Are a new life and new love possible in a country devastated by war? Barely married before she’s widowed after Pearl Harbor three years ago, journalist Cora Strealer travels to England where she’s assigned to work with United Press’s top reporter who thinks the last place for a woman is on the front lines. Can she change his opinion before D-Day? Or will she have to choose her job over her heart? A sought-after journalist, Van Toppel deserves his pick of assignments, which is why he can’t determine the bureau chief’s motive for saddling him with a cub reporter. Unfortunately, the beautiful rookie is no puff piece. Can he get her off his beat without making headlines…or losing his heart?

Are a new life and new love possible in a country devastated by war? Barely married before she's widowed after Pearl Harbor three years ago, journalist Cora Strealer travels to England where she's assigned to work with United Press's top reporter who thinks the last place for a woman is on the front lines. Can she change his opinion before D-Day? Or will she have to choose her job over her heart? A sought-after journalist, Van Toppel deserves his pick of assignments, which is why he can't determine the bureau chief's motive for saddling him with a cub reporter. Unfortunately, the beautiful rookie is no puff piece. Can he get her off his beat without making headlines...or losing his heart?

AN INTERNATIONAL BESTSELLER! The war may be officially over, but journalist Billie Walker's search for a missing young immigrant man will plunge her right back into the danger and drama she thought she'd left behind in Europe in this thrilling tale of courage and secrets set in glamorous postwar Sydney. Sydney, 1946. Though war correspondent Billie Walker is happy to finally be home, for her the heady postwar days are tarnished by the loss of her father and the disappearance in Europe of her husband, Jack. To make matters worse, now that the war is over, the newspapers are sidelining her reporting talents to prioritize jobs for returning soldiers. But Billie is a survivor and she's determined to take control of her own future. So she reopens her late father's business, a private investigation agency, and, slowly, the women of Sydney come knocking. At first, Billie's bread and butter is tailing cheating husbands. Then, a young man, the son of European immigrants, goes missing, and Billie finds herself on a dangerous new trail that will lead up into the highest levels of Sydney society and down into its underworld. What is the young man’s connection to an exclusive dance club and a high-class auction house? When the people Billie questions about the young man start to turn up dead, Billie is thrown into the path of Detective Inspector Hank Cooper. Will he take her seriously or will he just get in her way? As the danger mounts and Billie realizes that much more than one young man’s life is at stake, it becomes clear that though the war was won, it is far from over.

Hilary Brown has filed television reports from every continent except Antarctica. She was once profiled on TVO’s ‘The Agenda’ as ‘Canada’s best-ever female foreign correspondent.’ This embarrasses her. She was one of the last journalists to be lifted by helicopter from the roof of the American Embassy in Saigon in 1975, during the Communist takeover of South Vietnam. One of her ABC reports later appeared in the motion picture ‘The Deer Hunter’ in what Brown calls her ‘fifteen seconds of fame.’ During the 1980’s she was an Anchor for the Canadian Broadcasting Corporation in Toronto, an experience she describes as ‘death by hairspray.’ She later returned to ABC News for another 18 years to do the work she loved best: foreign news reporting. She was married to the British biographer and BBC correspondent John Bierman, who she met in Pakistan during the Indo-Pak war of 1971. He became her mentor, best friend, and father of her only child. Their life together, in half a dozen countries over three decades, is a great love story that only ended with his death in 2006. As a widow, Brown continued to work at what she calls ‘the best job in the world’ before she finally hung up her trench coat. Two years later she fell in love with a Canadian businessman who, until the global pandemic, flew her around the world in the relentless pursuit of pseudo-extreme sports for which she was totally unqualified. She says he keeps her in a constant state of excitement and fear, which is just like being a foreign correspondent, all over again. Foreign correspondents are like war tourists in flak jackets,’ she writes. ‘They document human misery, and then move on.’ But many are left with the emotional baggage of guilt, and a search for atonement. This is one of the many themes in Brown’s lively memoir, and it’s quite a ride. To readers of all ages, but especially her own, her message is that life is never over... until it’s over.

A collection of “first-rate frontline journalism” from the Spanish Civil War to US actions in Central America “by a woman singularly unafraid of guns” (Vanity Fair). For nearly sixty years, Martha Gellhorn’s fearless war correspondence made her a leading journalistic voice of her generation. From the Spanish Civil War in 1937 through the Central American wars of the mid-eighties, Gellhorn’s candid reporting reflected her deep empathy for people regardless of their political ideology. Collecting the best of Gellhorn’s writing on foreign conflicts, and now with a new introduction by Lauren Elkin, The Face of War is a classic of frontline journalism by “the premier war correspondent of the twentieth century” (Ward Just, The New York Times Magazine). Whether in Java, Finland, the Middle East, or Vietnam, she used the same vigorous approach. “I wrote very fast, as I had to,” she says, “afraid that I would forget the exact sound, smell, words, gestures, which were special to this moment and this place.” As Merle Rubin noted in his review of this volume for The Christian ScienceMonitor, “Martha Gellhorn’s courageous, independent-minded reportage breaks through geopolitical abstractions and ideological propaganda to take the reader straight to the scene of the event.”

