On 15 October 1838, the body of a thirty-six-year-old woman was found in Cape Coast Castle, West Africa, a bottle of Prussic acid in her hand. She was one of the most famous English poets of her day: Letitia Elizabeth Landon, known by her initials 'L.E.L.' What was she doing in Africa? Was her death an accident, as the inquest claimed? Or had she committed suicide, or even been murdered? To her contemporaries, she was an icon, hailed as the 'female Byron', admired by Elizabeth Barrett Browning, Heinrich Heine, the young Bronte sisters and Edgar Allan Poe. However, she was also a woman with secrets, the mother of three illegitimate children whose existence was subsequently wiped from the record. After her death, she became the subject of a cover-up which is only now unravelling. Too scandalous for her reputation to survive, Letitia Landon was a brilliant woman who made a Faustian pact in a ruthless world. She embodied the post-Byronic era, the 'strange pause' between the Romantics and the Victorians. This new investigation into the mystery of her life, work and death excavates a whole lost literary culture.

Once upon a time, I fell in love with a boy.A beautiful, broken boy who had his own world of struggles. People warned me against our love, but I didn't listen.We looked weak. Young, foolish. Dangerously in love. We didn't care.In order to keep our hearts protected from the opinions of others, we became each other's secret. We shared stolen moments. Tender touches. Secretive embraces.It was our twisted love story, and it worked for us up until our lives changed forever.The boy I loved became Hollywood's newest golden boy. His career blossomed as mine stalled. He found massive success as I discovered multiple failures. He made something of himself, while my dreams never came true. We moved into different realms where our pieces no longer fit together.In the fairy tales, love conquered all.In reality, love was the main reason empires began to fall.I always knew Landon belonged in my story. He was my beginning, middle, and end.The only problem? I wasn't certain I still belonged in his. *Book Two of the Landon & Shay Duet.*

In each section of Michael Cunningham's bold new novel, his first since The Hours, we encounter the same group of characters: a young boy, an older man, and a young woman. "In the Machine" is a ghost story that takes place at the height of the industrial revolution, as human beings confront the alienating realities of the new machine age. "The Children's Crusade," set in the early twenty-first century, plays with the conventions of the noir thriller as it tracks the pursuit of a terrorist band that is detonating bombs, seemingly at random, around the city. The third part, "Like Beauty," evokes a New York 150 years into the future, when the city is all but overwhelmed by refugees from the first inhabited planet to be contacted by the people of Earth. Presiding over each episode of this interrelated whole is the prophetic figure of the poet Walt Whitman, who promised his future readers, "It avails not, neither time or place . . . I am with you, and know how it is." Specimen Days is a genre-bending, haunting, and transformative ode to life in our greatest city and a meditation on the direction and meaning of America's destiny. It is a work of surpassing power and beauty by one of the most original and daring writers at work today.

What if you met the love of your life - in a different world? In a quiet English town in 1811, there lives a clergyman’s daughter. Kind-hearted but impoverished, lively but plain, Miss Sophy Landon faces a future with few prospects. In the neighbouring realm of Aylfenhame, there lives Aubranael. Disfigured among the beauteous fae, his ruined face condemns him to a life lived alone. Their meeting changes everything. For Sophy will cross the border, and find a glimmer of a future beyond. Might there be a life, and a love, for her in the realm of the fae? For Aubranael, a chance encounter with Miss Landon turns his world upside down. Armed with the temporary gift of beauty, can he hope to win her heart? Pride and Prejudice meets Beauty and the Beast in this heart-warming tale of love, hope and magic.

This collection of 13 essays examines the work of Victorian authors Wilkie Collins, M.E. Braddon, Letitia Elizabeth Landon, Mary Wollstonecraft, J. Sheridan Le Fanu, Bram Stoker, Charles Dickens, Robert Louis Stevenson, Elizabeth Gaskell, Henry James and Charlotte Bronte. Each essay explores their use of archetypal Gothic elements, such as dark secrets and forbidden sensations, to depict nineteenth-century attitudes to class, gender, race, colonialism and imperialism.