This innovative and absorbing book surveys a little known chapter in the story of American urbanism—the history of communities built and owned by single companies seeking to bring their workers' homes and place of employment together on a single site. By 1930 more than two million people lived in such towns, dotted across an industrial frontier which stretched from Lowell, Massachusetts, through Torrance, California to Norris, Tennessee. Margaret Crawford focuses on the transformation of company town construction from the vernacular settlements of the late eighteenth century to the professional designs of architects and planners one hundred and fifty years later. Eschewing a static architectural approach which reads politics, history, and economics through the appearance of buildings, Crawford portrays the successive forms of company towns as the product of a dynamic process, shaped by industrial transformation, class struggle, and reformers' efforts to control and direct these forces.

This novel is very useful for those wishing to understand the context of the rise of the union movement in Australia. The Workingman's Paradise is set in the context of the defeat of the shearers' and maritime workers' strikes of the early 1890s.

They came by boat from a starving land—and by the Underground Railroad from Southern chains—seeking refuge in a crowded, filthy corner of hell at the bottom of a great metropolis. But in the terrible July of 1863, the poor and desperate of Paradise Alley would face a new catastrophe—as flames from the war that was tearing America in two reached out to set their city on fire.

At nightfall on June 22, 1965, a soldier walked in from the outskirts of a small town in the Dominican Republic and reported that he had just shot and killed two policemen and an outspoken Canadian Catholic priest. It was the opening scene in a mystery that, forty years later, compels J.B. MacKinnon, a nephew of the murdered missionary, to investigate what many believe was a carefully plotted assassination. MacKinnon’s search takes him to corners of the country that are far from the paradise seen by millions of tourist visitors. He meets with former revolutionaries, shadowy generals who live in hiding and the struggling Dominicans for whom the dead priest is a martyr, perhaps even a saint. Dead Man in Paradise is a true story with the suspense of a classic mystery novel, the immediacy of reportage and the insight of a travelogue. More than any of these, it is a personal examination of one of the gravest challenges of our times: finding a balance between our longing to hold the guilty to account for their crimes and the deep human need to forgive.

Hotshot New York criminal defense lawyer Kevin Corvelli was rolling. He had all the right connections to get way ahead. Guilty? Innocent? It didn't matter so long as he won, got in the papers, and got paid. That's until he loses---and loses big---when a client, who was convicted and then killed in jail, is later proven innocent. The media has a field day plastering Corvelli's face all over Manhattan, so Corvelli, disgraced and in a professional free fall, bolts for Hawaii. Committed to being a lawyer if only because of the knee-buckling debts he accumulated becoming one in the first place, he sets up shop in paradise and swears to handle only misdemeanors this time around---no felonies, no murders, no media attention, no high stakes, no real responsibility. But his first case turns out to be exactly that: law student Joseph Gianforte, Jr., is accused of chasing his ex-girlfriend to Hawaii and killing her. He's innocent, same as Corvelli's last case, only this time Corvelli knows it, and with that knowledge comes the chilling realization that the killer is still out there with plenty of incentive to make sure that any proof of Gianforte's innocence doesn't go any further than the three of them. Douglas Corleone's One Man's Paradise, the winner of the Minotaur Books/Mystery Writers of America First Crime Novel Competition, is a gripping story of failure and the search for redemption, and it marks the stellar debut of an exciting new crime-writing voice.

Elegant, brutal, and profound—this magnificent debut captures the grit and glory of modern Hawai'i with breathtaking force and accuracy. In a stunning collection that announces the arrival of an incredible talent, Kristiana Kahakauwila travels the islands of Hawai'i, making the fabled place her own. Exploring the deep tensions between local and tourist, tradition and expectation, façade and authentic self, This Is Paradise provides an unforgettable portrait of life as it’s truly being lived on Maui, Oahu, Kaua'i and the Big Island. In the gut-punch of “Wanle,” a beautiful and tough young woman wants nothing more than to follow in her father’s footsteps as a legendary cockfighter. With striking versatility, the title story employs a chorus of voices—the women of Waikiki—to tell the tale of a young tourist drawn to the darker side of the city’s nightlife. “The Old Paniolo Way” limns the difficult nature of legacy and inheritance when a patriarch tries to settle the affairs of his farm before his death. Exquisitely written and bursting with sharply observed detail, Kahakauwila’s stories remind us of the powerful desire to belong, to put down roots, and to have a place to call home.

In his bestselling work of “comic sociology,” David Brooks coins a new word, Bobo, to describe today’s upper class—those who have wed the bourgeois world of capitalist enterprise to the hippie values of the bohemian counterculture. Their hybrid lifestyle is the atmosphere we breathe, and in this witty and serious look at the cultural consequences of the information age, Brooks has defined a new generation. Do you believe that spending $15,000 on a media center is vulgar, but that spending $15,000 on a slate shower stall is a sign that you are at one with the Zenlike rhythms of nature? Do you work for one of those visionary software companies where people come to work wearing hiking boots and glacier glasses, as if a wall of ice were about to come sliding through the parking lot? If so, you might be a Bobo.

The acclaimed Nobel Prize winner challenges our most fiercely held beliefs as she weaves folklore and history, memory and myth into an unforgettable meditation on race, religion, gender, and a far-off past that is ever present—in prose that soars with the rhythms, grandeur, and tragic arc of an epic poem. “They shoot the white girl first. With the rest they can take their time.” So begins Toni Morrison’s Paradise, which opens with a horrifying scene of mass violence and chronicles its genesis in an all-black small town in rural Oklahoma. Founded by the descendants of freed slaves and survivors in exodus from a hostile world, the patriarchal community of Ruby is built on righteousness, rigidly enforced moral law, and fear. But seventeen miles away, another group of exiles has gathered in a promised land of their own. And it is upon these women in flight from death and despair that nine male citizens of Ruby will lay their pain, their terror, and their murderous rage. “A fascinating story, wonderfully detailed. . . . The town is the stage for a profound and provocative debate.” —Los Angeles Times

"This tale of counterfeiting is a treat for everyone...a delightful history lesson...Admirable and altogether charming." -The Washington Post As Ben Tarnoff reminds us in this entertaining narrative history, get-rich-quick schemes are as old as America itself. Indeed, the speculative ethos that pervades Wall Street today, Tarnoff suggests, has its origins in the counterfeiters who first took advantage of America's turbulent economy. In A Counterfeiter's Paradise, Tarnoff chronicles the lives of three colorful counterfeiters who flourished in early America, from the colonial period to the Civil War. Driven by desire for fortune and fame, each counterfeiter cunningly manipulated the political and economic realities of his day. Through the tales of these three memorable hustlers, Tarnoff tells the larger tale of America's financial coming-of-age, from a patchwork of colonies to a powerful nation with a single currency.

Review: "Epilogue reviews recent archaeological evidence for the precolumbian antiquity of social and settlement behavior of indigenous Amazonian groups"--Handbook of Latin American Studies, v. 57. http://www.loc.gov/hlas/