Maryland high school juniors and best friends Blue Reynolds and Collin Andrews seem to have it all, and when they decide to become party promoters, anything can happen--including being pitted against parents, jealous girlfriends, and even one another.

Shortlisted for the Bristol Teen Book Award 2020 Longlisted for the Branford Boase Award 2021 Nominated for the CILIP Carnegie Medal 2021 ‘Izzy is my hero, and her voice deserves to be heard around the world. Stunning.’ Jennifer Niven, author of All the Bright Places ‘Amy Beashel holds nothing back when confronting rape culture and toxicity; this beautiful book will floor you and deserves to be on every shelf, everywhere.’ Kathleen Glasgow, author of Girl in Pieces Izzy feels invisible. Trapped under the weight of expectation and censored by shame. Her mum Steph and best friend Grace have always been there to save her. But with one under the control of her stepfather and the other caught in the throes of new love, Izzy is falling between the cracks. As threats to her safety grow, Izzy wants to scream. But first she must find her voice. And if the sky is the limit, then the sky is hers. [This book contains material which some readers may find distressing, including discussions of rape, coercive behaviour, domestic violence and abuse.]

Violet Parry is living the quintessential life of luxury in the Hollywood Hills with David, her rock-and-roll manager husband, and her darling toddler, Dot. She has the perfect life -- except that she's deeply unhappy. David expects the world of Violet but gives little of himself in return. When she meets Teddy, a roguish small-time bass player, Violet comes alive, and soon she's risking everything for the chance to find herself again. Also in the picture are David's hilariously high-strung sister, Sally, on the prowl for a successful husband, and Jeremy, the ESPN sportscaster savant who falls into her trap. For all their recklessness, Violet and Sally will discover that David and Jeremy have a few surprises of their own. This One is Mine is a compassionate and wickedly funny satire about our need for more -- and the often disastrous choices we make in the name of happiness.

MONSTER MISCHIEF After some traumatic experiences, Komugi Kusunoki transferred from the city to start a new life in rural Hokkaido. But on her first day of school, the school heartthrob Yū Ōgami blurts out, "You smell good!" Despite the hijinks, Komugi tries to adjust to her new school, but it’s not long before she stumbles across Yū dozing off under a tree. When she attempts to wake him up, he transformed…into a wolf?! It turns out that Yū is one of many other eccentric boys in her class year–and she’s the only one who knows their secret…!

Vivid, bawdy, comic, and arresting, the exciting new novel by the Indonesian phenomenon, Eka Kurniawan Told in short, cinematic bursts, Vengeance Is Mine, All Others Pay Cash is gloriously pulpy. Ajo Kawir, a lower-class Javanese teenage boy excited about sex, likes to spy on fellow villagers in flagrante, but one night he ends up witnessing the savage rape of a beautiful crazy woman by two policemen. Deeply traumatized, he becomes impotent. His efforts to get his virility back all fail, and Ajo Kawir turns to fighting as a way to vent his frustrations. He gets such a fearsome reputation as a brawler that he is hired to kill a thug named The Tiger, but instead Ajo Kawir falls in love with Iteung, a gorgeous female bodyguard who works for the local mafia. Alas, the course of true love never did run smooth… Fast-forward a decade. Now a truck driver, Ajo Kawir has reached a new equanimity, thinking that his penis may be trying to teach him a lesson and even consulting it in many situations as if it were his guru—love may yet triumph. Vengeance Is Mine, All Others Pay Cash shows Eka Kurniawan in a gritty, comic, pungent mode that fans of Quentin Tarantino will appreciate. But even with its liberal peppering of fights, high-speed car chases, and ladies heaving with desire, the novel continues to explore Kurniawan’s familiar themes of female agency in a violent male world dominated by petty criminals and a corrupt police state.

Chris claims half the bedroom as her own private property, but realizes it is the half without a door--she will have to stay there forever unless she can find a graceful way out of her predicament.

Some of This World is Mine is the remarkable chronicle of one man's ?lust for travel? as he lived and traveled abroad for virtually his entire business career. Spanning a time period requiring eleven passports, Ruel Martin's story is one of adventure, interesting observations, humor and heart-breaking experiences.

"Originally published in Germany under the title Altes Land by Albrecht Knaus Verlag" -- Verso title page.

Instant national bestseller Nathan Ripley follows up the success of Find You in the Dark with another suspenseful page-turner—this time about a woman whose notorious father died when she was a child, but whose legacy comes back to haunt her. Blanche Potter never expected to face her past again—but she can’t escape it. Blanche, an up-and-coming filmmaker, has distanced herself in every way she can from her father, the notorious killer and cult leader, Chuck Varner. In 1996, when she was a small child, he went on a shooting spree before turning the gun on himself. Now, Blanche learns that her mother has been murdered. She returns to her childhood home, where she soon discovers there’s more to the death than police are willing to reveal. The officer who’s handling the case is holding information back, and a journalist who’s nosing around the investigation is taking an unusual interest in Blanche’s family. Blanche begins to suspect that Chuck Varner’s cult has found a new life, and that her mother’s murder was just the beginning of the cult’s next chapter. Then another killing occurs.

Airbnb facilitates the booking of over 37 million overnight stays per year. Uber operates in 450 cities in 60 countries. Both claim to be part of the rapidly growing ‘sharing economy’ — but what does that actually mean? Here, Tom Slee offers a razor-sharp examination of the ‘sharing economy’: from its genesis in open-source software and media file sharing, through to the present day popularity of Uber, Airbnb, Taskrabbit, and similar services, which operate outside of normal business regulations, taking on none of the risk or responsibility when something goes wrong. He asks, how did we get from the generosity of what’s mine is yours, to the self-interest and greed of what’s yours is mine?