This detailed exploration looks at the musical works of recording artist Billy Joel and his impact on popular culture. Billy Joel skyrocketed to popularity in 1977 with his fifth album, The Stranger, and he has been a major American artist ever since. His songs are timeless and appreciated by generations of fans. The Words and Music of Billy Joel examines this influential musician's songs in detail, exploring the meaning of the lyrics and placing Joel's artistry in a regional and cultural context. Covering work that ranges from Joel's recordings with the Lost Souls to his classical compositions, the book focuses on the dozen studio albums of popular music released between 1971 and 1993. A bibliographic essay is included, as are both a discography and a filmography. There is also a special focus on the interpretation of Joel's songs by other recording artists.

(Piano/Vocal/Guitar Artist Songbook). David Rosenthal has carefully arranged all the tracks from Joel's classic 1973 release to combine the piano parts and vocal melodies into playable arrangements while transcribing those classic piano parts that are integral to each song. This book features the iconic title track and nine others: Ain't No Crime * (The) Ballad of Billy the Kid * Captain Jack * If I Only Had the Words (To Tell You) * Somewhere Along the Line * Stop in Nevada * Travelin' Prayer * Worse Comes to Worst * You're My Home.

The all-access biography and unprecedented look at the life, career, and legacy of a pint-sized kid from Long Island who became a music legend. “A funny, revealing, and poignant look at [Billy] Joel’s long career.”—Boston Globe Exhibiting unparalleled intimate knowledge, Schruers chronicles Joel’s rise to the top of the charts, from his working-class origins in Levittown and early days spent in boxing rings and sweaty clubs to his monumental success in the seventies and eighties. He also explores Joel’s creative transformation in the nineties, his dream performance with Paul McCartney at Shea Stadium in 2008, and beyond. Along the way, Schruers reveals the stories behind all the key events and relationships—including Joel’s high-profile marriages and legal battles—that defined his path to stardom and inspired his signature songs, such as “Piano Man,” “Scenes from an Italian Restaurant,” “New York State of Mind,” and “She’s Always a Woman.” Throughout, he captures the spirit of a restless artist determined to break through by sharing, in his deeply personal lyrics, the dreams and heartbreaks of suburban American life. Comprehensive, vibrantly written, and filled with Joel’s memories and reflections—as well as those of the family, friends, and band members who have formed his inner circle, including Christie Brinkley, Alexa Ray Joel, Jon Small, and Steve Cohen—this is the definitive account of a beloved rock star’s epic American journey.

A father sings his love to his daughter in a lullaby. With words as tender as a kiss on the cheek, Billy Joel reassures readers young and old that the love between a parent and child lasts forever, even if families are separated. Dreamy paintings of a father and daughter illustrate the profound ways that small moments -- like tucking a child into bed -- affirm parents' devotion to their children.

(Easy Piano Personality). An excellent collection of 21 of Joel's best, including: And So It Goes * It's Still Rock and Roll to Me * Just the Way You Are * The Longest Time * My Life * Piano Man * We Didn't Start the Fire * and more.

Paul Simon is commonly acknowledged to be one of the most successful singer-songwriters of the pop-rock era. After a brief biographical overview, this title examines Simon's songwriting work, providing a critical discussion of each song. It also discusses the variety of musical elements that contribute significantly to the value of Simon's work.

(Piano Vocal). This sheet music features an arrangement for piano and voice with guitar chord frames, with the melody presented in the right hand of the piano part, as well as in the vocal line.

(Book). Billy Joel: The Life and Times of an Angry Young Man is a look at the superstar's entire career, including his troubled youth as a gang member; the controversy surrounding his first hit, "Captain Jack"; his legal problems; his storied marriage with Christie Brinkley; and his continued artistic frustration. "The Beatles did 'Michelle' and 'Yesterday,'" he has said. "They also did 'Revolution' and 'Helter Skelter' and they weren't pegged as balladeers. But because I had hit singles that were ballads, I became known as a balladeer. I've always resented it." Joel one of the top ten touring takes of the decade has continued his standing road date with Elton John on the never-ending Two Pianos tour.

*Finalist for the Costa First Novel Award* *Shortlisted for the Commonwealth Writers Prize* From a rising literary star, a thrilling debut novel of psychological suspense set among the colleges of Cambridge When bright and bookish Oscar Lowe follows the haunting sound of an organ into the chapel of Kings College, Cambridge, one day, his whole world changes. He meets a beautiful and seductive medical student, Iris Bellwether, and her charismatic and troubled brother Eden. Oscar is seduced by their life of scholarship and privilege, but when Eden convinces Iris and her close-knit group of friends to participate in a series of disturbing experiments, Oscar fears he has entered into something from which he cannot escape. Reminiscent of Donna Tartt’s The Secret History, The Bellwether Revivals is a gripping exploration of the line between genius and madness that will hold readers spellbound until its breathtaking conclusion.

A philosophical exploration of pop music that reveals a rich, self-reflexive art form with unsuspected depths. In the first major philosophical treatise on the subject, Agnès Gayraud explores all the paradoxes of pop—its inauthentic authenticity, its mass production of emotion and personal resonance, its repetitive novelty, its precision engineering of seduction—and calls for pop (in its broadest sense, encompassing all genres of popular recorded music) to be recognized as a modern, technologically mediated art form to rank alongside cinema and photography. In a thoroughgoing engagement with Adorno's fierce critique of "standardized light popular music," Dialectic of Pop tracks the transformations of the pop form and its audience over the course of the twentieth century, from Hillbilly to Beyoncé, from Lead Belly to Drake. Inseparable from the materiality of its technical media, indifferent and intractable to the perspectives of high culture, pop subverts notions of authenticity and inauthenticity, original and copy, aura and commodity, medium and message. Gayraud demonstrates that, far from being the artless and trivial mass-produced pabulum denigrated by Adorno, pop is a rich, self-reflexive artform that recognises its own contradictions, incorporates its own productive negativity, and often flourishes by thinking "against itself." Dialectic of Pop sings the praises of pop as a constitutively impure form resulting from the encounter between industrial production and the human predilection for song, and diagnoses the prospects for twenty-first century pop as it continues to adapt to ever-changing technological mediations.