"The Widow of Rose House is close to perfection and any lover of historical romance will adore this debut." - Smart Bitches Trashy Books It’s 1875, and Alva Webster is ready for a fresh start. After three years of being pilloried in the presses for fleeing her abusive husband, his sudden death allows her to return to New York where she is determined to restore a dilapidated Hyde Park mansion, and hopefully her reputation at the same time. She is decidedly not supposed to fall in love. But when a haunting at her new home threatens her careful plans, she must seek help from the eccentric and brilliant and - much to her dismay - very handsome Professor Samuel Moore. Alva doesn’t need more complications in her life, especially not a convention-flouting, scandal-raising one like Sam. Unfortunately, Sam is the only one who can help. Together, the two delve into the tragic secrets wreathing Alva’s new home while Sam attempts to unlock Alva’s history—and her heart. Set during the Gilded Age in New York City, The Widow of Rose House is a gorgeously romantic debut by Diana Biller, with an intrepid and resilient American heroine guaranteed to delight readers as she starts over and finds true love. "A chemistry-fueled debut with a bit of a ghost story, great for readers of gothic romance." - Booklist "Biller mirrors Wharton's genius for revealing the emotional gold lying beneath the Gilded Age, which motivates the novel's massive romantic turmoil." - Bookpage (Most Anticipated Romances)

"The Widow of Rose House is close to perfection and any lover of historical romance will adore this debut." - Smart Bitches Trashy Books It’s 1875, and Alva Webster is ready for a fresh start. After three years of being pilloried in the presses for fleeing her abusive husband, his sudden death allows her to return to New York where she is determined to restore a dilapidated Hyde Park mansion, and hopefully her reputation at the same time. She is decidedly not supposed to fall in love. But when a haunting at her new home threatens her careful plans, she must seek help from the eccentric and brilliant and - much to her dismay - very handsome Professor Samuel Moore. Alva doesn’t need more complications in her life, especially not a convention-flouting, scandal-raising one like Sam. Unfortunately, Sam is the only one who can help. Together, the two delve into the tragic secrets wreathing Alva’s new home while Sam attempts to unlock Alva’s history—and her heart. Set during the Gilded Age in New York City, The Widow of Rose House is a gorgeously romantic debut by Diana Biller, with an intrepid and resilient American heroine guaranteed to delight readers as she starts over and finds true love. "A chemistry-fueled debut with a bit of a ghost story, great for readers of gothic romance." - Booklist "Biller mirrors Wharton's genius for revealing the emotional gold lying beneath the Gilded Age, which motivates the novel's massive romantic turmoil." - Bookpage (Most Anticipated Romances)

Diana Biller's The Brightest Star in Paris is a thrilling story of first loves and second chances. She never expected her first love to return, but is he here to stay? Amelie St. James is a fraud. After the Siege of Paris, she became “St. Amie,” the sweet, virtuous prima ballerina the Paris Opera Ballet needed to restore its scandalous reputation, all to protect the safe life she has struggled to build for her and her sister. But when her first love reappears looking as devastatingly handsome as ever, and the ghosts of her past quite literally come back to haunt her, her hard-fought safety is thrown into chaos. Dr. Benedict Moore has never forgotten the girl who helped him embrace life after he almost lost his. Now, years later, he’s back in Paris. His goals are to recruit promising new scientists, and maybe to see Amelie again. When he discovers she’s in trouble, he’s desperate to help her—and hold her in his arms. When she finally agrees to let him help, they disguise their time together with a fake courtship. Soon, with the help of an ill-advised but steamy kiss, old feelings reignite. Except, their lives are an ocean apart. Will they be able to make it out with their hearts intact? "I foresee years of excellent storytelling from Diana Biller; the certainty of that excites me." - Smart Bitches, Trashy Books

