This is the new paperback edition of a beautiful and unique book, which explains facts about the world's population in a simple and fascinating way. Instead of unimaginable billions, it presents the whole world as a village of just 100 people. We soon find out that 22 speak a Chinese dialect and that 17 cannot read or write. We also discover the people's religions, their education, their standard of living, and much much more… This book provokes thought and elicits questions. It cannot fail to inspire children's interest in world geography, citizenship and different customs and cultures, whether they read it at home or at school.

One hundred kilometers from Seville, there is a small village, Marinaleda, that for the last thirty years has been at the center of a long struggle to create a communist utopia. In a story reminiscent of the Asterix books, Dan Hancox explores the reality behind the community where no one has a mortgage, sport is played in the Che Guevara stadium and there are monthly "Red Sundays" where everyone works together to clean up the neighbourhood. In particular he tells the story of the village mayor, Sanchez Gordillo, who in 2012 became a household name in Spain after leading raids on local supermarkets to feed the Andalucian unemployed.

This unusual picture book shrinks the world's population down to a village of 100 to help children better understand who we are, where we live, how fast we are growing and more. "Thought-provoking and highly effective, this world-in-miniature will open eyes to a wider view of our planet and its human inhabitants."

A young boy, Yamo, lives in the Afghan village of Paghman. The peaceful village is surrounded by the bounty of nature. Fruit trees burst into bloom in the spring, and in the summer, Yamo's whole family joins in harvesting apricots, plums, and cherries--breaking into song as they pick. This year, for the first time, Yamo goes to the market in town to sell their harvest with his father. He is filling in for his older brother, who is off fighting in the war. After they have sold their fruit, his father uses the income to buy a white baby lamb. Readers will feel experience the deep love of the family, enjoy the breathtaking beauty of the landscape, and vivid activities at the town market. Then on the final page, readers will be stunned to learn: "This winter, my village was destroyed by the war, and now it's all gone." This book, the first of three in the Yamo's Village series, leads the young reader to think in real terms about the meaning of war and its impact. And they understand that there used to be many beautiful villages in Afghanistan.

Ten years ago one of America's most important public figures, First Lady Hillary Rodham Clinton, chronicled her quest both deeply personal and, in the truest sense, public to help make our society into the kind of village that enables children to become able, caring resilient adults. IT TAKES A VILLAGE is a textbook for caring, filled with truths that are worth a read, and a reread. In her substantial new introduction, Senator Clinton reflects on how our village has changed over the last decade, from the internet to education, and on how her own understanding of children has deepened as she has watched Chelsea grow up and take on challenges new to her generation, from a first job to living through a terrorist attack. She discusses how the work she is doing in the Senate is helping children and looks at where America has been successful, improvements in the foster care system and support for adoption, and where there is still work to be done, providing pre-school programmes and universal health care to all our children. This new edition elucidates how the choices we make about how we raise our children, and how we support families, will determine how all nations will face the challenges of this century.

Young Tessa is a diminutive girl, far too small for farm work and the object of ridicule by both her own family and the other children in their isolated Midwestern community. Her father seems to believe in nothing beyond his crops, certainly not education for his misfit daughter. When a mysterious, entrancing librarian comes to town, full of fabulous stories, earthy wisdom and potions for the lovelorn, she takes Tessa under her wing, teaching her to read and to believe in herself—and a whole new magical world of possibilities opens up. But even as she blooms, Tessa’s father begins sexually abusing her. And her mentor carries a dark secret of her own that finally causes her to drown herself. Tessa runs off, following Mary’s footsteps, to join the circus as a trapeze artist, where she marries a loving man and finds a fulfilling life for herself amidst her new circus family. But she remains haunted by her past. And when a stranger from one of Mary’s fabulist tales shows up, Tessa risks everything to follow him to Rain Village, where she might finally discover her mentor’s tragic secret. A brilliantly evocative debut set in the early part of the 20th century, steeped in emotional turbulence and down-to-earth wisdom, where a young woman must reconcile the inner traumas from her past and learn to live in the present in order to avoid becoming prisoner to her future. Rain Village casts a fabulous spell, pulling us into a world of mystery and possibility where love, friendship and loyalty might either destroy or set one free.

