Represents a 19th century American novel by an African American which is important to the study of American folklore, culture, anad literary history.

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'The Wife of His Youth and Other Stories of the Color Line, and Selected Essays' by Charles W. Chesnutt is a collection of realistic stories that offer a glimpse into the lives of Americans of mixed black and white ancestry in the years after the Civil War. With wit and candor, Chesnutt takes on the complex and often unjust social structure that governed black, white, and mixed-race relations during this period. 'The Wife of His Youth', a standout in the collection, explores the colorism and class prejudice within the black community. Chesnutt's writing is insightful and thought-provoking, offering a nuanced examination of the complexities of identity and belonging. This classic work is a must-read for anyone interested in the history of race relations in America.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Charles Waddell Chesnutt best known for his novels and short stories exploring complex issues of racial and social identity in the post-Civil War South. He became active in the National Association for the Advancement of Colored People, writing articles supporting education as well as legal challenges to discriminatory laws. Following the Civil Rights Movement during the 20th century, interest in the works of Chesnutt was revived. In style and subject matter, the writings of Charles Chesnutt straddle the divide between the local color school of American writing and literary realism. While Julius's tales recall the Uncle Remus tales published by Joel Chandler Harris, they differ in that Uncle Julius' tales offer oblique or coded commentary on the psychological and social effects of slavery and racial inequality. While controversy exists over whether Chesnutt's Uncle Julius stories reaffirmed stereotypical views of African Americans, most critics contend that their allegorical critiques of racial injustice took them to a different level. THE NOVELS The House behind the Cedars The Marrow of Tradition The Colonel’s Dream THE SHORT STORY COLLECTIONS The Conjure Woman and Other Conjure Tales The Wife of His Youth and Other Stories of the Color-Line Uncollected Stories THE NON-FICTION Frederick Douglass The Disfranchisement of the Negro Uncollected Essays

Responding to a new interest in thematic studies, the volume features essays by some of the leading scholars from the United States and Europe. In honor of Horst S. Daemmrich, the co-author with Ingrid Daemmrich of the handbook Themes and Motifs in Western Literature, the contributors reassess, both in theory and in case studies, the viability of thematics as part of contemporary literary criticism. They demonstrate the broad scope of methodologies between strict systematization of themes and motifs and reader-response conceptions of 'theming.' Special topics include a thematology of the Jewish people; motifs in folklore; a cluster on madness, hysteria, and mastery; the story of Judith; Cinderella; thematics in Dürrenmatt and Isaac Babel; chaos as a theme. A concluding chapter illuminates aspects of nineteenth-century literary history.

Poor Gal: The Cultural History of Little Liza Jane chronicles the origins and evolution of a folk tune beloved by millions worldwide. Dan Gutstein delves into the trajectory of the “Liza Jane” family of songs, including the most popular variant “Li’l Liza Jane.” Likely originating among enslaved people on southern plantations, the songs are still performed and recorded centuries later. Evidence for these tunes as part of the repertoire of enslaved people comes from the Works Progress Administration ex-slave narratives that detail a range of lyrics and performance rituals related to “Liza Jane.” Civil War soldiers and minstrel troupes eventually adopted certain variants, including “Goodbye Liza Jane.” This version of the song prospered in the racist environment of burnt cork minstrelsy. Other familiar variants, such as “Little Liza Jane,” likely remained fixed in folk tradition until early twentieth-century sheet music popularized the melody. New genres and a slate of stellar performers broadly adopted these folk songs, bringing the tunes to far-reaching listeners. In 1960, to an audience of more than thirty million viewers, Harry Belafonte performed “Little Liza Jane” on CBS. The song was featured on such popular radio shows as Fibber McGee & Molly; films such as Coquette; and a Mickey Mouse animation. Hundreds of recognizable performers—including Fats Domino, Bing Crosby, Nina Simone, Mississippi John Hurt, and Pete Seeger—embraced the “Liza Jane” family. David Bowie even released “Liza Jane” as his first single. Gutstein documents these famous renditions, as well as lesser-known characters integral to the song’s history. Drawing upon a host of cultural insights from experts—including Eileen Southern, Carl Sandburg, Thomas Talley, LeRoi Jones/Amiri Baraka, Charles Wolfe, Langston Hughes, and Alan Lomax—Gutstein charts the cross-cultural implications of a voyage unlike any other in the history of American folk music.