empire and colony—complicates ideas of the postcolonial. The twenty-two essays in this comparative, interdisciplinary collection rethink southern U.S. identity, race, and the differences and commonalities between the cultural productions and imagined communities of the U.S. South and Latin America. Look Away! presents work by respected scholars in comparative literature, American studies, and Latin American studies. The contributors analyze how writers—including the Martinican Edouard Glissant, the Cuban-American Gustavo Pérez Firmat, and the Trinidad-born, British V. S. Naipaul—have engaged with the southern United States. They explore William Faulkner’s role in Latin American thought and consider his work in relation to that of Gabriel García Márquez and Jorge Luis Borges. Many essays re-examine major topics in southern U.S. culture—such as race, slavery, slave resistance, and the legacies of the past—through the lens of postcolonial theory and postmodern geography. Others discuss the South in relation to the U.S.–Mexico border. Throughout the volume, the contributors consistently reconceptualize U.S. southern culture in a way that acknowledges its postcolonial status without diminishing its distinctiveness. Contributors. Jesse Alemán, Bob Brinkmeyer, Debra Cohen, Deborah Cohn, Michael Dash, Leigh Anne Duck, Wendy Faris, Earl Fitz, George Handley, Steve Hunsaker, Kirsten Silva Gruesz, Dane Johnson, Richard King, Jane Landers, John T. Matthews, Stephanie Merrim, Helen Oakley, Vincent Pérez, John-Michael Rivera, Scott Romine, Jon Smith, Ilan Stavans, Philip Weinstein, Lois Parkinson Zamora

Moving to America turns H&à's life inside out. For all the 10 years of her life, H&à has only known Saigon: the thrills of its markets, the joy of its traditions, the warmth of her friends close by, and the beauty of her very own papaya tree. But now the Vietnam War has reached her home. H&à and her family are forced to flee as Saigon falls, and they board a ship headed toward hope. In America, H&à discovers the foreign world of Alabama: the coldness of its strangers, the dullness of its food, the strange shape of its landscape, and the strength of her very own family. This is the moving story of one girl's year of change, dreams, grief, and healing as she journeys from one country to another, one life to the next.