"I long to study the purely national, purely natural character of an Irishwoman." When Horatio, the son of an English lord, is banished to his father's Irish estate as punishment for his dissipated ways, he goes off in search of adventure. On the wild west coast of Connaught he finds remnants of a romantic Gaelic past--a dilapidated castle, a Catholic priest, a deposed king and the king's lovely daughter Glorvina. In this setting and among these characters Horatio learns the history, culture, and language of a country he had once scorned, but he must do so in disguise, for his own English ancestors are responsible for the ruin of the Gaelic family he comes to love. Written after the Act of Union, The Wild Irish Girl. (1806) is a passionately nationalistic novel and a founding text in the discourse of Irish nationalism. This unique paperback edition includes the 'Introductory Letters' to the novel as well as Owenson's footnotes, rich in detail on the Irish language, history, and legend.

Newcomer concentrates on the fiction of Sydney Owenson, Lady Morgan, especially her Irish novels including The Wild Irish Girl, O'Donnel, Florence Macarthy, and The O'Briens and the O'Flahertys.

Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

James Orr was the foremost of the Ulster Weaver poets and has been favourably compared to his near contemporary Robert Burns. Baraniuk looks at Orr's life and work, examining the changing social, political and theological context of his writing and reassessing his contribution to radical literature and culture during the Romantic era.

This study focuses on the dynamic interaction between Byron and Madame de Staël, Lady Morgan, Mary Shelley and Jane Austen; and the reaction to Byronism of the Brontës and Harriet Beecher Stowe. It thus challenges previous critics' segregation of the male Romantic poets from their female peers, whose agenda was perceived to be different: domestic and social.

Disputed Titles: Ireland, Scotland, and the Novel of Inheritance, 1798-1832 argues for the centrality of inheritance—often impeded, disrupted inheritance—to the novel’s rise to preeminence in Britain during the Romantic period. Novels by Maria Edgeworth, Sydney Owenson, Charles Maturin, Walter Scott, and John Galt are densely populated by orphans, changelings, and lost and kidnapped heirs, and privilege a romance plot of dispossession that undermines the illusion of continuity implicit in the very concept of legacy. Through narratives of illegitimate ownership and other similar genealogical aberrations, authors from Britain’s “peripheries” interrogate their equivocal places in the uneasy compound of “The United Kingdom of Great Britain and Ireland.” Moving between the local and global manifestations of inheritance, their novels imagine history as contested property in order to explore vital issues of historic transition and political legitimacy, issues of immense consequence in the revolutionary climate of the late eighteenth and early nineteenth centuries.