Frederick Douglass and the philosophy of slavery -- W.E.B. Du Bois and the redemption of the body -- The mephistophelean skepticism of Stephen Crane -- Charles Chesnutt: nowhere to turn -- Richard Wright: exile as Native son -- Peasant dreams: reading on the road -- Conclusion.

W. E. B. Du Bois’s seminal work, The Souls of Black Folk, not only captures the experience of African Americans in the years following the Civil War but also speaks to contemporary conditions. At a time when American public schools are increasingly re-segregating, are increasingly underfunded, and are perhaps nearly as separate and unequal as they were in earlier decades, this classic can help readers grasp links between a slavery past and a dismal present for too many young people of color. Disagreeing with Booker T. Washington, Du Bois analyzes the restrictiveness of education as a simple tool to prepare for work in pursuit of wealth (a trend still very much alive and well, especially in schools serving economically disadvantaged students). He also, however, demonstrates the challenges racism presents to individuals who embrace education as a tool for liberation. Du Bois’s accounts of how racism affected specific individuals allow readers to see philosophical issues in human terms. It can also help them think deeply about what kind of moral, social, educational and economic changes are necessary to provide all of America’s young people the equal opportunity promised to them inside and outside of schools. Perfect for courses in: Social Foundations of Education, Political and Social Foundations of Education, Foundations of American Education, Foundations of Education, Introduction to Education Theory and Policy, Philosophy and Education, History of American Education, and African American Education.

Du Bois chronicles the legacy of the Freedman's Bureau in his classic essay that is now a part of the Penguin Great Ideas series.

DIVDIVBefore she became Queen of the Amazons, young Hippolyta fought to break a goddess’s curse . . . /divDIV An ancient prophecy states that any Amazon who bears two sons must kill the second, lest he grow up to destroy all the Amazons. But Queen Otrere can’t bear to sacrifice her baby, so she gives him to her daughter, thirteen-year-old Hippolyta, begging her to take the child to his father, Laomedon, King of Troy. In order to save her baby brother’s life, Hippolyta must find a lost city and lift a goddess’s curse. Along the way, she will need help from an unexpected source: a newly discovered brother. But can Hippolyta bring herself to trust a boy in order to save the Amazons?/divDIV /divDIVThis ebook features personal histories by Jane Yolen and Robert J. Harris including rare images from the authors’ personal collections, as well as a timeline of the Heroic Age and a conversation between the two authors about the making of the series./div/div

Good Press presents to you this meticulously edited collection, formatted to the highest digital standards and adjusted for readability on all devices. The Souls of Black Folk The Suppression of the African Slave Trade Darkwater: Voices from Within the Veil A Negro Schoolmaster in the New South Of the Training of Black Men The Talented Tenth The Conservation of Races The Economic Revolution in the South Religion in the South Strivings of the Negro People The Black North: A Social Study

Constraints on freedom, education, and individual dignity have always been fundamental in determining who is able to write, when, and where. Considering the singular experience of the African American writer, William W. Cook and James Tatum here argue that African American literature did not develop apart from canonical Western literary traditions but instead grew out of those literatures, even as it adapted and transformed the cultural traditions and religions of Africa and the African diaspora along the way.Tracing the interaction between African American writers and the literatures of ancient Greece and Rome, from the time of slavery and its aftermath to the civil rights era and on into the present, the authors offer a sustained and lively discussion of the life and work of Phillis Wheatley, Frederick Douglass, Ralph Ellison, and Rita Dove, among other highly acclaimed poets, novelists, and scholars. Assembling this brilliant and diverse group of African American writers at a moment when our understanding of classical literature is ripe for change, the authors paint an unforgettable portrait of our own reception of “classic” writing, especially as it was inflected by American racial politics.

In A Gift of the Spirit, Eugene Victor Wolfenstein offers a reading of W. E. B. Du Bois's The Souls of Black Folk aimed at demonstrating its organic unity and coherence. He takes as his interpretive key the experience of the color line with which Du Bois's narrative begins--the incident from his youth in which a white girl refused his offer of a visiting card. Wolfenstein contends that this instance of misrecognition makes visible an aesthetic and affective configuration involving insult and injury, both racial and personal; anger as the immediate response to the humiliating wound; and, when that anger is suppressed, a melancholy retreat from the site of injury. As Wolfenstein reconstructs it, Souls tells the story of Du Bois's twofold approach to waging the battle for recognition: proud and disciplined resistance to the impositions and injustices of white supremacy; and the development of an intellectual station above the field of battle, where it could be surveyed from on high.With its serious and respectful approach to this canonical work in African American social theory, A Gift of the Spirit is a fitting tribute to the enduring relevance of Du Bois's singular achievement.

A landmark collection: the first anthology of short fiction by Afghan women that are "powerful, profound, and deeply moving" (Elif Shafak, author of The Island of Missing Trees, a Reese's Book Club pick) "My pen is the wing of a bird; it will tell you those thoughts we are not allowed to think, those dreams we are not allowed to dream." Eighteen Afghan women living in, speaking about, and writing from the country itself tell stories that are powerful and illuminating, unique and universal - stories of family, work, childhood, friendship, war, gender identity, and cultural traditions. A woman's fortitude saves her village from disaster. A teenager explores their identity in a moment of quiet. A tormented girl tries to find love through a horrific act. A headmaster makes his way to work, treading the fine line between life and death. These and more original, vital, and unexpected stories hail from extraordinary voices rooted in Afghanistan's two main linguistic groups (Pashto and Dari), and were developed over two years through the writer development program Untold's Write Aghanistan Project. My Pen Is the Wing of a Bird comes at a pivotal moment in Afghanistan's history, when these voices must be heard. With an Introduction by Lyse Doucet, BBC chief international correspondant, and afterword by Lucy Hannah, Founder and Director of Untold