For all who have suffered great loss of heart, home, health or family; true home and genuine lasting love can be found. When a horrific battle rips through Gettysburg, the farm of Union widow Liberty Holloway is disfigured into a Confederate field hospital, bringing her face to face with unspeakable suffering—and a Confederate scout who awakens her long-dormant heart. But when the scout doesn’t die, she discovers he isn’t who he claims to be. While Liberty’s future crumbles as her home is destroyed, the past comes rushing back to Bella, a former slave and Liberty’s hired help, when she finds herself surrounded by Southern soldiers, one of whom knows the secret that would place Liberty in danger if revealed. In the wake of shattered homes and bodies, Liberty and Bella struggle to pick up the pieces the battle has left behind. Will Liberty be defined by the tragedy in her life, or will she find a way to triumph over it? Inspired by first-person accounts, Widow of Gettysburg is second book in the Heroines Behind the Lines series. These books do not need to be read in succession. For more information about the series, visit www.heroinesbehindthelines.com.

A grief that knows no boundary. A love without any limit. A need that doesn’t end at death. Corrie Saunders grew up in a life of privilege. But she gave it all up for Jarrod, her Army husband, a man she knew was a hero when she vowed to spend her life with him. She just didn’t expect her hero to sacrifice his life taking on an Iraqi suicide bomber. Six months after Jarrod’s death, Corrie retreats to the family home her husband inherited deep in the Missouri Ozarks. She doesn’t know how to live without Jarrod—she doesn’t want to. By moving to Saunders Creek and living in a house beloved by him, she hopes that somehow her Jarrod will come back to her. Something about the house suggests maybe he has. Corrie begins to wonder if she can feel Jarrod’s presence. Jarrod’s cousin Eli is helping Corrie with the house’s restoration and he knows that his dead cousin is not what Corrie senses. Eli, as a believing man and at odds with his mystically-oriented family members, thinks friendly visits from beyond are hogwash. But he takes spirits with dark intentions seriously. Can he convince Corrie that letting go of Jarrod will lead to finding her footing again— and to the One she can truly put her faith into?

In Yorkshire in 1839, widow Clemma Laird meets Dr. Paul Baine, who is rumored to have an immoral medical practice, but when Clemma discovers how he has been seeking atonement for his past sins, she is able to help him accept Christ's salvation.

The sleuthing monk unravels a thorny case of murder in this “accomplished whodunit meticulously wrought with a wealth of medieval detail” (Booklist). A late spring in 1142 brings dismay to the Abbey of Saint Peter and Saint Paul, for there may be no roses by June 22. On that day the young widow Perle must receive one white rose as rent for the house she has given to benefit the abbey, or the contract is void. When nature finally complies, a pious monk is sent to pay the rent—and is found murdered beside the hacked rosebush. The abbey’s wise herbalist, Brother Cadfael, follows the trail of bloodied petals. He knows the lovely widow’s dowry is far greater with her house included, and she will likely wed again. Before Cadfael can ponder if a greedy suitor has done this dreadful deed, another crime is committed. Now the good monk must thread his way through a tangle more tortuous than the widow’s thorny bushes.

From the New York Times bestselling author of Sarah's Key and A Secret Kept comes an absorbing new novel about one woman's resistance during an époque that shook Paris to its very core. Paris, France: 1860's. Hundreds of houses are being razed, whole neighborhoods reduced to ashes. By order of Emperor Napoleon III, Baron Haussman has set into motion a series of large-scale renovations that will permanently alter the face of old Paris, moulding it into a "modern city." The reforms will erase generations of history—but in the midst of the tumult, one woman will take a stand. Rose Bazelet is determined to fight against the destruction of her family home until the very end; as others flee, she stakes her claim in the basement of the old house on rue Childebert, ignoring the sounds of change that come closer and closer each day. Attempting to overcome the loneliness of her daily life, she begins to write letters to Armand, her beloved late husband. And as she delves into the ritual of remembering, Rose is forced to come to terms with a secret that has been buried deep in her heart for thirty years. Tatiana de Rosnay's The House I Loved is both a poignant story of one woman's indelible strength, and an ode to Paris, where houses harbor the joys and sorrows of their inhabitants, and secrets endure in the very walls...

