Offering commentary, musical analysis, and detailed interpretation of her songs' lyrics, this book examines the qualities of Sheryl Crow's music that have served to establish the artist's success and popularity. Sheryl Crow continues to be celebrated for her legacy as a singer-songwriter and pop culture icon. This book provides an introduction to Sheryl Crow's entire music catalog. Organized into chronological periods of time, the author weaves biographical facts throughout a narrative rich with details about her songs: how they were created, recorded, distributed, and modified in live performance. Accompanying commentary features song analysis—including song structure, chord progression, and melody—and provides fascinating insights into the lyrical content of Crow's songwriting. The work begins with Crow's upbringing, her musical roots and influences, and how they manifested themselves in her later career. Subsequent sections delve into her road to success and eventual stardom, revealing how her rise to fame and widespread popularity was littered with broken friendships, acrimony, and suicide. The last several chapters follows her life after a diagnosis of breast cancer and the adoption of her sons. The work also includes a chapter on B-sides and rare songs by Crow.

Includes discography (page 203-225) and index.

Describes the musical performer's collaborations with top fellow artists, driving ambitions, album successes, relationships with friends and adversaries, and awards. Reprint.

A fascinating study of Brian Wilson's creative career as a composer, producer, performer, and collaborator that addresses all aspects of Brian's five-decade-long music career through his creative methods and processes. The cofounder and central figure of one of America's most successful vocal groups, The Beach Boys, Brian Wilson is a standout artist with an astonishing volume of diverse work spanning over half a century that serves as testament to his creative output and influence on modern music. Today, Wilson stands as a survivor of life challenges stemming from substance abuse and mental illness and enjoys a revitalized career in which he continues to create new works and perform around the world to enthusiastic audiences in sold-out venues. This unique book covers the breadth of Wilson's creative life as composer, producer, performer, and collaborator, not only as a Beach Boy, but also as a solo artist and collaborator with artists such as Jan and Dean, The Honeys, Spring, The Castells, and The Hondells. The book also surveys his less-examined work as a performer of the music of George Gershwin, of the songs from Disney films, and of children's books and movies. Because of its breadth, The Words and Music of Brian Wilson will appeal both to dedicated and casual fans alike of The Beach Boys and of Brian Wilson as well as to scholars in popular music and American studies.

This scholarly analysis of the music of Taylor Swift identifies how and why she is one of the early 21st century's most recognizable and most popular stars. By the age of 13, singer-songwriter Taylor Swift had already inked a development deal with a major record label. This early milestone was an appropriate predictor of what accomplishments were to come. Now a superstar artist with an international fanbase of millions and several critically acclaimed and commercially successful albums, Swift has established herself as one of the most important musicians of the 21st century. This accessible book serves Taylor Swift fans as well as students of contemporary popular music and popular culture, critically examining all of this young artist's work to date. The book's organization is primarily chronological, covering Taylor Swift's album and single releases in order of release date while also documenting the elements of her music and personality that have made her popular with fans of country music and pop music across a surprisingly diverse age range of listeners. The chapters address how Swift's songs have been viewed by some fans as anthems of empowerment or messages of encouragement, particularly by members of the LGBTQ community, those who have been bullied or been seen as outsiders, and emerging artists. The final chapter places Swift's work and her public persona in the context of her times with respect to her use of and relationship with technology—for example, her use of social media and songwriting technology—and her expressions of a new type of feminism that is unlike the feminism of the 1970s.

A valuable resource for James Taylor fans and a fascinating read for anyone interested in autobiographical popular music of the past 50 years. What kinds of unusual musical forms and lyrical structures did American singer-songwriter James Taylor incorporate into his songs? What role did Taylor play in the introspective singer-songwriter movement of the 1970s? How did Taylor write and record songs that were inspired from his own experiences in life that touched so many other people? The Words and Music of James Taylor explores these specific topics and provides detailed critical analysis of the songs and recordings of this well-known musical icon, examining his melodic writing, his use of harmony, and his often-unappreciated tailoring of musical form to enhance his lyrical messages. The book is organized chronologically, primarily around Taylor's studio albums from 1968 to 2015, and offers an introduction, a summary of Taylor's career and importance, as well as an annotated bibliography and discography. The final section of the book presents an overview of Taylor's importance and lasting impact, an analysis of themes that run through his songs, and an explanation of how Taylor's treatment of these themes changed over the years as he matured and as the world around him changed.

Global Popular Music: A Research and Information Guide offers an essential annotated bibliography of scholarship on popular music around the world in a two-volume set. Featuring a broad range of subjects, people, cultures, and geographic areas, and spanning musical genres such as traditional, folk, jazz, rock, reggae, samba, rai, punk, hip-hop, and many more, this guide highlights different approaches and discussions within global popular music research. This research guide is comprehensive in scope, providing a vital resource for scholars and students approaching the vast amount of publications on popular music studies and popular music traditions around the world. Thorough cross-referencing and robust indexes of genres, places, names, and subjects make the guide easy to use. Volume 2, Transnational Discourses of Global Popular Music Studies, covers the geographical areas of North America: United States and Canada; Central America, Caribbean, and South America/Latin America; Europe; Africa and Middle East; Asia; and areas of Oceania: Aotearoa/New Zealand, Australia, and Pacific Islands. It provides over twenty-four hundred annotated bibliographic entries covering discourses of extensive research that extend beyond the borders of the United States and includes annotated entries to books, book series, book chapters, edited volumes, special documentaries and programming, scholarly journal essays, and other resources that focus on the creative and artistic flows of global popular music.

Edie Falco, Sheryl Crow, Athena Jones, and other breast cancer survivors and “previvors” tell their powerful, inspiring stories in this collection. Drawing from first-hand interviews of successful, high-profile women from myriad industries and perspectives, award-winning journalist Ali Rogin brings together an all-star support and recovery team to inspire anyone confronting a cancer diagnosis, along with their loved ones. Learn how preeminent actresses, musicians, politicians, journalists, and entrepreneurs faced a formidable disease and put it in its place. In their own words, the women of Beat Breast Cancer Like a Boss inform and encourage other women by sharing their experiences and advice. Learn how they told loved ones about their diagnoses, navigated treatment options, and managed the work/life/cancer balance. Rogin, too, faced great uncertainty when she tested positively for the BRCA1 genetic mutation at age twenty. She found answers in the vibrant community of breast cancer survivors and “previvors” who also stared down the odds. With her brave decision to undergo a prophylactic bilateral mastectomy before even graduating college, Rogin joined this diverse sisterhood of women confronting breast cancer in its many forms with dignity, strength, and humor.

The 1930s were the cinema's age of innocence, the decade when Hollywood concentrated, despite, or perhaps because of, the misery and gloom of the Great Depression, on escapism and entertainment, when the arrival of talkies had given the medium a voice, when the big studios with their stables of stars were deciding what the public wanted, and providing it on a massive scale.

(Book). You've written what you think is a great melody, what you hope is a strong lyric, and you've cut what sounds to you like a killer track. But how do you know if it's a hit? And what do you do with it if it is? Your only option is How to Be a Hit Songwriter , essential reading for advanced songwriters. Molly-Ann Leikin is the award-winning songwriter/songwriting consultant who helps good songwriters all over the world become hit songwriters. Whether your work just needs a little rewriting, polishing or some strong connections, Leikin will guide you step by step to the top of the charts. In How to Be a Hit Songwriter she offers expert advice and exercises, including "Seven Easy Steps to Writing Hit Lyrics." The book features inside information that can turn your song into a potential hit. What's more, she's interviewed music industry power players who share tips that are essential to all developing artists.