"Ah well, Miss Eva, I 'spose your pa'ull come home to spile things as he allays have done. It ain't no wonder, I ses, as you sits moping by the winder, looking double your age, and you only twenty, as has no right to look forty, whatever you may say, though I took my dying alfred-david on its blessed truth." This slightly incoherent and decidedly pessimistic speech was moaned, rather than spoken, by a lean-bodied, hard-faced, staring-eyed woman to a pretty girl, who did not look at the speaker. And small wonder. Mrs. Merry--inappropriate name--was unattractive to the eye. She was angular, grey-skinned, grey-eyed, grey-haired, and had thin, drooping lips almost as grey as the rest of her. In her black stuff gown--she invariably wore the most funereal dresses--with uneasy hands folded under a coarse apron, she stood before Eva Strode, uttering lamentations worthy of Jeremiah at his worst. But such dumpishness was characteristic of the woman. She delighted in looking on the black side of things, and the blacker they were, the more she relished them. Out of wrong-doing, and grief and things awry, she extracted a queer sort of pleasure, and felt never so happy as when the worst came to the worst. It seemed unfit that such a walking pageant of woe should be called Merry. Eva, already depressed by the voice and sentiment of this lamentable dame, continued to look at the gaudy hollyhocks, even while she answered calmly, "I expect my father is the same as he was when he went to South Africa five years ago. I don't hope to find him an angel. I am certain he has not changed."

Reproduction of the original: The Wooden Hand by Fergus Hume

By the pricking of my thumbs, Something wicked this way comes. —Macbeth. THE town clock of Sibley had just struck twelve. Court had adjourned, and Judge Evans, with one or two of the leading lawyers of the county, stood in the door-way of the court-house discussing in a friendly way the eccentricities of criminals as developed in the case then before the court. Mr. Lord had just ventured the assertion that crime as a fine art was happily confined to France; to which District Attorney Ferris had replied: "And why? Because atheism has not yet acquired such a hold upon our upper classes that gentlemen think it possible to meddle with such matters. It is only when a student, a doctor, a lawyer, determines to put aside from his path the secret stumbling-block to his desires or his ambition that the true intellectual crime is developed. That brute whom you see slouching along over the way is the type of the average criminal of the day." And he indicated with a nod a sturdy, ill-favored man, who, with pack on his back, was just emerging from a grassy lane that opened out from the street directly opposite the court-house. "Such men are often seen in the dock," remarked Mr. Orcutt, of more than local reputation as a criminal lawyer. "And often escape the penalty of their crimes," he added, watching, with a curious glance, the lowering brow and furtive look of the man who, upon perceiving the attention he had attracted, increased his pace till he almost broke into a run....

The Best British Detective Books: 270+ Murder Mysteries, Crime Stories & Suspense Thrillers is a monumental anthology that showcases the breadth and diversity of British detective fiction. Encompassing over 270 narratives, this collection spans a variety of literary styles, from the deductive reasoning of Sherlock Holmes to the ingeniously plotted psychological mysteries that characterize early 20th-century British literature. The anthology does not only entertain but serves as a pivotal study in the evolution of detective fiction, highlighting seminal works that have shaped the genre. Each story, carefully curated, stands as a hallmark of the narrative intrigue and complexity for which British detective stories are renowned. The contributing authors, including luminaries such as Arthur Conan Doyle and G.K. Chesterton, hail from a vibrant period in literary history, marked by the burgeoning of detective fiction as a genre. Collectively, their backgroundsa blend of journalism, medicine, and literaturereflect the interdisciplinary origins of detective storytelling. Their works, aligned with the cultural and intellectual currents of the late Victorian and Edwardian eras, offer insights into the societal anxieties and moral dilemmas of their time. This anthology thus not only enriches the reader's appreciation of detective fiction but also offers a lens through which to view historical and cultural shifts. Inviting both aficionados and newcomers to the genre, this collection offers a unique opportunity to dive into the rich tapestry of British detective literature. Through its comprehensive scope, the anthology promotes an understanding of the genre's development while fostering an appreciation for the artistry and ingenuity of its authors. Readers are encouraged to explore this collection for both its scholarly value and its sheer entertainment, discovering the timeless appeal of mysteries that continue to captivate and intrigue audiences worldwide.

In the hands of many of the great writers, the unravelling of mystery is only one strand within a complex project. Other things get unravelled, too - the belief in a rationally explicable world, in the beneficent, ordering force of culture and civilization. Constantly the detective story delights in muddying the waters, in acknowledging the omnipresent possibilities of anarchy and carnage. As a genre, it is supremely able to combine popular appeal with the ability to disturb, provoke and challenge the reader. The essays in this volume all pay tribute to, and seek to account for, the astonishing durability of the detective story as a narrative genre. They range generously, taking a variety of theoretical approaches and including detective fiction in languages other than English, but particular attention is paid to the 'Golden Age' of English detective story-writing and to the 'hard-boiled' American version of the genre. This is a collection that will appeal to the scholar and to the devotee alike; to all those, in fact, who cannot resist the lure of finding out whodunit.

Melville Davisson Post's 'Murder Mystery Collection' is a captivating anthology that showcases over 40 thrilling novels and detective stories. Post's literary style combines intricate plot lines with rich character development, creating a sense of suspense and mystery that keeps readers engaged from start to finish. Set in various settings across America, these stories offer a glimpse into the early 20th-century detective fiction genre, blending elements of realism and intrigue. Post's keen eye for detail and his ability to craft compelling narratives make this collection a must-read for fans of mystery literature. Melville Davisson Post, a former lawyer turned prolific author, drew inspiration from his legal background to create intricate and authentic crime scenarios in his stories. His firsthand knowledge of the criminal justice system adds a layer of realism to his work, providing readers with a unique perspective on detective fiction. Post's dedication to the genre and his commitment to storytelling shine through in each of the meticulously crafted narratives included in this collection. I highly recommend Melville Davisson Post's 'Murder Mystery Collection' to readers who enjoy classic detective stories with a twist. Post's ability to blend suspense, character development, and intricate plotting makes this anthology a standout in the world of mystery literature, promising hours of entertainment and intrigue for fans of the genre.

Edgar Allan Poe essentially invented the detective story in 1841 with Murders in the Rue Morgue. In the years that followed, however, detective fiction in America saw no significant progress as a literary genre. Much to the dismay of moral crusaders like Anthony Comstock, dime novels and other sensationalist publications satisfied the public's hunger for a yarn. Things changed as the century waned, and eventually the detective was reborn as a figure of American literature. In part these changes were due to a combination of social conditions, including the rise and decline of the police as an institution; the parallel development of private detectives; the birth of the crusading newspaper reporter; and the beginnings of forensic science. Influential, too, was the new role model offered by a wildly popular British import named Sherlock Holmes. Focusing on the late 19th century and early 20th, this volume covers the formative years of American detective fiction. Instructors considering this book for use in a course may request an examination copy here.

This Combo Collection (Set of 3 Books) includes All-time Bestseller Books. This anthology contains: Secret Adversary The Mysterious Affair at Styles A Princess of Mars