One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!

Dubuffet and the City. People, Place and Urban Space,? written and edited by renowned scholar Dr. Sophie Berrebi (University of Amsterdam), is the first in-depth study to address the work of Jean Dubuffet (1901-1984) in relation to the theme of the city. The book examines how the city plays a role in the formation and unfolding of Dubuffet?s practice and imagination as a material, a source, and a vehicle for ideas. It analyses works in which the artist depicts city dwellers, sites and urban spaces, and discusses his architectural projects from the 1960s and 1970s against the background of heated debates in the field of urbanism. The book accompanies and extends an exhibition at Hauser & Wirth Zurich (June?Sept 2018). Along with full color reproductions of art works the book reproduces little-known archival material from the archives of the Fondation Dubuffet. It also includes several texts by Dubuffet that are translated here in English for the first time.00Exhibition: Hauser & Wirth, Zürich, Switzerland (10.06.-01.09.2018).

This is a captivating monograph of Jean Dubuffet. It will allow the viewer to enter the complex, intricate and controversial universe of a very engimatic character, still highly mysterious after his death.

Exhibition organized in collaboration with Collection d l'Art Brut Lausanne.

Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.

Dubuffet was one of the most remarkable artists of the 20th century. An enemy of culture and of the art of museums, he was an anarchist and an atheist, and anti military and unpatriotic in his attitudes. As such, he was a rebel who rejected all labels or categories, asserting there is no such thing as abstract art, either that or art is always abstract. 130 illustrations

One of the most important sculptors of this century, Richard Serra has been a spokesman on the nature and status of art in our day. Best known for site-specific works in steel, Serra has much to say about the relation of sculpture to place, whether urban, natural, or architectural, and about the nature of art itself, whether political, decorative, or personal. In interviews with writers including Douglas and Davis Sylvester, he discusses specific installations and offers insights into his approach to the problem each presents. Interviews by Peter Eisenman and Alan Colquhoun elicit Serra's thoughts on the relation of architecture to contemporary sculpture, a primary component in his own work. From essays like "Extended Notes from Sight Point Road" to Serra's extended commentary on the Tilted Arc fiasco, the pieces in this volume comprise a document of one artist's engagement with the practical, philosophical, and political problems of art.