Beyond the Pampas is an exploration of the lives of the descendents of nineteenth century Welsh settlers in Argentina. Herrad discovers a fascinating melding of Welsh and Spanish language cultures through which she explores the nature of heritage and identity. Her expectations are further challenged by the plight of Patagonia's indigenous peoples - the Tehuelche and Mapuche - with the land-related cultures and oppression by European settlers. This is an additional prism through which to view history, as is the difference Herrad discovers between metropolitan Buenos Aires and the rural hinterland. And the whole is underpinned by Herrad's personal journey of self-discovery, from an abusive childhood in Germany to acceptance in the communities of Wales and Patagonia. Herrad's openness to new experience and her wonder at the natural world result in a rich and evocative depiction of the exotic places in which she finds herself, from camping under the stars in the Andes to whale-watching on the Atlantic coast, and from the Welsh-speaking tea rooms of Chubut to the museums of lost Indian peoples.

Elizabeth A. Lynn stands as a groundbreaking author of fantasy and science fiction. Her stories weave richly drawn characters and complex scenes of daily life into the intricate tapestry of speculative fiction. But beyond her technical skill, Lynn has changed the landscape of fantasy writing as one of the first authors to incorporate themes of gender and gay relationships into her work. Importantly, these themes are not part of the fantastic story line but simply of the unremarkable, normal relationships around which the fantasy occurs. This collection of Lynn’s early short stories serves as a wonderful introduction to her influential work. Soaring emotions, eloquent prose, and fully realized worlds are truly a joy to become lost within. That explains why the namesake short story “The Woman Who Loved the Moon” won Lynn one of her two World Fantasy Awards. With The Woman Who Loved the Moon and Other Stories, readers will delight in an author whose work George R. R. Martin has described as “the sort of fantasy we don’t see enough of: lyrical and literate, and a treat from the first page to the last.”

Reviving the first-millennium world of Celtic women saints--most of them far from saintly by current definitions--these inventive stories are not historical tracts or faithful retellings; instead they use the old legends as the framework for new plots, some of them set in the contemporary world. The perilous flight of Madrun, the daughter of King Gwyrtheryn, for example, is transmuted into a story of escape from an eastern European war zone, and St. Non is raped and expelled from her convent, as in the familiar version of the tale, but this time around she comes back for revenge.