Three Academy Awards were bestowed upon the original motion picture and the music from the soundtrack has become some of the most memorable of this generation. Now, for concert band, James Barnes creates magic with "Over the Rainbow," "Ding! Dong! The Which is Dead," "We're Off to See the Wizard," "The Merry Old Land of Oz" and "If I Only Had a Brain." This is a musical must-have! (6: 24)

“Maguire’s work is melodic, symphonic, and beautiful; it is dejected and biting and brave. How great that people flock to these magical novels.” —Los Angeles Times Book Review Bestselling author Gregory Maguire’s remarkable series, The Wicked Years, comes full circle with this, his fourth and final excursion across a darker, richer, more complex landscape of “the magical land of Oz.” Out of Oz brilliantly reimagines L. Frank Baum’s world over the rainbow as wracked with social unrest—placing Glinda the good witch under house arrest and having the cowardly Lion on the lam from the law as the Emerald City prepares to make war on Munchkinland. Even Dorothy makes a triumphant return in Maguire’s magnificent Oz finale—tying up every loose green end of the series he began with his classic Wicked, the basis for the smash hit Broadway musical.

Ozoplaning with the Wizard of Oz is the thirty-third in the series of Oz books created by L. Frank Baum and his successors, and the nineteenth and last written by Ruth Plumly Thompson. The Wizard unveils the newly created ozoplanes, and a chaotic flight takes them to a previously unexplored sky-country called Stratovania.

The life story of the man who gave Dorothy and her Oz companions something to sing about

(Vocal Score). Vocal score with 15 songs from one of musical theatre's masterpieces. Includes: Climb Ev'ry Mountain * Do-Re-Mi * Edelweiss * The Lonely Goatherd * Maria * My Favorite Things * Sixteen Going on Seventeen * So Long, Farewell * The Sound of Music * and more!

From the Booker Prize-winning, bestselling author of Midnight's Children and The Satanic Verses comes nine stories that reveal the oceanic distances and the unexpected intimacies between East and West. Daring, extravagant, comical and humane, this book renews Rushdie's stature as a storyteller who can enthrall and instruct us with the same sentence. "Richly nuanced, full or humor, bitter anger, an embracing tenderness, and a buyancy of language." —Boston Globe

An all-access, firsthand account of the life and music of one of history's most beloved bands--from an original mastering engineer at Abbey Road Geoff Emerick became an assistant engineer at the legendary Abbey Road Studios in 1962 at age fifteen, and was present as a new band called the Beatles recorded their first songs. He later worked with the Beatles as they recorded their singles “She Loves You” and “I Want to Hold Your Hand,” the songs that would propel them to international superstardom. In 1964 he would witness the transformation of this young and playful group from Liverpool into professional, polished musicians as they put to tape classic songs such as “Eight Days A Week” and “I Feel Fine.” Then, in 1966, at age nineteen, Geoff Emerick became the Beatles’ chief engineer, the man responsible for their distinctive sound as they recorded the classic album Revolver, in which they pioneered innovative recording techniques that changed the course of rock history. Emerick would also engineer the monumental Sgt. Pepper and Abbey Road albums, considered by many the greatest rock recordings of all time. In Here, There and Everywhere he reveals the creative process of the band in the studio, and describes how he achieved the sounds on their most famous songs. Emerick also brings to light the personal dynamics of the band, from the relentless (and increasingly mean-spirited) competition between Lennon and McCartney to the infighting and frustration that eventually brought a bitter end to the greatest rock band the world has ever known.

(Musicals). Let's go on a safari with Ward and Lilly, Didi, Daniel, Melissa, Wally and a host of safari guides! Through song and dialogue, we'll learn about the exciting African Savannah wildlife of lions, giraffes, geckos, bushbabies, servals, weaverbirds, crocodiles and elephants! Either as a staged performance with characters or simplified speaker parts for a revue-style presentation, this well crafted mini-musical will create a smart and fun-filled learning experience for students and audiences. The Teacher Edition is filled with quality performance material including piano/vocal arrangements, a helpful production guide, and 2 script options: an engaging and fact-filled drama script with a lively collection of 9 characters that will entertain your audience, and a narration script which can be read by 2-25 (or more!) characters. Split or combine some of the lines to meet your specific needs. Singer PDFs are included via digital download. To perform with recordings, there are 2 options. A Performance/Accompaniment CD is available separately. For cost-saving value, the Performance Kit/Audio includes the Teacher Edition (with downloadable Singer PDFs) and perf/accomp audio recordings via digital download. About 35 minutes in length. Suggested for grades 2-5.

In this second edition of Orchestral “Pops” Music: A Handbook, Lucy Manning brings forward to the present her remarkable compendium of information about this form of orchestral music. Since the appearance of the first edition in 2008, this work has proven critical to successful “pops” concert programming. With changes in publishers and agents, the discontinuation of the publication of certain original material or, worst of all, presses going out of business, music directors, orchestra conductors, and professional instrumentalists face formidable challenges in tracking down accurate information about this vast repertoire. This revised handbook alleviates the time-consuming task of researching these changes by offering a list of works for orchestral “pops” concerts that is comprehensive, informative, and current. Manning’s emphasis on clarity and accuracy gives users an indispensable tool for gathering vital information on the style, instrumentation, and availability of the repertoire listed, as well as notes on its performance. The user-friendly appendices include expanded instrumentation choices, easy-to-find durations, and handy title cross-references. In addition to corrections and updates, this new edition of Orchestral “Pops” Music includes at least 1,000 new title listings. Orchestral “Pops” Music: A Handbook is the ideal tool for working conductors and orchestral librarians, as well as music program directors at colleges, conservatories, and orchestras.