The garment industry gained a foothold in Pennsylvania's hard-coal region as mines were closing. "Runaway" factories, especially from Manhattan, set up shop in mining towns where labor was plentiful and unions scarce. By the 1930s, garment factories employed thousands of wives and daughters of unemployed or underemployed coal miners. Organizing these workers proved difficult for the International Ladies' Garment Workers' Union (ILGWU).

This work provides a history of the International Ladies' Garment Workers' Union. Topics covered include: the union's influence on political legislation and global economy; the story of the East European immigrants at the turn of the 20th century; and the union's spirit of social reform.

This book tells the story of the half-million workers who make the clothes which the American woman wears. The scene is a changing one, shifting from the shops where the clothes are made ot the arena of the public forum and of the national life. The theme is the struggle of an industrial group, once economically weka and neglected, for the recognition of its right and for the humanization of the conditions under whihc it works and lives. It is one of the most poignant and dramatic chapters in the general story of the movement of American Labor for a higher life.

Classical Japanese: A Grammar is a comprehensive, and practical guide to classical Japanese. Extensive notes and historical explanations make this volume useful as both a reference for advanced students and a textbook for beginning students. The volume, which explains how classical Japanese is related to modern Japanese, includes detailed explanations of basic grammar, including helpful, easy-to-use tables of grammatical forms; annotated excerpts from classical premodern texts. Classical Japanese: A Grammar - Exercise Answers and Tables (ISBN: 978-0-231-13530-6) is now available for purchase as a separate volume.

In the early 1930’s, the International Ladies’ Garment Workers’ Union (ILGWU) organized large numbers of Black and Hispanic workers through a broadly conceived program of education, culture, and community involvement. The ILGWU admitted these new members, the overwhelming majority of whom were women, into racially integrated local unions and created structures to celebrate ethnic differences. All Together Different revolves around this phenomenon of interracial union building and worker education during the Great Depression. Investigating why immigrant Jewish unionists in the International Ladies’ Garment Workers’ Union (ILGWU) appealed to an international force of coworkers, Katz traces their ideology of a working-class based cultural pluralism, which Daniel Katz newly terms “mutual culturalism,” back to the revolutionary experiences of Russian Jewish women. These militant women and their male allies constructed an ethnic identity derived from Yiddish socialist tenets based on the principle of autonomous national cultures in the late nineteenth century Russian Empire. Built on original scholarship and bolstered by exhaustive research, All Together Different offers a fresh perspective on the nature of ethnic identity and working-class consciousness and contributes to current debates about the origins of multiculturalism.

In Morocco today, the idea of female laborers is generally frowned upon. Yet despite this, many women are beginning to find work in factories. Laetitia Cairoli spent a year in the ancient city of Fes; Girls of the Factory tells the story of what life is like for working women. Forced to find a factory job herself so that she could speak more intimately with working women, she was able to learn firsthand why they work, what working means to them, and how important earning a wage is to their sense of self. Cairoli conveys a general sense of the working life of women in Morocco by describing daily life inside a Moroccan sewing factory. She also reveals the additional work they face inside their homes. More than an ethnography, this volume is also for those who want to better understand what life is like for a new generation of young women just entering the workforce.

The thrilling and true account of racketeering and union corruption in mid-century New York, when unions and the mob were locked in a power struggle that reverberates to this day In 1949, in New York City's crowded Garment District, a union organizer named William Lurye was stabbed to death by a mob assassin. Through the lens of this murder case, prize-winning authors David Witwer and Catherine Rios explore American labor history at its critical turning point, drawing on FBI case files and the private papers of investigative journalists who first broke the story. A narrative that originates in the garment industry of mid-century New York, which produced over 80 percent of the nation's dresses at the time, Murder in the Garment District quickly moves to a national stage, where congressional anti-corruption hearings gripped the nation and forever tainted the reputation of American unions. Replete with elements of a true-crime thriller, Murder in the Garment District includes a riveting cast of characters, from wheeling and dealing union president David Dubinsky to the notorious gangster Abe Chait and the crusading Robert F. Kennedy, whose public duel with Jimmy Hoffa became front-page news. Deeply researched and grounded in the street-level events that put people's lives and livelihoods at stake, Murder in the Garment District is destined to become a classic work of history—one that also explains the current troubled state of unions in America.

In 1982, 20,000 Chinese-American garment workers—most of them women—went on strike in New York City. Every Chinese garment industry employer in the city soon signed a union contract. The successful action reflected the ways women's changing positions within their families and within the workplace galvanized them to stand up for themselves. Xiaolan Bao's now-classic study penetrates to the heart of Chinese American society to explain how this militancy and organized protest, seemingly so at odds with traditional Chinese female behavior, came about. Drawing on more than one hundred interviews, Bao blends the poignant personal stories of Chinese immigrant workers with the interwoven history of the garment industry and the city's Chinese community. Bao shows how the high rate of married women employed outside the home profoundly transformed family culture and with it the image and empowerment of Chinese American women. At the same time, she offers a complex and subtle discussion of the interplay of ethnic and class factors within New York's garment industry. Passionately told and prodigiously documented, Holding Up More Than Half the Sky examines the journey of a community's women through an era of change in the home, on the shop floor, and walking the picket line.

This book tells the story of the half-million workers who make the clothes which the American woman wears. The scene is a changing one, shifting from the shops where the clothes are made ot the arena of the public forum and of the national life. The theme is the struggle of an industrial group, once economically weka and neglected, for the recognition of its right and for the humanization of the conditions under whihc it works and lives. It is one of the most poignant and dramatic chapters in the general story of the movement of American Labor for a higher life.