A town torn apart by fear...There's an old house up on a hill in the woods that the kids call "Halloween House". They accused the mysterious old woman who lived there of being a witch until the rumors got out of hand and the panicked townspeople burned her house down with her in it one Halloween. She only said one thing before she died: "A curse on all of you!"Now, three years later, the spooky holiday approaches again, and Carmen is left in charge of taking her little brother trick-or-treating.But strange things begin happening around the small town.Children are going missing one by one, and the only clue to their disappearance is a gingerbread man left on their windowsill. Now Carmen has to protect her brother so that he doesn't become the next victim as the townspeople descend into insanity all around them. Riddled with fear, they have no one to pin the kidnappings and strange occurrences on.Because the witch is already dead......isn't she?

A popular phenomenon since antiquity, the image of the haunted house is one that has translated elegantly into the modern medium of film. The haunted house transcends genre, appearing in mysteries, gothic romances, comedies and horror films. This book is the first comprehensive historical and critical study of themes surrounding haunted houses in film. Covering more than 100 films, it spans from the Mystery House thrillers of the silent era to the high-tech, big budget productions of the 21st Century. Included are the works of such acclaimed directors as D.W. Griffith, Robert Wise, Mario Bava, Alfred Hitchcock, Stanley Kubrick, Tim Burton and Guillermo Del Toro. The book also covers the real-life "haunted house" phenomenon and movies based on paranormal case files, including those featured in films like the Conjuring series.

Describes over 2,000 sites of supernatural occurances in the United States, including places visited by ghosts, UFOs, and unusual creatures.

Edgar Award-winning travel writer spends an autumn living in one of America's spookiest tourist destinations: Salem, Massachusetts Salem, Massachusetts, may be the strangest city on the planet. A single event in its 400 years of history—the Salem Witch Trials of 1692—transformed it into the Capital of Creepy in America. But Salem is a seasonal town—and its season happens to be Halloween. Every October, this small city of 40,000 swells to close to half a million as witches, goblins, ghouls, and ghosts (and their admirers) descend on Essex Street. For the fall of 2015, occult enthusiast and Edgar Award–winning writer J.W. Ocker moved his family of four to downtown Salem to experience firsthand a season with the witch, visiting all of its historical sites and macabre attractions. In between, he interviews its leaders and citizens, its entrepreneurs and visitors, its street performers and Wiccans, its psychics and critics, creating a picture of this unique place and the people who revel in, or merely weather, its witchiness.

Whether used for thematic story times, program and curriculum planning, readers' advisory, or collection development, this updated edition of the well-known companion makes finding the right picture books for your library a breeze. Generations of savvy librarians and educators have relied on this detailed subject guide to children's picture books for all aspects of children's services, and this new edition does not disappoint. Covering more than 18,000 books published through 2017, it empowers users to identify current and classic titles on topics ranging from apples to zebras. Organized simply, with a subject guide that categorizes subjects by theme and topic and subject headings arranged alphabetically, this reference applies more than 1,200 intuitive (as opposed to formal catalog) subject terms to children's picture books, making it both a comprehensive and user-friendly resource that is accessible to parents and teachers as well as librarians. It can be used to identify titles to fill in gaps in library collections, to find books on particular topics for young readers, to help teachers locate titles to support lessons, or to design thematic programs and story times. Title and illustrator indexes, in addition to a bibliographic guide arranged alphabetically by author name, further extend access to titles.

Through this account, Smith reveals how her mother-in-law is used as an instrument of evil to prevent the one thing the enemy despises the most: salvation. In sharing her account, she imparts invaluable information which helps anyone under the attack of Satan.

The simplicity of children's picture books--stories told with illustrations and a few well chosen words or none at all--makes them powerful tools for teaching morals and personal integrity. Children follow the story and see the characters' behaviors on the page and interpret them in the context of their own lives. But unlike many picture books, most children's lives don't feature monsters. This collection of new essays explores the societally sanctioned behaviors imparted to children through the use of monsters and supernatural characters. Topics include monsters as instructors, the normalization of strangers or the "other," fostering gender norms, and therapeutic monsters, among others.

DigiCat presents to you this unique Halloween collection with horror thrillers, supernatural mysteries, monster tales and gothic novels carefully picked out to strike the fear and chills into your bones as ...the winter is coming: H. P. Lovecraft: The Dunwich Horror The Shunned House From Beyond Théophile Gautier: Clarimonde The Mummy's Foot James Malcolm Rymer & Thomas Peckett Prest: Sweeney Todd, the Demon Barber of Fleet Street Edgar Allan Poe: The Fall of the House of Usher The Murders in the Rue Morgue Mary Shelley: Frankenstein The Evil Eye John William Polidori: The Vampyre Bram Stoker: Dracula The Squaw Washington Irving: The Legend of Sleepy Hollow The Spectre Bridegroom Henry James: The Turn of the Screw The Romance of Certain Old Clothes The Ghostly Rental M. R. James: Canon Alberic's Scrap-Book The Mezzotint Wilkie Collins: The Haunted Hotel The Devil's Spectacles E. F. Benson: The Room in the Tower The Man Who Went Too Far Nathaniel Hawthorne: Rappaccini's Daughter The Birth Mark Ambrose Bierce: The Death of Halpin Frayser The Haunted Valley Arthur Machen: The Great God Pan The Terror William Hope Hodgson: The House on the Borderland The Night Land Carnacki, the Ghost-Finder M. P. Shiel: Shapes in the Fire Arthur Conan Doyle: The Leather Funnel The Beetle Hunter Ralph Adams Cram: Black Spirits and White Grant Allen: The Reverend John Creedy The Backslider Richard Marsh: The Beetle Thomas Hardy: What the Shepherd Saw The Grave by the Handpost Charles Dickens: The Signal-Man The Hanged Man's Bride Guy de Maupassant: The Horla Ghosts Pedro De Alarçon: The Nail Walter Hubbell: The Great Amherst Mystery Francis Marion Crawford: The Dead Smile The Screaming Skull Man Overboard! For The Blood is the Life The Upper Berth By The Water of Paradise The Doll's Ghost John Buchan: No-Man's-Land The Watcher by the Threshold W. W. Jacobs: The Monkey's Paw The Severed Hand Miscellaneous Tales: The Ghost in the Cap'n Brown House The Apparition of Mrs. Veal When the World Was Young Uncle Cornelius His Story...

Since her mom died, Andie’s family has crumbled. Instead of working, her dad gambles away insurance money, while her sister, Paige, has put her future on hold in order to pick up extra waitressing shifts. Andie’s afraid of what will happen if people find out just how bad things are. She’s not sure how long she can hide the fact that there’s no food or money in the house...or adults, for that matter. When her science partner suggests they study paranormal activity, Andie gets an idea. She wants a sign from her mom—anything to tell her it’s going to be okay. Maybe the rest of her family does too. So she starts a project of her own. Pretending to be her mother’s ghost, Andie sprays perfume, changes TV channels, and moves pictures. Haunting her house is Andie’s last hope to bring her family back into the land of the living. For anyone who loved Counting by 7s, The Haunted House Project is a journey through loss and grief, but ultimately a story of hope and self-reliance. As much as Andie has been changed by her mother’s death, the changes she makes herself are the ones that are most important.