The lowly placard, a quick and efficient device used to spread news or advertise goods, ascended to the level of a respected art form in the late 1800's in France. The 'art poster' was born at the convergence of new aesthetic movements, technological advances and societal changes. Fine artists were swayed from their lofty perches to join the practical arts, influenced by the egalitarian spirit of the Arts and Crafts movement. Artist Jules Cheret, "Father of the Modern Poster," perfected a means of high-quality printing that produced large, colour saturated images. An emerging middle class was the ready target for the consumption of newly manufactured goods, literary publications, theatrical events and leisure time entertainment. A sea of gorgeous images added a "joie de vivre" to everyday life, introducing a period of French life now know as the Belle Epoque. These posters, although ephemeral in intent, have been collected and continually reproduced over the subsequent decades, a testament to their timeless beauty and emotional depth. This book chronicles the influence of the art poster in France and its rapid spread across Europe and United States and offers to the readers an artist's poster tour of the development of the art poster. AUTHOR: David Rymer is an Australian fiction and nonfiction author and a freelance writer expert in History of Fine Art and Graphic Design. He has written different articles and biography on the most important artist and painters of the Belle Epoque and other art movement. He has staged art and cultural exhibitions in Dubai and Abu Dhabi on behalf of the UAE Department of Art & Culture, Mubadala and the Department of Executive Affairs. He designed corporate identity, packaging, exhibit and print design for his clients; has reviewed exhibitions at Art Dubai and Art Abu Dhabi for the past years.

This book showcases some of the finest examples of The National Maritime Museum's collection of prints of ports from this period. Prints are analysed as commercial and art objects, rathers than as simple historical records of matters maritime. The aim is to address a broad audience, including general readers of eighteenth and nineteenth century British and colonial history, those interested in ports and maritime affairs, and those with an interest in prints themselves. The eighteenth and nineteenth centuries were a period of enormous political and commercial development across the globe. Of particular importance was the revolution in transportation and communication by sea, with the concomitant growth in size and importance of the seaport. Despite growing awareness that the eighteenth and nineteenth centuries were a formative period in the development of maritime art, there has been relatively little exploration of maritime prints. This is extraordinary, since the period c.1700-1870 was a golden age of print production and saw the development of new forms of engraving such as aquatint and lithography, as well as the production of beautiful examples of line engraving and woodcut. The eighteenth and nineteenth centuries saw the establishment and expansion of major ports not just in Britain, but in continental Europe, Africa, Asia, Australia and in North and South America. The National Maritime Museum, upon which collection this book is based, is at the centre of the preservation and display of Britain's maritime heritage. Its print collection reveals the firm link between art and commerce in the development of these ports.

Works from the collection of New York City's Museum of Modern Art illustrate a history-survey of modern printmaking and of the styles, techniques, and modes of such masters as Chagall, Klee, Matisse, Miro, Picasso, and Rauschenberg.

Travel the globe with 32 typographic prints inspired by the world’s greatest cities, all the way from Amsterdam to Zurich, with stops in Paris, Rio and Tokyo along the way. Also features quirky trivia on each city.

Design enthusiasts and armchair travelers will love circling the globe with celebrated textile designer John Robshaw. From batiks in Java to ikats in Thailand and indigo printing in India, Robshaw reveals the lush inspiration behind his signature style while highlighting step-by-step block printing techniques from local artisans and masters. Robshaw provides a rare glimpse into his creative process, wherein he blends traditional methods with his own painterly style for entirely unique creations, and shares tips for incorporating textiles into any space. Brimming with beautiful photographs of covetable textiles, far-flung destinations, and eye-catching interiors, this luxe fabric-covered book is an eclectic visual tour of the rich tradition of textile printing.

ORIGINAL COVER DESIGNS FOR HISTORY'S GREATEST NOVELS THAT CAN BE FRAMED AS INDIVIDUAL ARTWORKS Cover Art features beautiful, hand-illustrated posters to tear out, frame and hang in your bedroom, living room, dorm room or board room. Offering pre-sized prints that fit 8" × 10" frames and mattes with 5" × 7" openings, the classics include: •Alice's Adventures in Wonderland •Grimms' Fairy Tales •The Wonderful Wizard of Oz •Anna Karenina •Leaves Of Grass •Little Women •Moby Dick •The Metamorphosis •The Odyssey •Pride & Prejudice •The Adventures of Sherlock Holmes

Introductory text that touches on the basics of various printmaking techniques and briefly describes the history of each.

From the 1770s through the 1840s, German, Austrian, and Swiss artists used the medium of printmaking to create works that synthesized poetry, literature, music, and the visual arts in new and captivating ways. Finding an eager audience in the growing number of educated middle-class collectors, printmakers experimented with modern technologies, such as lithography, and drew on the contemporary interest in regional folklore and traditional fairy tales to produce innovative compositions that both contributed to and reflected the dramatic cultural and political upheavals of the Romantic era. Featuring the work of more than 120 artists, including Casper David Friedrich, Ludwig Emil Grimm, Joseph Anton Koch, Philipp Otto Runge, and Johann Gottfried Schadow, this authoritative book contains many unique and never-before-published examples of prints from the Philadelphia Museum of Art's unrivaled collection. Published in association with the Philadelphia Museum of Art

This collection features 12 ready-to-frame poster-prints celebrating the art of Eric Carle. These poster-prints feature colorful and kid-friendly images from Eric Carle's beloved books, including character favorites such as the Hungry Caterpillar. Images selected include a Panda, Train engine, Numbers, Sloth in a tree, Caterpillar, Penguins, Kangaroos, Alphabet, Lion, Giraffe, Cameleon, and Ducks.

"An exploration of historical and contemporary fine art printmaking, with an emphasis on the roles and processes of the artist, master printer, and publisher"--