This volume contains Edgeworth's best courtship novel belinda, which replaces mercenary fortune-hunting with a deeper quest for marital compatibility, valorising irrationality and love over reason and duty. MARIA EDGEWORTH was born in 1768. Her first novel, Castle Rackrent (1800) was also her first Irish tale. The next such tale was Ennui (1809), after which came The Absentee, which began life as an unstaged play and was then published (in prose) in Tales of Fashionable Life (1812), as were several of her other stories. They were followed in 1817 by the last of her Irish tales, Ormond. Maria Edgeworth died in 1849. Edited with an introduction and notes by Marilyn Butler.

Presents scholars, students and general readers with the major fiction for adults, much of the best of juvenile fiction, and a selection of the educational and occasional writings of Maria Edgeworth. MARIA EDGEWORTH was born in 1768. Her first novel, Castle Rackrent (1800) was also her first Irish tale. The next such tale was Ennui (1809), after which came The Absentee, which began life as an unstaged play and was then published (in prose) in Tales of Fashionable Life (1812), as were several of her other stories. They were followed in 1817 by the last of her Irish tales, Ormond. Maria Edgeworth died in 1849. Edited with an introduction and notes by Marilyn Butler.

This book is a collection of novels Leonora and Harrington by Maria Edgeworth that address issues of nationalism in an Anglo-Irish context and that will be of much use to scholars, students and general readers interested in fictional works. MARIA EDGEWORTH was born in 1768. Her first novel, Castle Rackrent (1800) was also her first Irish tale. The next such tale was Ennui (1809), after which came The Absentee, which began life as an unstaged play and was then published (in prose) in Tales of Fashionable Life (1812), as were several of her other stories. They were followed in 1817 by the last of her Irish tales, Ormond. Maria Edgeworth died in 1849. Edited with an introduction and notes by Marilyn Butler.

In her later years Miss Edgeworth was often asked to write a biographical preface to her novels. She refused. "As a woman," she said, "my life, wholly domestic, can offer nothing of interest to the public." Incidents indeed, in that quiet happy home existence, there were none to narrate, nothing but the ordinary joys and sorrows which attend every human life. Yet the letters of one so clear-sighted and sagacious—one whom Macaulay considered to be the second woman of her age—are valuable, not only as a record of her times, and of many who were prominent figures in them: but from the picture they naturally give of a simple, honest, generous, high-minded character, filled from youth to age with love and goodwill to her fellow-creatures, and a desire for their highest good. An admirable collection of Miss Edgeworth's letters was printed after her death by her stepmOther and lifelong friend, but only for private circulation. As all her generation has long since passed away, Mr. Edgeworth of Edgeworthstown now permits that these letters should be read beyond the limits of the family circle. An editor has had little more to do than to make a selection, and to write such a thread of biography as might unite the links of the chain. AUGUSTUS J.C. HARE. In the flats of the featureless county of Longford stands the large and handsome but unpretentious house of Edgeworthstown. The scenery here has few natural attractions, but the loving care of several generations has gradually beautified the surroundings of the house, and few homes have been more valued or more the centre round which a large family circle has gathered in unusual sympathy and love. In his Memoirs, Mr. Edgeworth tells us how his family, which had given a name to Edgeworth, now Edgeware, near London, came to settle in Ireland more than three hundred years ago. Roger Edgeworth, a monk, having taken advantage of the religious changes under Henry VIII., had married and left two sons, who, about 1583, established themselves in Ireland. Of these, Edward, the elder, became Bishop of Down and Connor, and died without children; but the younger, Francis, became the founder of the family of Edgeworthstown. Always intensely Protestant, often intensely extravagant, each generation of the Edgeworth family afterwards had its own picturesque story, till Richard Edgeworth repaired the broken fortunes of his house, partly by success as a lawyer, partly by his marriage, in 1732, with Jane Lovell, daughter of a Welsh judge. Their eldest son, Richard Lovell Edgeworth, was born in 1744, and educated in his boyhood at Drogheda School and Dublin University. Strong, handsome, clever, ingenious, and devoted to sports of every kind, he was a general favourite. But his high spirits often led him into scrapes. The most serious of these occurred during the festivities attendant on his eldest sister's marriage with Mr. Fox of Fox Hall, at which he played at being married to a young lady who was present, by one of the guests dressed up in a white cloak, with a door-key for a ring. This foolish escapade would not deserve the faintest notice, if it had not been seriously treated as an actual marriage by a writer in the Quarterly Review.

Presents scholars, students and general readers with the major fiction for adults, much of the best of juvenile fiction, and a selection of the educational and occasional writings of Maria Edgeworth. MARIA EDGEWORTH was born in 1768. Her first novel, Castle Rackrent (1800) was also her first Irish tale. The next such tale was Ennui (1809), after which came The Absentee, which began life as an unstaged play and was then published (in prose) in Tales of Fashionable Life (1812), as were several of her other stories. They were followed in 1817 by the last of her Irish tales, Ormond. Maria Edgeworth died in 1849. Edited with an introduction and notes by Marilyn Butler.

Presents scholars, students and general readers with the major fiction for adults, much of the best of juvenile fiction, and a selection of the educational and occasional writings of Maria Edgeworth. MARIA EDGEWORTH was born in 1768. Her first novel, Castle Rackrent (1800) was also her first Irish tale. The next such tale was Ennui (1809), after which came The Absentee, which began life as an unstaged play and was then published (in prose) in Tales of Fashionable Life (1812), as were several of her other stories. They were followed in 1817 by the last of her Irish tales, Ormond. Maria Edgeworth died in 1849. Edited with an introduction and notes by Marilyn Butler.

This book explores British society and discriminates between its people and their lifestyles, investigates English politics, and addresses the objections of the medical and legal professions. MARIA EDGEWORTH was born in 1768. Her first novel, Castle Rackrent (1800) was also her first Irish tale. The next such tale was Ennui (1809), after which came The Absentee, which began life as an unstaged play and was then published (in prose) in Tales of Fashionable Life (1812), as were several of her other stories. They were followed in 1817 by the last of her Irish tales, Ormond. Maria Edgeworth died in 1849. Edited with an introduction and notes by Marilyn Butler.

This book shows how Maria Edgewoth drew on her knowledge of the life of writings of James Harrington in composing that tale. It serves to draw in a more local reference: Florence Court Demesne in County Fermanagh was built around 1750 and originally named for Florence Wrey, wife of Sir John Cole. MARIA EDGEWORTH was born in 1768. Her first novel, Castle Rackrent (1800) was also her first Irish tale. The next such tale was Ennui (1809), after which came The Absentee, which began life as an unstaged play and was then published (in prose) in Tales of Fashionable Life (1812), as were several of her other stories. They were followed in 1817 by the last of her Irish tales, Ormond. Maria Edgeworth died in 1849. Edited with an introduction and notes by Marilyn Butler.

Presents scholars, students and general readers with the major fiction for adults, much of the best of juvenile fiction, and a selection of the educational and occasional writings of Maria Edgeworth.

This book is a collection of novels Castle Rackrent, Irish Bulls, and Ennui by Maria Edgeworth that will be of much use to scholars, students and general readers interested in family fiction. Maria Edgeworth (1 January 1768 – 22 May 1849) was a prolific Anglo-Irish writer of adults' and children's literature. She was one of the first realist writers in children's literature and was a significant figure in the evolution of the novel in Europe.[2] She held advanced views, for a woman of her time, on estate management, politics and education, and corresponded with some of the leading literary and economic writers, including Sir Walter Scott and David Ricardo.