Over a 60-year career, Graham Greene was a prolific writer. While his published works established him as one of the great writers of the twentieth century, much of his writing was never to see the light of day and has been gathered together in a number of archives across the UK, Ireland, USA and Canada The second volume of The Works of Graham Greene is a comprehensive guide to the archives of Greene's writing. The book details archival holdings of unpublished novels, short stories, plays, film scripts, journals, poetry, fragments of writing, and letters, as well as manuscripts and typescripts of published works. Analysing and contextualising the unpublished work, the book is fully cross-referenced throughout and includes a substantial index as well as practical guidance for students, scholars and researchers on accessing and making the most of each of the archives.

With exclusive access to Greene's letters, journals and dream-diaries, Norman Sherry has written a monumental tribute to one of the greatest English writers.

Gathers Greene's film writings, and offers a brief introduction to the role of motion pictures in his life and career

Mission and return to the West. The result is a remarkable, psychologically charged exploration of fear and crossed frontiers. Author and playwright Graham Greene (1904-91) is best known for his works Brighton Rock, The Power and the Glory, and The Heart of the Matter.

With superb skill and feeling, Graham Greene retraces the experiences and encounters of his extraordinary life. His restlessness is legendary; as if seeking out danger, Greene travelled to Haiti during the nightmare rule of Papa Doc, Vietnam in the last days of the French, Kenya during the Mau Mau rebellion. With ironic delight he recalls his time in the British Secret Service in Africa, and his brief involvement in Hollywood. He writes, as only he can, about people and places, about faith, doubt, fear and, not least, the trials and craft of writing.

Written with Graham Greene

A “masterful . . . brilliantly constructed novel” of love and chaos in 1950s Vietnam (Zadie Smith, The Guardian). It’s 1955 and British journalist Thomas Fowler has been in Vietnam for two years covering the insurgency against French colonial rule. But it’s not just a political tangle that’s kept him tethered to the country. There’s also his lover, Phuong, a young Vietnamese woman who clings to Fowler for protection. Then comes Alden Pyle, an idealistic American working in service of the CIA. Devotedly, disastrously patriotic, he believes neither communism nor colonialism is what’s best for Southeast Asia, but rather a “Third Force”: American democracy by any means necessary. His ideas of conquest include Phuong, to whom he promises a sweet life in the states. But as Pyle’s blind moral conviction wreaks havoc upon innocent lives, it’s ultimately his romantic compulsions that will play a role in his own undoing. Although criticized upon publication as anti-American, Graham Greene’s “complex but compelling story of intrigue and counter-intrigue” would, in a few short years, prove prescient in its own condemnation of American interventionism (The New York Times).

For Arthur Rowe the charity fair was a trip back to childhood, to innocence, a welcome chance to escape the terror of the Blitz, to forget twenty years of his past and a murder. Then he guesses the weight of the cake, and from that moment on he's a hunted man.

The story of Henry Pulling, a retired and complacent bank manager, who meets his septuagenarian Aunt Augusta for the first time at what he supposes to be his mother's funeral. She soon persuades Henry to abandon his dull suburban existence to travel her to Brighton, Paris, Istanbul, Paraguay. Through Aunt Augusta, one of Greene's greatest comic creations, Henry joins a shiftless, twilight society; mixes with hippies, war criminals, and CIA men; smokes pot and breaks all currency regulations.

To Graham Greene, 'Africa will always be the Africa of the Victorian atlas, the blank unexplored continent the shape of the human heart.' IN SEARCH OF A CHARACTER contains two African notebooks: Congo Journal, which records Graham Greene's travels in 1959, and his stay at the Yonda leper colony in the jungle which inspired the story for A Burnt-Out Case. Convoy to West Africa describes Greene's voyage in a cargo boat during the Second World War, from Liverpool to Freetown, Sierra Leone, the setting for THE HEART OF THE MATTER.