The Workers' Festival ranges widely into many key themes of labour history - union politics and rivalries, radical movements, religion, race and gender, and consumerism/leisure - as well as cultural history - public celebration/urban procession, urban space and communication, and popular culture.

This book brings together for the first time the work of many of the leading scholars in the field of Middle East working-class history. Using historical material from nineteenth-century Syria, late Ottoman Anatolia, republican Turkey, Egypt from the late nineteenth century through the Sadat period, Iran before and after the overthrow of the Shah, and Ba`thist Iraq, the authors explore different forms and interpretations of working-class identity, action, and organization as expressed in language, culture, and behavior. In addition, they examine different narratives of labor history and the place of workers in their respective national histories. Included are articles by Feroz Ahmad, Assef Bayat, Joel Beinin, Edmund Burke III, Dipesh Chakrabarty, Eric Davis, Ellis Goldberg, Kristin Koptiuch, Zachary Lockman, Marsha Pripstein Posusney, Donald Quataert, and Sherry Vatter. The book provides not only an introduction to the "state of the field" in Middle East working-class history but also demonstrates how that field is being influenced by the new paradigms which are transforming labor history and social history more broadly worldwide. It also opens the way for fruitful comparisons among Middle Eastern countries and between the Middle East and other parts of the world.

To date, scholars have paid little attention to the role that music played at political rallies and protests, the political activism of right-wing and left-wing musicians, and the emergence of musical performances as sites of verbal and physical confrontations between Allende supporters and the opposition. This book illuminates a largely unexplored facet of the Cold War era in Latin America by examining linkages among music, politics, and the development of extreme political violence. It traces the development of folk-based popular music against the backdrop of Chile's social and political history, explaining how music played a fundamental role in a national conflict that grew out of deep cultural divisions. Through a combination of textual and musical analysis, archival research, and oral histories, Jedrek Mularski demonstrates that Chilean rightists came to embrace a national identity rooted in Chile's central valley and its huaso ("cowboy") traditions, which groups of well-groomed, singing huasos expressed and propagated through música típica. In contrast, leftists came to embrace an identity that drew on musical traditions from Chile's outlying regions and other Latin American countries, which they expressed and propagated through nueva canción. Conflicts over these notions of Chilenidad ("Chileanness") both reflected and contributed to the political polarization of Chilean society, sparking violent confrontations at musical performances and political events during the late 1960s and early 1970s. Mularski offers a powerful example and multifaceted understanding of the fundamental role that music often plays in shaping the contours of political struggles and conflicts throughout the world.This is an important book for Latin American studies, history, musicology/ethnomusicology, and communication.

John Reed, the author of Ten Days that Shook the World, once said that Lenin was the most loved and the most hated person alive. He was loved by tens of millions who wanted to change society, but hated by the ruling class and their apologists. As the leader of the Russian Revolution, Lenin was a man who changed the world. A convinced Marxist, he created the Bolshevik Party, the most revolutionary party in history. Lenin translated the ideas of Marxism into reality. It is now one hundred years since his death. The bourgeois historians continue to slander him and his ideas. The task of this book is to explain his real life and ideas, and to draw out the significance of Lenin. Given the ongoing capitalist crisis, his ideas are gaining an increasingly wide echo. In so many ways, Lenin is more relevant today than ever before. Over two volumes, this book traces Lenin’s life and explains his ideas, drawing on the colossal heritage of what he actually wrote and did. This book also features an appendix of Krupskaya’s writings on Lenin, a chronology and over 250 images.

Canadian Working-Class History: Selected Readings, Third Edition, is an updated version of the bestselling reader that brings together recent and classic scholarship on the history, politics, and social groups of the working class in Canada. Some of the changes readers will find in the new edition include better representation of women scholars and nine provocative and ground-breaking new articles on racism and human rights; women's equality; gender history; Quebec sovereignty; and the environment.

