This captivating book contains a unique mix of dialogues and poems. The dialogues are fictional conversations between historical figures, such as Queen Elizabeth and Cecil, Essex and Spenser, Diogenes and Plato, Dante and Beatrice, and even Oliver Cromwell and Sir Oliver Cromwell. The poems cover a range of topics and include titles like 'Fiesole Idyl', 'To Charles Dickens', and 'The Lover'.

Reproduction of the original.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

"[...]became afterwards Landor's lifelong friend. When Shelley was at Oxford in 1811, there were times when he would read nothing but "Gebir." His friend Hogg says that when he went to Shelley's rooms one morning to tell him something of importance, he could not draw his attention away from "Gebir." Hogg impatiently threw the book out of window. It was brought back by a servant, and Shelley immediately fastened upon it again. At the close of 1805 Landor's father died, and the young poet became a man of property. In 1808 Southey and Landor first met. Their friendship remained unbroken. When Spain rose to throw off the yoke of Napoleon, Landor's enthusiasm carried him to Corunna, where he paid for the equipment of a thousand volunteers, and joined the Spanish army of the North. After the Convention of Cintra he returned to England. Then he bought a large Welsh estate-Llanthony Priory-paid for it by selling other property, and began costly improvements. But he lived chiefly at Bath, where he married, in 1811, when his age was thirty-six, a girl of twenty. It was then that he began his tragedy of "Count Julian." The patriotic struggle in Spain commended at the same time to Scott, Southey, and Landor the story of Roderick, the last of the Gothic kings, against whom, to avenge wrong done to his daughter, Count Julian called the[...]".