In the early years of the nineteenth century, Charles and Mary Lamb published several children’s books, including the famous ‘Tales from Shakespeare’, which would have a lasting influence on the course of children’s literature. Charles Lamb is also notable for his essays under the pseudonym Elia for the London Magazine. His style is highly personal and mannered, conjuring nostalgic scenes with humour and pathos. This comprehensive eBook presents Charles and Mary Lamb’s complete works, with numerous illustrations, rare texts appearing in digital print for the first time, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to the authors’ lives and works * Concise introductions to the famous texts * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Famous works such as ‘Tales from Shakespeare’ and ‘The Adventures of Ulysses’ are fully illustrated with their original artwork * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Includes Lamb’s complete prose works * Features Charles and Mary Lamb’s letters - spend hours exploring the authors’ personal correspondence * Special criticism section, with 9 essays evaluating Charles Lamb’s contribution to literature * Features four biographies, including Gilchrist’s seminal work on Mary Lamb - discover the authors’ intriguing lives * Scholarly ordering of texts into chronological order and literary genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Collaborative Works JOHN WOODVIL TALES FROM SHAKESPEARE MRS. LEICESTER’S SCHOOL POETRY FOR CHILDREN Charles Lamb’s Fiction A TALE OF ROSAMUND GRAY AND OLD BLIND MARGARET THE ADVENTURES OF ULYSSES Charles Lamb’s Plays MR H.; OR BEWARE A BAD NAME THE PAWNBROKER’S DAUGHTER THE WITCH THE WIFE’S TRIAL Charles Lamb’s Non-Fiction ON THE TRAGEDIES OF SHAKESPEARE WITCHES AND OTHER NIGHT FEARS ELIA AND THE LAST ESSAYS OF ELIA RECOLLECTIONS OF CHRIST’S HOSPITAL MISCELLANEOUS PROSE Charles Lamb’s Poetry POEMS FROM BLANK VERSE THE KING AND QUEEN OF HEARTS PRINCE DORUS SATAN IN SEARCH OF A WIFE ALBUM VERSES MISCELLANEOUS POEMS The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER Mary Lamb’s Essay ON NEEDLE-WORK BY ‘SEMPRONIA’ The Letters THE LETTERS OF CHARLES AND MARY LAMB The Criticism CHARLES LAMB by Thomas de Quincey ELIA, AND GEOFFREY CRAYON by William Hazlitt CHARLES LAMB by Walter Pater CHARLES LAMB by Arthur Symons CHARLES LAMB by John Cowper Powys CHARLES LAMB by Charles Edwyn Vaughan CHARLES LAMB by S. P. B. Mais CHARLES LAMB by Hattie Tyng Griswold CHARLES LAMB by Augustine Birrell THE LETTERS OF CHARLES LAMB by Augustine Birrell CHARLES LAMB by A. St. John Adcock The Biographies CHARLES LAMB by Walter Jerrold CHARLES LAMB: A MEMOIR by Barry Cornwall CHARLES LAMB by Alfred Ainger MARY LAMB by Mrs. Gilchrist Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks

All of the available letters of Charles Lamb, a master of the English essay, and his sister Mary Anne published in this definitive, scrupulously edited work. The letters, many of them written to illustrious figures of the Romantic period, are generally agreed to rank among the finest in the English language. Transcribing where possible from the originals or facsimiles, Professor Marrs corrects textual errors found in previous editions, and he pays particular attention to establishing precise dates for the correspondence. He includes letters that were omitted from the last collection (published in 1935 and long out of print), and he has uncovered more than eighty letters never published before. The Letters of Charles and Mary Anne Lamb totals five or six volumes, and presents nearly 1200 letters written by Charles and Mary, singly or together. The correspondence is fully annotated, the volumes are illustrated, and the holographic idiosyncrasies of the originals are rendered typographically wherever possible. Rich in revelations about the extraordinary lives of the Lambs, these beautifully written letters are an inexhaustible store of information about the Romantic era and its major figures-Wordsworth, Keats, and Coleridge. The publication of unexpurgated and authoritative texts is an important literary event. The first volume was published in 1975, the bicentenary of Charles Lamb's birth. It contains 102 letters written by Charles, many of them after Mary murdered their mother. Among the recipients were the poets Coleridge, Southey, and Wordsworth. The letters provide shrewd observations on his friends' writings and his own, vivid descriptions of life in London, and compassionate but candid remarks concerning his family and acquaintances. Notes to each letter place it in context, quoting where necessary from the correspondence Lamb is answering. Volume I includes Professor Marrs's extensive Introduction to the entire collection. After supplying a biography of the Lamb family up to the murder, he treats Mary's and Charles's life together until Charles's death, tracing through the letters a relationship that remained warm and affectionate even under the shadow of Mary's insanity. Professor Marrs also gives the publishing history of the letters and sets forth the principles upon which his edition is based.

After killing her mother with a carving knife, Mary Lamb spent the rest of her life in and out of madhouses; yet the crime and its aftermath opened up a new life. Freed to read extensively, she discovered her talent for writing and, with her brother, the essayist Charles Lamb, collaborated on the famous Tales from Shakespeare. This narrative of a nearly forgotten woman is a tapestry of insights into creativity and madness, the changing lives of women, and the redemptive power of the written word.

This important contribution to both Romantic and cultural studies situates literature by Wordsworth, Southey, Hunt, Clare, and Blake within the context of folklore and popular customs associated with May Day. Romantic responses to May Day bring into focus a range of issues now regarded as central to the writing of the period – the natural world, city life, the pastoral, regional and national identities, popular culture, cultural degeneration, and cultural difference. Essaka Joshua explores new connections between these issues in the context of a set of heterogeneous cultural practices that are rooted in the traditions and activities of diverse social groups. She shows how Romantic writers have positioned themselves in relation to what has become known as the public sphere, and the way in which they articulate an understanding of the common sphere as a site of plebeian self-expression. Joshua's nuanced account acknowledges the full complexity of class formations and inter-class relationships and permits noncanonical and canonical texts such as the Prelude, Songs of Innocence and Experience, and 'The Village Minstrel' to be reinterpreted in a cultural context that has not been previously explored by literary critics.

This book was originally published in 1978. The London Magazine is briefly told in the accomplisments and failures of its four editors, and during the fourteen months of his editorship, 1820-21, John Scott succeeded in establishing the London as one of the finest literary periodicals of the nineteenth century. John Taylor, the second editor, maintained the high quality of the magazine by securing many excellent writers. But by the end of 1825, the first year of Henry Southern's editorship, the magazine had lost most of its distinguished writers. When Charles night began editing the London in 1828, its great period was already a memory. This book presents a brief history of the magazine alongside the index.

An in-depth look into the life of Romantic essayist Charles Lamb and the legacy of his work A pioneer of urban Romanticism, essayist Charles Lamb (1775–1834) found inspiration in London’s markets, theaters, prostitutes, and bookshops. He prized the city’s literary scene, too, where he was a star wit. He counted among his admirers Mary Shelley, William Wordsworth, and Samuel Taylor Coleridge. His friends valued in his conversation what distinguished his writing style: a highly original blend of irony, whimsy, and melancholy. Eric G. Wilson captures Lamb’s strange charm in this meticulously researched and engagingly written biography. He demonstrates how Lamb’s humor helped him cope with a life‑defining tragedy: in a fit of madness, his sister Mary murdered their mother. Arranging to care for her himself, Lamb saved her from the gallows. Delightful when sane, Mary became Charles’s muse, and she collaborated with him on children’s books. In exploring Mary’s presence in Charles’s darkly comical essays, Wilson also shows how Lamb reverberates in today’s experimental literature.