“Deep, informed, and reeks of common sense.” —Norman Ornstein “It is now beyond debate that rising inequality is not only leaving millions of Americans living on a sharp edge but also is threatening our democracy...For activists and scholars alike who are struggling to create a more equitable society, this is an essential read.” —David Gergen We are in an age of crisis. That much we can agree on. But a crisis of what, exactly? And how do we get out of it? In a follow up to their influential and much debated Death by a Thousand Cuts, Michael Graetz and Ian Shapiro focus on what really worries people: not what the rich are making or the government is taking from them but their own insecurity. Americans are worried about losing their jobs, their status, and the safety of their communities. They fear the wolf at the door. The solution is not protectionism or class warfare but better jobs, higher wages, greater protection for families suffering from unemployment, better health insurance, and higher quality childcare. And it turns out those goals are more achievable than you might think. The Wolf at the Door is one of those rare books that doesn’t just diagnose our problems, it shows how to address them. “This is a terrific book, original, erudite, and superbly well-informed, and full of new wisdom about what might and what might not help the majority of Americans who have not shared in our growing prosperity, but are left facing the wolf at the door...Everyone interested in public policy should read this book.” —Angus Deaton, Princeton University “Graetz and Shapiro wrestle with a fundamental question of our day: How do we address a system that makes too many Americans anxious that economic security is slipping out of reach? Their cogent call for sensible and achievable policies...should be read by progressives and conservatives alike.” —Jacob J. Lew, former Secretary of the Treasury

We don't actually drink coffee at my coffee morning. – What do you do, then? – We discuss the violent overthrow of the government. Also, there's flower arranging. In this intensely imaginative and daringly brave-thinking play, award-winning playwright Rory Mullarkey imagines a wild road trip across Middle England. Together, Lady Catherine and her young protégé Leo enlist every tearoom, hot yoga class and Women's Institute group on a mission to change the country forever. This play was the 2014 Pinter Commission and the winner of the George Devine Award. It received its world premiere production at the Royal Court Theatre Upstairs on 10 September 2014, starring Anna Chancellor as Lady Catherine and directed by James Macdonald.

These are not your mother's fairy tales... Did you ever wonder how the dwarves felt after Snow White ditched them for the prince? Do you sometimes wish Cinderella hadn't been so helpless and petite? Are you ready to hear the Giant's point of view on Jack and his beanstalk? Then this is the book for you. Thirteen award-winning fantasy and science fiction writers offer up their versions of these classic fairy tales as well as other favorites, including The Ugly Duckling, Ali Baba, Hansel and Gretel, and more. Some of the stories are funny, some are strange, and others are dark and disturbing -- but each offers something as unexpected as a wolf at the door.

Virginia Hall left her Baltimore home in 1931 to enter the Foreign Service and went to work for the British Special Operations Executive (SOE) when Hitler was building toward the peak of his power in Europe. She was assigned to France, where she helped the Resistance movement, escaped prisoners of war, and American Allied paratroopers. By 1942 she was considered so dangerous to the Gestapo that she had to escape over the Pyrenees mountains—on an artificial leg, no less. When she got to England, she was reassigned to France by the OSS, disguised as an old peasant woman. She helped capture 500 German soldiers and kill more than 150, while she sabotaged Nazi communications and transportation. Hitler's forces were hot on her trail, however, and her daring intelligence activities and indomitable spirit defied the expectations of even the Allies until the very end of the war. Her story was ignored for more than fifty years, and this book now brings Virginia Hall's story to patriots young and old.

A trenchant analysis of how public education is being destroyed in overt and deceptive ways—and how to fight back In the “vigorous, well-informed” (Kirkus Reviews) A Wolf at the Schoolhouse Door, the co-hosts of the popular education podcast Have You Heard expose the potent network of conservative elected officials, advocacy groups, funders, and think tanks that are pushing a radical vision to do away with public education. “Cut[ing] through the rhetorical fog surrounding a host of free-market reforms and innovations” (Mike Rose), Jack Schneider and Jennifer Berkshire lay bare the dogma of privatization and reveal how it fits into the current context of right-wing political movements. A Wolf at the Schoolhouse Door “goes above and beyond the typical explanations” (SchoolPolicy.org), giving readers an up-close look at the policies—school vouchers, the war on teachers’ unions, tax credit scholarships, virtual schools, and more—driving the movement’s agenda. Called “well-researched, carefully argued, and alarming” by Library Journal, this smart, essential book has already incited a public reckoning on behalf of the millions of families served by the American educational system—and many more who stand to suffer from its unmaking. “Just as with good sci-fi,” according to Jacobin, “the authors make a compelling case that, based on our current trajectory, a nightmare future is closer than we think.”