A “riveting and enlightening account” (Bookreporter) of a mostly unknown chapter in the life of Eleanor Roosevelt—when she moved to New York’s Greenwich Village, shed her high-born conformity, and became the progressive leader who pushed for change as America’s First Lady. Hundreds of books have been written about FDR and Eleanor, both together and separately, but yet she remains a compelling and elusive figure. And, not much is known about why in 1920, Eleanor suddenly abandoned her duties as a mother of five and moved to Greenwich Village, then the symbol of all forms of transgressive freedom—communism, homosexuality, interracial relationships, and subversive political activity. Now, in this “immersive…original look at an iconic figure of American politics” (Publishers Weekly), Jan Russell pulls back the curtain on Eleanor’s life to reveal the motivations and desires that drew her to the Village and how her time there changed her political outlook. A captivating blend of personal history detailing Eleanor’s struggle with issues of marriage, motherhood, financial independence, and femininity, and a vibrant portrait of one of the most famous neighborhoods in the world, this unique work examines the ways that the sensibility, mood, and various inhabitants of the neighborhood influenced the First Lady’s perception of herself and shaped her political views over four decades, up to her death in 1962. When Eleanor moved there, the Village was a zone of Bohemians, misfits, and artists, but there was also freedom there, a miniature society where personal idiosyncrasy could flourish. Eleanor joined the cohort of what then was called “The New Women” in Greenwich Village. Unlike the flappers in the 1920s, the New Women had a much more serious agenda, organizing for social change—unions for workers, equal pay, protection for child workers—and they insisted on their own sexual freedom. These women often disagreed about politics—some, like Eleanor, were Democrats, others Republicans, Socialists, and Communists. Even after moving into the White House, Eleanor retained connections to the Village, ultimately purchasing an apartment in Washington Square where she lived during World War II and in the aftermath of Roosevelt’s death in 1945. Including the major historical moments that served as a backdrop for Eleanor’s time in the Village, this remarkable work offers new insights into Eleanor’s transformation—emotionally, politically, and sexually—and provides us with the missing chapter in an extraordinary life.

Imagine growing up on Orchard Street in 1916. If you were a member of the large Confino family you'd be living in 325 square feet of space. The only fresh air and natural light would come from the two windows in the front room. No heat, no water, no bathtub, no shower. Toilet in the hall. The Confinos' apartment is only one part of the Lower East Side Tenement Museum, an extraordinary facility in New York City. The Museum has restored 97 Orchard Street to provide us with an opportunity to understand the immigrant experience shared by millions who have come to North America. In text and with archival photos, Linda Granfield tells the story of four families, including the Confinos, who called 97 Orchard Street home, and provides information about the period, the history of the house, and the neighborhood, bringing to life conditions that were familiar to immigrants in many of North America's big cities. The stories and archival materials are beautifully complemented by Arlene Alda's sensitive photographs that evoke the hardship, the dignity, and the hope encompassed in 97 Orchard Street. The book includes useful facts, information about the Museum and its efforts to help new immigrants who share similar experiences. Whether or not the reader can visit the Museum itself, this book is a valuable resource in understanding our own histories in North America.

In retrospect, my life appears to me like a meandering river which started out as a small stream in the mountains of the volcanic Eifel. The stream eventually collected more waters, grew broader and broader, and branched out into a huge network that now encompasses the whole world. In this autobiography Maria Mies packs in seventy-seven years of life: from the small German village of her childhood, to the world of the Indian subcontinent. Sociologist and womens studies researcher, scholar, ecofeminist, and international activist against violence against women and exploitation through globalisation, Maria Mies is one of the worlds original thinkers. Her achievements include developing groundbreaking praxis and theory around the concept of "housewifisation", the violence of colonisation and profound writings about ecofeminism. She fights the Multilateral Agreement of Investment, she fights the General Agreement on Trade in Services, she fights against the patenting of life and tackles reproductive and genetic engineering as well as food security, but she never gives up hope that there is an alternative to present day injustice and exploitation; that "the good life" is possible. And Maria never forgets her origins: Despite all my travels around the world, I have never forgotten where I came from: from a peasant family in a small village. This not only helped me keep my feet on the ground, but also protected me from excessive romanticism and quixotic idealism. I know that the food doesnt come from the supermarket but from the soil.

An unforgettable portrait of a place and a people shaped by centuries of art, trade, and war. In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know, though, that the earth is flat—like a carpet. Anna Badkhen first traveled to this country in 2001, as a war correspondent. She has returned many times since, drawn by a land that geography has made a perpetual battleground, and by a people who sustain an exquisite tradition there. Through the four seasons in which a new carpet is woven by the women and children of Oqa, she immortalizes their way of life much as the carpet does—from the petal half-finished where a hungry infant needs care to the interruptions when the women trade sex jokes or go fill in for wedding musicians scared away by the Taliban. As Badkhen follows the carpet out into the world beyond, she leaves the reader with an indelible portrait of fates woven by centuries of art, war, and an ancient trade that ultimately binds the invaded to the invader.