Honorable Mention recipient for the American Journalism Historians Association Book of the Year Award, this book outlines the rich history of more than 250 women who worked as war correspondents up through World War II, while demonstrating the ways in which the press and the military both promoted and prevented their access to war. Despite the continued presence of individual female war correspondents in news accounts, if not always in war zones, it was not until 1944 that the military recognized these individuals as a group and began formally considering sex as a factor for recruiting and accrediting war correspondents. This group identity created obstacles for women who had previously worked alongside men as “war correspondents,” while creating opportunities for many women whom the military recruited to cover woman’s angle news as “women war correspondents.” This book also reveals the ways the military and the press, as well as women themselves, constructed the concepts of “woman war correspondent” and “war correspondent” and how these concepts helped and hindered the work of all war correspondents even as they challenged and ultimately expanded the public’s understanding of war and of women.

"...compulsively readable historical fiction…[a] powerful novel about unusual women facing sometimes insurmountable odds with grace, grit, love and tenacity.” - Kristin Hannah, The Washington Post Named one of best books of the year by Marie Claire and Bookbub “If you enjoyed “The Tattooist of Auschwitz,” read “The Huntress,” by Kate Quinn." The Washington Post From the author of the New York Times and USA Today bestselling novel, THE ALICE NETWORK, comes another fascinating historical novel about a battle-haunted English journalist and a Russian female bomber pilot who join forces to track the Huntress, a Nazi war criminal gone to ground in America. In the aftermath of war, the hunter becomes the hunted… Bold and fearless, Nina Markova always dreamed of flying. When the Nazis attack the Soviet Union, she risks everything to join the legendary Night Witches, an all-female night bomber regiment wreaking havoc on the invading Germans. When she is stranded behind enemy lines, Nina becomes the prey of a lethal Nazi murderess known as the Huntress, and only Nina’s bravery and cunning will keep her alive. Transformed by the horrors he witnessed from Omaha Beach to the Nuremberg Trials, British war correspondent Ian Graham has become a Nazi hunter. Yet one target eludes him: a vicious predator known as the Huntress. To find her, the fierce, disciplined investigator joins forces with the only witness to escape the Huntress alive: the brazen, cocksure Nina. But a shared secret could derail their mission unless Ian and Nina force themselves to confront it. Growing up in post-war Boston, seventeen-year-old Jordan McBride is determined to become a photographer. When her long-widowed father unexpectedly comes homes with a new fiancée, Jordan is thrilled. But there is something disconcerting about the soft-spoken German widow. Certain that danger is lurking, Jordan begins to delve into her new stepmother’s past—only to discover that there are mysteries buried deep in her family . . . secrets that may threaten all Jordan holds dear. In this immersive, heart-wrenching story, Kate Quinn illuminates the consequences of war on individual lives, and the price we pay to seek justice and truth.

"The best book to have been written about the Vietnam War" (The New York Times Book Review); an instant classic straight from the front lines. From its terrifying opening pages to its final eloquent words, Dispatches makes us see, in unforgettable and unflinching detail, the chaos and fervor of the war and the surreal insanity of life in that singular combat zone. Michael Herr’s unsparing, unorthodox retellings of the day-to-day events in Vietnam take on the force of poetry, rendering clarity from one of the most incomprehensible and nightmarish events of our time. Dispatches is among the most blistering and compassionate accounts of war in our literature.

A stunning portrait of the complicated woman who was Ernest Hemingway’s fourth wife, exploring the tumultuous years of their marriage, and evoking her merry widowhood as she shapes Hemingway’s literary legacy. Mary Welsh, a celebrated wartime journalist during the London Blitz and the liberation of Paris, meets Ernest Hemingway in May 1944. He becomes so infatuated with Mary that he asks her to marry him the third time they meet, even though they are married to other people. Eventually, she succumbs to Ernest’s campaign and, in the last days of the war, joins him at his estate in Cuba. Through Mary’s eyes, we see Ernest Hemingway in a fresh light. Their turbulent marriage survives his cruelty and abuse, perhaps because of their sexual compatibility and her essential contribution to his writing. She reads and types his work each day and makes plot suggestions. She becomes crucial to his work and he depends upon her critical reading of his writing to know if he has it right. We watch the Hemingways as they travel to the ski country of the Dolomites; commute to Harry’s Bar in Venice; attend bullfights in Pamplona and Madrid; go on safari in Kenya in the thick of the Mau Mau rebellion; and fish the blue waters of the gulf stream off Cuba in Ernest’s beloved boat Pilar. We see Ernest fall in love with a teenaged Italian countess and wonder at Mary’s tolerance of the affair. We witness Ernest’s sad decline and Mary’s efforts to avoid the stigma of suicide by claiming his death was an accident. In the years following Ernest’s death, Mary devotes herself to his literary legacy, negotiating with Castro to reclaim Ernest’s manuscripts from Cuba and publishing one-third of his work posthumously. She supervises Carlos Baker’s biography of Ernest, sues A.E. Hotchner to try and prevent him from telling the story of Ernest’s mental decline, and spends years writing her memoir in her penthouse overlooking the New York skyline. Her story is one of an opinionated woman who smokes Camels, drinks gin, swears like a man, sings like Edith Piaf, loves passionately, and experiments with gender fluidity in her extraordinary life with Ernest. This true story reads like a novel, and the reader will be hard pressed not to fall for Mary.