With her parents death, Alyssa is forced to face the reality of her unknown past. The legacy she discovers could easily turn the waters of the Louisiana Bayou red with blood!

DIVThrough an analysis of filmic representations of Black femininity, and the Black Femme in particular, this book highlights the ways "the cinematic" structures both racist and sexist portrayals, and their potential undoing./div

As if one small fragment was silhouetted against the curtain of time, he shall remain, and stand against that which tries to defeat him. Follow Marcus in his journey of self discovery through a land of blood and terror!

Thomas, inheriting a large estate from a long lost Uncle finds himself embroiled in a conspiracy of blood and lust. A conspiracy that could cost him his life, or even his eternal soul!

Pulled from one world into another, Maggie finds herself in a strange place where others want her dead. Go along with Maggie in her journey to find out what secrets this other world holds, and what it is that is in store for her.

Here are more than two hundred oral tales from some of Louisiana's finest storytellers. In this comprehensive volume of great range are transcriptions of narratives in many genres, from diverse voices, and from all regions of the state. Told in settings ranging from the front porch to the festival stage, these tales proclaim the great vitality and variety of Louisiana's oral narrative traditions. Given special focus are Harold Talbert, Lonnie Gray, Bel Abbey, Ben Guiné, and Enola Matthews—whose wealth of imagination, memory, and artistry demonstrates the depth as well as the breadth of the storyteller's craft. For tales told in Cajun and Creole French, Koasati, and Spanish, the editors have supplied both the original language and English translation. To the volume Maida Owens has contributed an overview of Louisiana's folk culture and a survey of folklife studies of various regions of the state. Car Lindahl's introduction and notes discuss the various genres and styles of storytelling common in Louisiana and link them with the worldwide are of the folktale.

This indispensable collection offers 51 chapters, each focused on a distinct American independent film. Screening American Independent Film presents these films chronologically, addressing works from across more than a century (1915−2020), emphasizing the breadth and long duration of American independent cinema. The collection includes canonical examples as well as films that push against and expand the definitions of "independence." The titles run from micro-budget films through marketing-friendly Indiewood projects, from auteur-driven films and festival darlings to B-movies, genre pics, and exploitation films. The chapters also introduce students to different approaches within film studies including historical and contextual framing, industrial and institutional analysis, politics and ideology, genre and authorship, representation, film analysis, exhibition and reception, and technology. Written by leading international scholars and emerging talents in film studies, this volume is the first of its kind. Paying particular attention to issues of diversity and inclusion for both the participating scholars and the content and themes within the selected films, Screening American Independent Film is an essential resource for anyone teaching or studying American cinema.

Having discovered the true nature of the old woman known as the Witch of Blackwater Swamp, fifth grader Ted must decide whether to come to her aid when she is accused of the thefts plaguing his small Louisiana town.

Niles Carter must choose between the legacy of his blood or the desires of his heart. Forced to flee his home he finds himself in a land where magic rules all, and death follows his every footstep.