But, Dolly! father will never give his consent, you know that; said a male voice behind the hawthorn hedge, that skirted the deep, sandy lane that led to Heath Farm. The tone, reproachful and irritating, in which this was spoken, was answered in a sweet, calm voice. "Until he gives his consent, his frank, free consent, Gilbert, I cannot, and will not be your wife." "You are just as obstinate as the old man." "Ay, and as proud. But don't think for a moment, Gilbert, that I blame your father. Were I in his place, I might think just as he thinks. If he has higher views for his son than a marriage with a nameless girl like me, his son should be the last to find fault. Don't let love blind you to facts. Look them boldly in the face, as I do. I cannot forget what I am, and what I owe to your father. The happy life I have led here from a child, made me forgetful of the great debt until"—and here the calm voice faltered—"the reproaches of last night brought it all fresh to my mind, and I saw how ungrateful I had been to my benefactor, in giving the least encouragement to you." "Yes, I shall not soon forget the cruel insult he put upon you. It was mean and cowardly, to say the least of it. He might be proud to call you his daughter, and his daughter you shall be, in spite of him." "There are two words to that bargain," and that voice now spoke sternly and decidedly, "two voices that speak in my heart—the voice of love pleading for you; the voice of conscience, demanding of me to act rightly. Which shall I obey?" No answer was given to this appeal. The speakers came forward to the stile; the young farmer with the fork over his shoulder, with which he had been making hay; his companion, a girl of seventeen, with the rake in her hand, her broad, coarse straw hat dangling from her arm, her raven ringlets thrown back from her fine sun-burnt face, which glowed with healthy exercise. The lovers had been working together through the long June day. This was the first time that either had spoken upon a subject that was uppermost in their thoughts, which had lain like a heavy weight upon their hearts, and rendered them unusually reserved to each other. They had worked in silence and apart, expecting the explanation which they knew must come, which both wished, yet each secretly dreaded, and put off until the last moment, as if by mutual consent. The hay was all cocked, they could no longer linger in the field; and as they strolled homeward, Gilbert had broken the ice, and spoken in such an abrupt and decided manner, that it had aroused in his companion a spirit of resistance; and confirmed her in the course which, after long and painful consideration, she had determined to adopt, not to accept the hand of her lover against the wishes of his father. The young people leant for a few minutes on the stile, beneath the shade of a large ash tree—the only tree of any magnitude in the heathy lane before them. They would have made a good study for an artist, had an artist been at hand to sketch them and their surroundings. The sun had sunk behind the common fronting them, which formed a steep ridge against the horizon; and seemed to separate them from the rest of the world. The road led to an old fashioned, high gabled farm-house at the foot of the hill; the only tenement visible from that lonely spot.

Reproduction of the original: The World Before Them Volume 1 by Susanna Moodie

Reproduction of the original: The World Before Them Volume 3 by Susanna Moodie

Reproduction of the original: The World Before Them Volume 2 by Susanna Moodie

Original, exhilarating and tender, The World Was All Before Them is at once an epic and a miniature, and a mesmerizing exploration of the way we live now

#1 NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD WINNER • NAMED ONE OF TIME’S TEN BEST NONFICTION BOOKS OF THE DECADE • PULITZER PRIZE FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • ONE OF OPRAH’S “BOOKS THAT HELP ME THROUGH” • NOW AN HBO ORIGINAL SPECIAL EVENT Hailed by Toni Morrison as “required reading,” a bold and personal literary exploration of America’s racial history by “the most important essayist in a generation and a writer who changed the national political conversation about race” (Rolling Stone) NAMED ONE OF THE MOST INFLUENTIAL BOOKS OF THE DECADE BY CNN • NAMED ONE OF PASTE’S BEST MEMOIRS OF THE DECADE • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY The New York Times Book Review • O: The Oprah Magazine • The Washington Post • People • Entertainment Weekly • Vogue • Los Angeles Times • San Francisco Chronicle • Chicago Tribune • New York • Newsday • Library Journal • Publishers Weekly In a profound work that pivots from the biggest questions about American history and ideals to the most intimate concerns of a father for his son, Ta-Nehisi Coates offers a powerful new framework for understanding our nation’s history and current crisis. Americans have built an empire on the idea of “race,” a falsehood that damages us all but falls most heavily on the bodies of black women and men—bodies exploited through slavery and segregation, and, today, threatened, locked up, and murdered out of all proportion. What is it like to inhabit a black body and find a way to live within it? And how can we all honestly reckon with this fraught history and free ourselves from its burden? Between the World and Me is Ta-Nehisi Coates’s attempt to answer these questions in a letter to his adolescent son. Coates shares with his son—and readers—the story of his awakening to the truth about his place in the world through a series of revelatory experiences, from Howard University to Civil War battlefields, from the South Side of Chicago to Paris, from his childhood home to the living rooms of mothers whose children’s lives were taken as American plunder. Beautifully woven from personal narrative, reimagined history, and fresh, emotionally charged reportage, Between the World and Me clearly illuminates the past, bracingly confronts our present, and offers a transcendent vision for a way forward.

Them Before Us has flipped the script on adult-centric attitudes toward marriage, parenthood, and reproductive technologies by framing these issues around a child’s right to be raised by both their mother and father. Set against a backdrop of sound research, the compelling stories throughout each chapter confirm that a child’s mental, physical, and emotional well-being depends on being loved by the two people responsible for their existence. It’s a paradigm shift that will impact the personal and the political, and reframe every marriage and family conversation across the globe. Them Before Us dispels many prevalent, harmful myths concerning children’s rights, such as: • Kids need only love and safety—moms and dads are optional. • Love makes a family—biology is irrelevant. • Marriage is about adults—it has nothing to do with kids. • Children are resilient and will “get over” divorce. • Studies show “no difference” in outcomes for kids with same-sex parents. • Sperm and egg donor kids are fortunate because they are so wanted. • Surrogacy is a great way to help wannabe parents have a baby. • Reproductive technologies are just like adoption. Are you tired of a culture that views adults as victims in family matters, when it’s clear that kids are the ones who truly pay the price? If so, we are your people, and this is your movement.

#1 New York Times Bestseller Oprah's Book Club Selection The “extraordinary . . . monumental masterpiece” (Booklist) that changed the course of Ken Follett’s already phenomenal career—and begins where its prequel, The Evening and the Morning, ended. “Follett risks all and comes out a clear winner,” extolled Publishers Weekly on the release of The Pillars of the Earth. A departure for the bestselling thriller writer, the historical epic stunned readers and critics alike with its ambitious scope and gripping humanity. Today, it stands as a testament to Follett’s unassailable command of the written word and to his universal appeal. The Pillars of the Earth tells the story of Philip, prior of Kingsbridge, a devout and resourceful monk driven to build the greatest Gothic cathedral the world has known . . . of Tom, the mason who becomes his architect—a man divided in his soul . . . of the beautiful, elusive Lady Aliena, haunted by a secret shame . . . and of a struggle between good and evil that will turn church against state and brother against brother. A spellbinding epic tale of ambition, anarchy, and absolute power set against the sprawling medieval canvas of twelfth-century England, this is Ken Follett’s historical masterpiece.