The first major study of Alan Bush, this book provides new perspectives on twentieth-century music and communism. British communist, composer of politicised works, and friend of Soviet musicians, Bush proved to be 'a lightning rod' in the national musical culture. His radical vision for British music prompted serious reflections on aesthetics and the rights of artists to private political opinions, as well as influencing the development of state-sponsored music making in East Germany. Rejecting previous characterisations of Bush as political and musical Other, Joanna Bullivant traces his aesthetic project from its origins in the 1920s to its collapse in the 1970s, incorporating discussion of modernism, political song, music theory, opera, and Bush's response to the Soviet music crisis of 1948. Drawing on a wealth of archival sources, including recently released documents from MI5, this book constructs new perspectives on the 'cultural Cold War' through the lens of the individual artist.

The explosive novel of Italy’s revolutionary 1969 It was 1969, and temperatures were rising across the factories of the north as workers demanded better pay and conditions. Soon, discontent would erupt in what became known as Italy’s Hot Autumn. A young worker from the impoverished south arrives at Fiat’s Mirafiori factory in Turin, where his darker complexion begins to fade from the fourteen-hour workdays in sweltering industrial heat. His bosses try to withhold his wages. Our cynical, dry-witted narrator will not bend to their will. “I want everything, everything that’s owed to me,” he tells them. “Nothing more and nothing less, because you don’t mess with me.” Around him, students are holding secret meetings and union workers begin halting work on the assembly lines, crippling the Mirafiori factory with months of continuous strikes. Before long, barricades line the roads, tear gas wafts into private homes, and the slogan “We Want Everything” is ringing through the streets. Wrought in spare and measured prose, Balestrini’s novel depicts an explosive uprising. Introduced by Rachel Kushner, the author of the best-selling The Flamethrowers, We Want Everything is the incendiary fictional account of events that led to a decade of revolt.

An engaging picture book biography of Frances Perkins, the activist and first female United States cabinet member who created the Social Security program. From award-winning author Deborah Hopkinson. At 31, Frances Perkins witnessed the Triangle Waist Factory fire in 1911, one of the worst industrial disasters in United States history. The event forever changed her, and she dedicated herself to the fight for workers' rights. When she became Secretary of Labor in Franklin Delano Roosevelt's administration, she had the opportunity to make real her bold vision of a country where no one is left out and everyone is protected. Thanks to her efforts, we have the Social Security program, a move that changed Americans' lives for generations to come. Deborah Hopkinson's energetic text and Kristy Caldwell's appealing illustrations unite to tell Perkins' fascinating story as well as introduce early concepts of financial literacy, the Social Security Act, and the New Deal. Back matter features more information about Frances Perkins, Social Security, and resources for economic education.

Author: Bilal Philips & Jameelah Jones Publisher: International Islamic Publishing House; IIPH (Saudi Arabia) Pages: 100 Binding: Paperback Reviews "Polygamy is the Muslim practice most frequently and severely maligned by Westerners and modernist Muslims. This book can be read with profit by all unprejudiced readers who wish to know its justification and rationale. One of the greatest contrasts between Islam and the West is their conflicting concepts of relations between the sexes. Indeed, the very first question a Muslim convert is confronted with by an American or European is 'Why does Islam allow four wives?' This book...replies straightforwardly to that question and much more. The authors describe all the most important characteristics of marriage in Islam, pointing out that the Western notions of sex equality and romantic premarital 'love' are not necessary in Islamic marriage based on piety and the commitment on the part of both parents to win the pleasure of Almighty Allah." Maryam Jameelah Muslim World Book Review,

First published in 1975, The Nationalization of the Masses is George L. Mosse’s major statement about political symbols and the means of their diffusion. Focusing on Germany and, to a lesser degree, France and Italy, Mosse analyzes the role of symbols in fueling mass politics, mass movements, and nationalism in a way that is broadly applicable and as relevant today as it was almost fifty years ago. In this analysis Mosse introduces terms like “secular religion,” “political liturgy,” “national mystique,” “the new politics,” and “the aesthetics of politics” that are now standard in studies of nationalism and fascism, demonstrating the importance of his cultural, anthropologically informed lens to contemporary discourse. This new edition contains a critical introduction by Victoria de Grazia, Moore Collegiate Professor of History at Columbia University, contextualizing Mosse’s research and exploring its powerful influence on subsequent generations of historians.