“John Updike is the great genial sorcerer of American letters [and] The Witches of Eastwick [is one of his] most ambitious works. . . . [A] comedy of the blackest sort.”—The New York Times Book Review Toward the end of the Vietnam era, in a snug little Rhode Island seacoast town, wonderful powers have descended upon Alexandra, Jane, and Sukie, bewitching divorcées with sudden access to all that is female, fecund, and mysterious. Alexandra, a sculptor, summons thunderstorms; Jane, a cellist, floats on the air; and Sukie, the local gossip columnist, turns milk into cream. Their happy little coven takes on new, malignant life when a dark and moneyed stranger, Darryl Van Horne, refurbishes the long-derelict Lenox mansion and invites them in to play. Thenceforth scandal flits through the darkening, crooked streets of Eastwick—and through the even darker fantasies of the town’s collective psyche. “A great deal of fun to read . . . fresh, constantly entertaining . . . John Updike [is] a wizard of language and observation.”—The Philadelphia Inquirer “Vintage Updike, which is to say among the best fiction we have.”—Newsday

After traveling the world to exotic lands, Alexandra, Jane, and Sukie -- now widowed but still witches -- return to the Rhode Island seaside town of Eastwick, "the scene of their primes," site of their enchanted mischief more than three decades ago. Diabolical Darryl Van Horne is gone, and what was once a center of license and liberation is now a "haven of wholesomeness" populated by hockey moms and househusbands acting out against the old ways of their own absent, experimenting parents. With spirits still willing but flesh weaker, the three women must confront a powerful new counterspell of conformity. In this wicked and wonderful novel, John Updike is as his very best - a legendary mster of literary magic up to his old delightful tricks.

The story, based on the John Updike novel, is set in the fictional Rhode Island town of Eastwick in the late 1960s, and follows the witches Alexandra Spofford, Jane Smart, and Sukie Rougemont, who acquired their powers after leaving or being left by their husbands. Their coven is upset by the arrival of a devil-like character, Darryl Van Horne. The mysterious Darryl seduces each of the women, encouraging them to play with their powers and creating a scandal in the town. This songbook features twelve songs and has a selection of color and black & white photographs from London's West End production of 2000 which starred Ian McShane, Lucie Arnaz, Maria Friedman and Joanna Riding. Titles: Make Him Mine * Waiting for the Music to Begin * Words, Words, Words * Something * Dirty Laundry * I Wish I May * Another Night at Darryl's * Dance with the Devil * Evil * Loose Ends * Who's the Man? * Look at Me.

The witch as a cultural archetype has existed in some form since the beginning of recorded history. Her nature has changed through technological developments and sociocultural shifts--a transformation most evident in her depictions on screen. This book traces the figure of the witch through American screen history with an analysis of the entertainment industry's shifting boundaries concerning expressions of femininity. Focusing on films and television series from The Wizard of Oz to The Craft, the author looks at how the witch reflects alterations of gender roles, religion, the modern practice of witchcraft, and female agency.

Binding Ties The most important thing in the Charmed Ones' lives isn't magic, and it's not their jobs or their clothes. It's family. Piper, Phoebe, and Paige are Warren witches -- the latest in a long line of women with incredible supernatural strength. For more than two centuries, the Warren witches have fearlessly practiced magic: From Melinda Warren in the 1600s to the Charmed Ones in 2005, the power of these witches is unsurpassed. The Warren Witches recounts never-before-told stories of their lives -- as women, as witches, and, most important, as members of a family of considerable magical strength and power. Above all, they are family; beyond all, they are witches.

An inside look at women graffiti artists around the world Since the dawn of Hip Hop graffiti writing on the streets of Philadelphia and New York City in the late 1960s, writers have anonymously inscribed their tag names on trains, buildings, and bridges. Passersby are left to imagine who the author might be, and, despite the artists’ anonymity, graffiti subculture is seen as a “boys club,” where the presence of the graffiti girl is almost unimaginable. In Graffiti Grrlz, Jessica Nydia Pabón-Colón interrupts this stereotype and introduces us to the world of women graffiti artists. Drawing on the lives of over 100 women in 23 countries, Pabón-Colón argues that graffiti art is an unrecognized but crucial space for the performance of feminism. She demonstrates how it builds communities of artists, reconceptualizes the Hip Hop masculinity of these spaces, and rejects notions of “girl power.” Graffiti Grrlz also unpacks the digital side of Hip Hop graffiti subculture and considers how it widens the presence of the woman graffiti artist and broadens her networks, which leads to the formation of all-girl graffiti crews or the organization of all-girl painting sessions. A rich and engaging look at women artists in a male-dominated subculture, Graffiti Grrlz reconsiders the intersections of feminism, hip hop, and youth performance and establishes graffiti art as a game that anyone can play.

IN THIS ASYLUM, YOUR MIND PLAYS TRICK ON YOU ALL THE TIME ... Delia's new house isn't just a house. Long ago, it was the Piven Institute for the Care and Correction of Troubled Females -- an insane asylum nicknamed "Hysteria Hall." However, many of the inmates were not insane, just defiant and strong willed. Kind of like Delia herself.But the house still wants to keep "troubled" girls locked away. So, in the most horrifying way, Delia becomes trapped. And that's when she learns that the house is also haunted.Ghost girls wander the hallways in their old-fashioned nightgowns. A handsome ghost boy named Theo roams the grounds. Delia learns that all the spirits are unsettled and full of dark secrets. The house, too, harbors shocking truths within its walls -- truths that only Delia can uncover, and that may set her free. And she'll need to act quickly -- before the house's power overtakes everything she loves.Katie Alender brings heart-pounding suspense, gorgeous writing, and a feminist twist to this tale of memories and madness.

Cake is delicious, and comics are awesome: this exciting nonfiction graphic novel for kids combines both! Explore the history of desserts through a fun adventure with facts, legends, and recipes for readers to try at home. Have you ever wondered who first thought to freeze cream? Or when people began making sweet pastry shells to encase fruity fillings? Peri is excited to show you the delicious history of sweets while taking you around the world and back! The team-up that made ice cream cones! The mistake that made brownies! Learn about and taste the true stories behind everyone’s favorite treats, paired with fun and easy recipes to try at home. After all, sweets—and their stories—are always better when they’re shared!

'Diane Purkiss ... insists on taking witches seriously. Her refusal to write witch-believers off as unenlightened has produced some richly intelligent meditations on their -- and our -- world.' - The Observer 'An invigorating and challenging book ... sets many hares running.' - The Times Higher Education Supplement