"The chemistry between these characters is downright palpable." —USA TODAY on The Wolf at the Door Solve the crime or fix the relationship—Cooper Dayton can’t seem to do both in this stunning and suspenseful follow-up to The Wolf at the Door by Charlie Adhara Going home digs up bad memories, so it’s something Bureau of Special Investigations agent Cooper Dayton tries to avoid. When he’s guilted into a visit, Cooper brings along Oliver Park, his hot new werewolf partner, in the hopes the trip will help clarify their status as a couple…or not. When Park’s keen shifter nose uncovers a body in the yard and Cooper’s father is the prime suspect, Cooper knows they’re on their own. Familial involvement means no sanctioned investigation. They’ll need to go rogue and solve the mystery quietly or risk seeing Cooper’s dad put behind bars. The case may be cold, but Park and Cooper’s relationship heats up as they work. And yet if Cooper can’t figure out what’s going on between them outside of the bedroom, he’ll lose someone he… Well, he can’t quite put into words how he feels about Park. He knows one thing for sure: he’s not ready to say goodbye, though with the real killer inching ever closer…he may not have a choice. Big Bad Wolf Book 1: The Wolf at the Door Book 2: The Wolf at Bay Book 3: Thrown to the Wolves Book 4: Wolf in Sheep's Clothing Book 5: Cry Wolf Monster Hunt Book 1: Pack of Lies Book 2: Den of Thieves

The howlingly good spin-off of the Undead series from the New York Times bestselling author. Rachel, a werewolf/accountant, is asked to keep one eye on Vampire Queen Betsy Taylor and the other peeled for a rogue werewolf who's itching to start a war. But her attention is mostly on a sexy, mysterious stranger she wishes she could trust.

Discovers a Holocaust subtext in Kubrick's films, culminating in his 1980 adaptation of Stephen King's horror novel "The Shining". Maintains that this is reflected in his depiction of harsh struggles with and over power and violence. Several of his films deal with war and state power. "The Shining" is seen as an artistic and philosophical response to the horrors of World War II. Among the influences on the filmmaker are Hilberg's "The Destruction of the European Jews", Kubrick's Jewish past, and his early years that were affected by fascism and war. Kubrick's marriage into an artistic German family also contributed to his preoccupation with the history of Nazi Germany and the Holocaust, which were indirectly reflected in his oeuvre.

Jack Higgins “doesn’t stint on action” (Publishers Weekly) in this New York Times bestseller featuring black ops specialist Sean Dillon. On a Long Island pier, a trusted operative for the President is wounded by gunfire. In London, an adviser to the Prime Minister approaches his car when it explodes. In New York, British soldier-turned covert operative Sean Dillon is approached by a man with a pistol in his hand... Someone is targeting members of an elite intelligence unit known as “the Prime Minister's private army” and all those who work with them. The culprit has a full complement of resources at his command—and Dillon has an idea of who it may be: an old nemesis out to destroy the unit out once and for all. But proving it will be difficult. And surviving it might be impossible.

Isadora finds the strength to stand up to her abusive husband Septimo when he forces the very pregnant Yolot to stay against her will. While Septimo makes plans for the baby, Isadora and Yolot devise one of their own. And as a pack of wolves closes in on the hacienda, Isadora must decide what price she'll pay for her own freedom. Wolf at the Door is part of a cycle of fairy tales Marisela Treviño Orta is writing inspired by Latino folklore and mythology. "A beautifully told Mesoamerican fairy tale... a story of self-deliverance and empowerment of those who survive." - Theater Jones "Absorbing... Wolf at the Door tells a magical story in a straightforward way, evoking the harsh realities of life with brutal honesty." - NJArts "Racked with pain... Marisela Trevino Orta... has fashioned a message drama around a more ethereal reverie about the afterlife, nature and the definition of evil." - Dallas Voice "A magical tale of those who are subject to tyrannical rule seeking freedom through the bond they have as women and as heirs to the wildness of nature. Wolf at the Door takes us through the darkness of the soul and offers us hope." - The Column Online "This riveting and resonant fairy tale is definitely for grownups... Orta's script develops the characters well beyond fairy tale tropes... they become fully fleshed-out beings, with backstories that matter. Particularly resounding is the theme of women banding together against a man who's kept them down." - The Oregonian