In 1633, explorers from Plymouth Bay reported the Windsor area to be a fine place both for plantation and trade, and not long after, several groups of intrepid pilgrims established the first English settlement in Connecticut. The early settlers took advantage of the areas fertile river floodplains, extensive forests, and swift river currents. Windsor has grown from a remote outpost at the confluence of the Farmington and Connecticut Rivers into a thriving agricultural, commercial, and suburban community. Highlighting themes important to Windsors history, this compelling visual survey portrays the traditional landmarks of a New England village: the meetinghouse and common green, field and forest, ferry and mill. It also reveals the faces of past residents engaged in their everyday lives at work and at play, in trouble and in celebration.

A fascinating exploration of Windsor and Eton highlighting their history, people and places across the centuries.

The gripping tale of a legendary, century-old murder spree *** A silent, simmering killer terrorized New England in1911. As a terrible heat wave killed more than 2,000 people, another silent killer began her own murderous spree. That year a reporter for the Hartford Courant noticed a sharp rise in the number of obituaries for residents of a rooming house in Windsor, Connecticut, and began to suspect who was responsible: Amy Archer-Gilligan, who’d opened the Archer Home for Elderly People and Chronic Invalids four years earlier. “Sister Amy” would be accused of murdering both of her husbands and up to sixty-six of her patients with cocktails of lemonade and arsenic; her story inspired the Broadway hit Arsenic and Old Lace. The Devil’s Rooming House is the first book about the life, times, and crimes of America’s most prolific female serial killer. In telling this fascinating story, M. William Phelps also paints a vivid portrait of early-twentieth-century New England.

Although a hat may be designed for the purpose of practicality or aesthetics, it is part of a complex interplay of wider cultural meanings. Throughout history hats have played a significant role in expressing and revealing notions of class, gender, authority, fashion and etiquette. By examining the consumption and production of hats from the 18th century to the present day, this book explores their significance as markers of social and cultural change. Taking a thematic approach, Clair Hughes charts how headgear during the modern era has been shaped by status, gender and necessity. Using case studies such as the bowler hat, which has moved up and down classes and professions, Hughes reveals that although a hat might seem bound to its status and context, it is as susceptible to subversion and reinvention as the society which creates it. From the transition of pilots' helmets from practical headgear to fashion items, to the Slouch hat and the baseball cap, hats have responded to cultural or political movements, often becoming conscious displays of identity and social allegiance. Drawing from material and historical research as well as depictions in art, literature and film, Hughes provides a fascinating insight into hats as a visible performance of social values and culture.

"A guide to the press of the United Kingdom and to the principal publications of Europe, Australia, the Far East, Gulf States, and the U.S.A.