“The Widows kept me on the edge of my seat. Montgomery is a masterful storyteller.” —Lee Martin, author of Pulitzer Prize-Finalist The Bright Forever Inspired by the true story of Ohio’s first female sheriff, Jess Montgomery’s powerful, lyrical debut is the story of two women who take on murder and corruption at the heart of their community. Kinship, Ohio, 1924: When Lily Ross learns that her husband, Daniel, the town’s widely respected sheriff, has been killed while transporting a prisoner in an apparent accident, she vows to seek the truth about his death. Hours after his funeral, a stranger appears at her door. Marvena Whitcomb, a coal miner’s widow, is unaware that Daniel has died and begs to speak with him about her missing daughter. From miles away but worlds apart, Lily’s and Marvena’s lives collide as they realize that Daniel was perhaps not the man that either of them believed him to be. *BONUS CONTENT: This edition of The Widows includes a new introduction from the author and a discussion guide "The Widows is a gripping, beautifully written novel about two women avenging the murder of the man they both loved."—Hallie Ephron, New York Times bestselling author of You'll Never Know, Dear "Jess Montgomery's gorgeous writing can be just as dark and terrifying as a subterranean cave when the candle is snuffed out, but her prose can just as easily lead you to the surface for a gasp of air and a glimpse of blinding, beautiful sunlight. This is a powerful novel: a tale of loss, greed, and violence, and the story of two powerful women who refuse to stand down."—Wiley Cash, New York Times bestselling author of The Last Ballad, A Land More Kind than Home, and This Dark Road to Mercy "[A] flinty, heartfelt mystery that sings of hawks and history, of coal mines and the urgent fight for social justice."—Julia Keller, Pulitzer Prize-winning author of Bone on Bone

The first rule of biography, wrote Justin Kaplan: “Shoot the widow.” In her new book, Meryle Secrest, acclaimed biographer (“Knowing, sympathetic and entertainingly droll”—The New York Times), writes about her comic triumphs and misadventures as a biographer in search of her nine celebrated subjects, about how the hunt for a “life” is like working one’s way through a maze, full of fall starts, dead ends, and occasional clear passages leading to the next part of the puzzle. She writes about her first book, a life of Romaine Brooks, and how she was led to Nice and given invaluable letters by her subject’s heir that were slid across the table, one at a time; how she was led to the villa of Brooks’ lover, Gabriele d’Annunzio (poet, playwright, and aviator), a fantastic mausoleum left untouched since the moment of his death seventy years before; to a small English village, where she uncovered a lost Romaine Brooks painting; and finally, to 20, rue Jacob, Paris, where Romaine’s lover, Natalie Barney, had fifty years before entertained Cocteau, Gide, Proust, Colette, and others. Secrest describes how her next book—a life of Berenson—prompted Francis Steegmuller, fellow biographer, to comment that he wouldn’t touch the subject with a ten-foot pole. For her life of British art historian Kenneth Clark, Secrest was given permission to write the book by her subject, who surreptitiously financed it in the hopes of controlling its contents; we see how Clark’s plan was foiled by a jealous mistress and a stash of love letters that helped Secrest navigate Clark’s obstacle course. Among the other biographical (mis)adventures, Secrest reveals: how she tracked Salvador Dalí to a hospital room, found him recovering from serious burns sustained in a mysterious fire, and learned that he was knee-deep in a scandal involving fake drawings and prints and surrounded by dangerous characters out of Murder, Inc. . . . and how she went in search of a subject’s grave (Frank Lloyd Wright’s) only to find that his body had been dug up to satisfy the whim of his last wife. A fascinating account of a life spent in sometimes arduous, sometimes comical, always exciting pursuit of the truth about other lives.