With his grand scale and richly colored canvases and studies, John William Waterhouse (1849-1917) was one of the most influential painters of the 19th century. In this brilliantly illustrated survey, edited by a leading Waterhouse scholar, the painter's seductive vision of femininity is captured in sumptuous reproductions and illuminated by an engaging and informative text. Published to accompany an important exhibition of the artist's work, the book explores Waterhouse's creative responses to such contemporary concerns as medievalism, the classical tradition, and spiritualism. A comprehensive examination of his life and work, including his well-known painting "The Lady of Shallott, "this volume explores also the artist's connection to the Pre-Raphaelite Brotherhood and his engagement with French art of the period.

John William Waterhouse (1849 - 1917) was an English painter known for working in the Pre-Raphaelite style. He worked several decades after the break-up of the Pre-Raphaelite Brotherhood, which had seen its heyday in the mid-nineteenth century, leading him to have gained the moniker of "the modern Pre-Raphaelite". Borrowing stylistic influences not only from the earlier Pre-Raphaelites but also from his contemporaries, the Impressionists, his artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend. In 1895 Waterhouse was elected to the status of full Academician. He taught at the St. John's Wood Art School, joined the St John's Wood Arts Club, and served on the Royal Academy Council.

One of the most popular Victorian artists and the creator of many icons of femininity is profiled in this provocative and lively study.

This card collection reproduces in sumptuous full color the Art Nouveau master's most famous posters and panels. Pocket-size masterpieces include Zodiac, Sarah Bernhardt/La Plume, Rêverie, Cognac Bisquit, and more.

Price Waterhouse is one of the oldest established accountancy practices in the world. It is also one of the largest. This history is the story of commercial success: of how a Victorian city partnership of three men grew, in less than 150 years, to employ more than 40,000 people in 143 countries.

A fresh appraisal of one of the most enduringly popular Victorian artists. John William Waterhouse (1849-1917) is one of the most enduringly popular of the Victorian artists, and paintings such as The Lady of Shalott, Hylas and The Nymphs and Ophelia have become icons recognized the world over. With their compelling composition and glowing colour, these works are admired for their beauty and for their power to transport the viewer into a romantic world of myth and legend. At the same time, Waterhouse's wistful heroines also reflect the troubled attitudes of nineteenth-century male artists towards women. In this carefully researched new study, Peter Trippi presents a fresh and absorbing analysis of the artist's seductresses, martyrs and nymphs, and the cultural and historical circumstances in which they were produced. He also draws on new research to provide an accessible biography of the artist. Themes explored include Waterhouse's passion for Italy, literature and the classical world, the role of the Royal Academy in his life, his stylistic influences and studio practice, and his relations with collectors, dealers, critics and curators. Neglected throughout much of the twentieth century, Waterhouse has enjoyed a dramatic revival of fortune. Trippi's monograph provides a timely re-evaluation that combines a close reading of Waterhouse's imagery with a candid appraisal of the milieu in which he worked.

A miniature edition of the work of J W Waterhouse.

A creepy, fast-paced psychological thriller from the author of The Wrong Mother and The Other Woman’s House It’s every mother’s worst nightmare. When Alice Fancourt leaves her newborn daughter at home with her husband for the first time, she comes home to a horrifying discovery: her child has been swapped with another baby. In near hysterics, Alice rushes to call the police, but soon discovers that no one, not even her husband David, believes her. When the police arrive, Detective Simon Waterhouse is drawn to the lovely Alice but doubts her story and suspects that she is suffering from postpartum depression. Meanwhile, David is growing increasingly hostile and Alice begins to fear that her baby’s disappearance may be linked to his first wife’s untimely death. Can Alice convince the police before it’s too late? The first book in Sophie Hannah’s acclaimed Zailer and Waterhouse series established her as a new master of psychological suspense. For fans of Tana French and Tess Gerritsen, Little Face is a chilling look at the lengths to which a mother will go to protect her child.

Gambler, journalist, fervent alcoholic and four-times married Jeffrey Bernard writes the "Low Life" column for the Spectator magazine chronicling Soho life as well as offering a very personal philosophy on vodka, women and race-courses. From this, Keith Waterhouse has brilliantly constructed a play (the title being the euphemism used by the Spectator when Bernard is incapable of writing his column) which is set in the saloon bar of Bernard's favourite Soho pub, the Coach and Horses. Having passed out in the lavatory, Bernard awakes in the early hours of the morning to find himself alone and in the dark. Unable to contact the landlord, he is resigned to spending the rest of the night with a bottle of vodka and an endless chain of cigarettes, narrating a story of hilarious anecdotes and witty reminiscences which are enacted by two actors and two actresses who bring to life the various characters who populate Jeff 's world. Starring Peter O'Toole, later succeeded by Tom Conti then James Bolam, the play enjoyed a hugely successful run at the Apollo Theatre, London.