"Divided into three parts. The first is a comprehensive biographical essay incorporating the latest research and including a history of the appreciation of the artist's work. The second ... is a complete illustrated catalogue of Memling's oeuvre, arranged chronologically. Each work is reproduced in ... color with revealing details and is fully described and annotated. The third section is an analytical review of Memling's achievement, approached from historical, iconographic, stylistic, technical, and aesthetic perspectives ... 500 illustrations, including 300 plates in full color"--Dustjacket.

Publisher description

Little is known of Memling’s life. It is surmised that he was a German by descent but the definite fact of his life is that he painted at Bruges, sharing with the van Eycks, who had also worked in that city, the honour of being the leading artists of the so-called ‘School of Bruges’. He carried on their method of painting, and added to it a quality of gentle sentiment. In his case, as in theirs, Flemish art, founded upon local conditions and embodying purely local ideals, reached its fullest expression.

Little is known of Memling’s life. It is surmised that he was a German by descent but the definite fact of his life is that he painted at Bruges, sharing with the van Eycks, who had also worked in that city, the honour of being the leading artists of the so-called ‘School of Bruges’. He carried on their method of painting, and added to it a quality of gentle sentiment. In his case, as in theirs, Flemish art, founded upon local conditions and embodying purely local ideals, reached its fullest expression.