The Mole had been working very hard all the morning, spring-cleaning his little home.First with brooms, then with dusters; then on ladders and steps and chairs, with a brushand a pail of whitewash; till he had dust in his throat and eyes, and splashes ofwhitewash all over his black fur, and an aching back and weary arms. Spring wasmoving in the air above and in the earth below and around him, penetrating even hisdark and lowly little house with its spirit of divine discontent and longing. It was smallwonder, then, that he suddenly flung down his brush on the floor, said 'Bother!' and 'Oblow!' and also 'Hang spring-cleaning!' and bolted out of the house without even waitingto put on his coat. Something up above was calling him imperiously, and he made forthe steep little tunnel which answered in his case to the gravelled carriage-drive ownedby animals whose residences are nearer to the sun and air. So he scraped andscratched and scrabbled and scrooged and then he scrooged again and scrabbled andscratched and scraped, working busily with his little paws and muttering to himself, 'Upwe go! Up we go!' till at last, pop! his snout came out into the sunlight, and he foundhimself rolling in the warm grass of a great meadow.

Down by the riverbank, Mole, Ratty, Badger and Toad are about to begin their adventures. Join in the fun with this beautifully illustrated retelling of Kenneth Grahame's classic tale. This is a highly illustrated ebook that can only be read on the Kindle Fire or other tablet.

John Atkinson has illustrated and summarized the books you don’t want to read but nevertheless feel you should. — the Paris Review Turns out you can summarize Proust’s In Search of Lost Time with two pictures. — Lithub This book will appeal to people that read the New Yorker for the cartoons, or enjoy Tom Gauld’s reading-themed cartoons. — ComicsDC “Very funny stuff…There is a lot going on in Atkinson’s deceptively simple cartoons…and the magic is in how he achieves the maximum impact with as little as possible. So, it makes total sense for Atkinson to tackle some of the most celebrated books–with hilarious results.” — Comics Grinder He compiles super-succinct summaries of literary classics in the light-hearted, humorous style that his blog readers have grown to love. — Wordpress John Atkinson, is giving all book lovers a chuckle with his condensed literary classic cartoons, which include abbreviations of famous works of literature. — Buzzfeed

Mole lives alone deep underground until one fine day he dares to go up. He is shy and afraid of water, but he soon meets a friendly Water Rat who composes a poem as the story progresses. Will Mole run away or face his fears? This reader is the perfect introduction to Kenneth Grahame's classic The Wind in the Willows, with illustrations by Michael Hague.

The Wind in the Willows is a classic of children's literature, first published in 1908. Alternately slow moving and fast paced, it focuses on four anthropomorphised animal characters in a pastoral version of England. The novel is notable for its mixture of mysticism, adventure, morality, and camaraderie and celebrated for its evocation of the nature of the Thames valley.

Mole, Ratty, Toad, and Badger are back for more rollicking adventures in this sequel to The Wind in the Willows. With lavish illustrations by Clint Young, Jacqueline Kelly masterfully evokes the magic of Kenneth Grahame's beloved children's classic and brings it to life for a whole new generation. A riveting tale of bravery, bravado, and hot-air ballooning!

The Wind in the Willows has its origins in the bedtime stories that Kenneth Grahame told to his son Alastair and then continued in letters (now held in the Bodleian Library) while he was on holiday. But the book developed into something much more sophisticated than this, as Peter Hunt shows. He identifies the colleagues and friends on whom Grahame is thought to have based the characters of Mole, Rat, Badger and Toad, and explores the literary genres of boating, caravanning and motoring books on which the author drew. He also recounts the extraordinary correspondence surrounding the book's first publication and the influence of two determined women - Elspeth Grahame and publisher's agent Constance Smedley - who helped turn the book into the classic for children we know and love today, when it was almost entirely intended for adults.Generously illustrated with original drawings, fan letters (including one from President Roosevelt) and archival material, this book explores the mysteries surrounding one of the most successful works of children's literature ever published.

The fairy tale "Wind in the Willows" will certainly be appreciated not only by children but also by adults. It consists of funny and fascinating stories about four friends: Mole, Rat, Mr. Toud and Badger. The life of these funny little animals is full of adventures. They even have to engage in an unequal battle with ferrets, weasels and ermines to free Mr. Toud's seized home. But what happened next?

First published in 1908, "The Wind in the Willows" is one of the most cherished works of children's literature ever written, undoubtedly Kenneth Grahame's most famous work. Originally written as a series of bedtime stories for the author's son, the story begins at the arrival of spring where we find the good-natured Mole tired of doing his spring cleaning. Mole decides to abandon his cleaning in order to enjoy the fresh air of spring. He journeys to the river where he meets Rat, whom he quickly befriends. Together the two row down the river eventually meeting up with Toad at Toad Hall. There they discover Toad's current obsession with his horse-drawn caravan, one which he quickly abandons for a motorcar when his caravan is run off the road by one. A fourth friend enters the story in the form of Badger and when it is discovered that Toad's obsession is becoming self-destructive, Mole, Rat, and Badger intervene to help protect Toad from himself. This collection of stories is a captivating and timeless classic which brings alive the creatures of the woodland. This edition is printed on premium acid-free paper and is illustrated by Nancy Barnhart.