A bumper collection of the funniest anecdotes, jokes and stories from cricket's best-loved personalities. Cricket is a funny old game -- even when rain stops play! Now you can read not only the most popular stories by five of the game's all-time great characters -- Richie Benaud, Dickie Bird, Henry Blofeld, Brian Johnston and Fred Trueman - but also the humour and insights of modern players including Michael Atherton, Andrew Flintoff, Darren Gough, Kevin Pietersen and Shane Warne. Crammed full of dozens of hilarious anecdotes about legendary Test cricketers such as Ian Botham, Geoffrey Boycott, Denis Compton, Michael Holding and Merv Hughes -- plus broadcasting gaffes, sledging, short-sighted umpires and the first male streaker at Lord's!

Packed with cricket's greatest stories, from both on and off the field, famous quips, insults, pranks, mishaps, incredible facts and outrageous incidents - perfect for the cricket nut in your home.

As famous for its complicated rules as it is for its contentious (and lengthy) matches, cricket is the quintessentially English sport. Or is it? From cricket in literature to sticky wickets, Cricketing Lives is a paean to the quirky characters and global phenomenon that are cricket. Cricket is defined by the characters who have played it, watched it, reported it, ruled upon it, ruined it, and rejoiced in it. Humorous and deeply affectionate, Cricketing Lives tells the story of the world’s greatest and most incomprehensible game through those who have shaped it, from the rustic contests of eighteenth-century England to the spectacle of the Indian Premier League. It’s about W. G. Grace and his eye to his wallet; the invincible Viv Richards; and Sarah Taylor, “the best wicketkeeper in the world.” Richard H. Thomas steers a course through the despair of war, tactical controversies, and internecine politics, to reveal how cricket has always warmed our hearts as nothing else can.

Freddie Flintoff and W.G. Grace: Together at last! W.G. Grace Ate My Pedalo is a spoof 1896 periodical from The Wisden Cricketer archives that looks at cricketing events of 2010 through a Victorian lens. Funny, irreverent and lavishly illustrated, the book draws inspiration from the exuberant sporting papers of the Victorian era to lampoon England cricketers new and old. From Queen Victoria's views on women's cricket to Freddie Flintoff's heroic defiance of the Temperance Movement, no figure - historical or contemporary - is safe. A comedy cricket book of wit, intelligence and cheek that will appeal to cricket fans of all ages, be they members of the MCC or the Barmy Army.

"Poetry about cool insects with accompanying facts"--

Shortlisted for the Cricket Writers Club 'Book of the Year' 2022 and the Sunday Times Sports Book Awards 'Cricket Book of the Year' 2023 In telling the story of cricket from the bottom up, Different Class demonstrates how the "quintessentially English" game has done more to divide, rather than unite, the English. In 1963, the West Indian Marxist C.L.R. James posed the deceptively benign question: "What do they know of cricket, who only cricket know?" A challenge to the public to re-consider cricket and its meaning by placing the game in its true social, political and economic context, James was, all too subtly, attempting to counter the game’s orthodox history that, he argued, had played a key role in the formation of national culture. As a consequence, he failed, and the history of cricket in England has retained the same stresses and lineaments as it did a century ago — until now. In examining recreational rather than professional (first-class) cricket, Different Class does not simply challenge the widely accepted orthodoxy of English cricket, it demonstrates how the values and belief systems at its heart were, under the guise of amateurism, intentionally developed in order to divide the English along class lines at every level of the game. If the creation of opposing class-based cricket cultures in the North and South of England grew out of this process, the institutional structures developed by those in charge of English cricket continue to discriminate. But, as much as the exclusion of Black and South Asian cricketers from the recreational mainstream is the most obvious example, it is social class that remains the greatest barrier to participation in what used to be the national game.

A tribute to the finest writers on the game of cricket and an acknowledgement that the great days of cricket literature are behind us. There was a time when major English writers – P. G. Wodehouse, Arthur Conan Doyle, Alec Waugh – took time off to write about cricket, whereas the cricket book market today is dominated by ghosted autobiographies and statistical compendiums. The Picador Book of Cricket celebrates the best writing on the game and includes many pieces that have been out of print, or difficult to get hold of, for years. Including Neville Cardus, C. L. R. James, John Arlott, V. S. Naipaul, and C. B. Fry, this anthology is a must for any cricket follower or anyone interested in sports writing elevated to high art.

Cricket defines Englishness like no other national pastime. From its earliest origins in the sixteenth century (or an early version played by shepherds called creag in the 1300s), through the formation of the MCC and the opening of Lord's cricket ground in 1787, to the spread of county cricket in the next century, when the Wisden Cricketers' Almanack was first published and the Ashes series was born, this simple sport of bat and ball has captured the imagination of the masses. Throughout its 500-year history, cricket has been a mirror for society as a whole, reflecting the changes that have brought us from the quintessential village green to Freddie Flintoff's pedalo, from W G Grace to Monty Panesar, via a fair number of eccentrics, heroes and downright villains. William Hill Award-winning writer Simon Hughes, no mean player himself, has lived and breathed cricket his whole life and now takes his analytical skills and typically irreverent eye to charting the history of English cricket. But this is no dry, dusty tome. It is the story of the mad characters who inhabit the game, the extraordinary lengths people will go to to watch and play it, the tale of a national obsession. It debunks the myth of cricket sportsmanship, showing the origins of sledging and match-fixing in centuries of subterfuge, corruption and violence. And it takes us beyond sport, to the heart of what it really means to be English.