The waltz, perhaps the most beloved social dance of the 19th and early 20th centuries, once provoked outrage from religious leaders and other self-appointed arbiters of social morality. Decrying the corrupting influence of social dancing, they failed to suppress the popularity of the waltz or other dance crazes of the period, including the Charleston, the tango, and "animal dances" such as the Turkey Trot, Grizzly Bear, and Bunny Hug. This book investigates the development of these popular dances, considering in particular how their very existence as "taboo" cultural fads ultimately provided a catalyst for lasting social reform. In addition to examining the impact of the waltz and other scandalous dances on fashion, music, leisure, and social reform, the text describes the opposition to dance and the proliferation of literature on both sides.

The waltz, perhaps the most beloved social dance of the 19th and early 20th centuries, provoked outrage from religious leaders and other self-appointed arbiters of social morality. Decrying the corrupting influence of social dancing on decency and health, they failed to suppress the popularity of the waltz or other dance crazes of the period, such as the Charleston, the Tango, and Ragtime dances such as the Turkey Trot, Grizzly Bear, and Bunny Hug. This book investigates the development and importance of these popular dances with particular attention to the waltz, evaluating in particular how their very existence as "taboo" cultural fads led to initial outrage while ultimately providing a catalyst for lasting social reform. Focusing on couple dances of the 19th and early 20th centuries, it reveals how they expressed this tumultuous period and the shifting social attitudes of the day. In addition to examining the impact of the waltz craze on fashion, music, leisure, and social reform, the text describes the opposition to the dance and the proliferation of both anti-dance and courtesy literature. It then explores these same issues as they relate to other dance crazes of the early 1900s.

In a wide-ranging study of sentimentalism’s significance for styles, practices and meanings of music in the nineteenth and twentieth centuries, a series of interpretations scrutinizes musical expressions of sympathetic responses to suffering and the longing to belong. The book challenges hierarchies of artistic value and the associated denigration of sentimental feeling in gendered discourses. Fresh insights are thereby developed into sentimentalism’s place in musical constructions of emotion, taste, genre, gender, desire, and authenticity. The contexts encompass diverse musical communities, performing spaces, and listening practices, including the nineteenth-century salon and concert hall, the cinema, the intimate stage persona of the singer-songwriter, and the homely ambiguities of ‘easy’ listening. Interdisciplinary insights inform discussions of musical form, affect, appropriation, nationalisms, psychologies, eco-sentimentalism, humanitarianism, consumerism, and subject positions, with a particular emphasis on masculine sentimentalities. Music is drawn from violin repertory associated with Joseph Joachim, the piano music of Chopin, Schumann, and Liszt, sentimental waltzes from Schubert to Ravel, concert music by Bartók, Szymanowski and Górecki, the Merchant-Ivory adaptation of The Remains of the Day, Antônio Carlos Jobim’s bossa nova, and songs by Duke Ellington, Burt Bacharach, Carole King, Barry Manilow and Jimmy Webb. The book will attract readers interested in both the role of music in the history of emotion and the persistence and diversity of sentimental arts after their flowering in the eighteenth-century age of sensibility.

A look at First Amendment coverage of music, non-representational art, and nonsense The Supreme Court has unanimously held that Jackson Pollock’s paintings, Arnold Schöenberg’s music, and Lewis Carroll’s poem “Jabberwocky” are “unquestionably shielded” by the First Amendment. Nonrepresentational art, instrumental music, and nonsense: all receive constitutional coverage under an amendment protecting “the freedom of speech,” even though none involves what we typically think of as speech—the use of words to convey meaning. As a legal matter, the Court’s conclusion is clearly correct, but its premises are murky, and they raise difficult questions about the possibilities and limitations of law and expression. Nonrepresentational art, instrumental music, and nonsense do not employ language in any traditional sense, and sometimes do not even involve the transmission of articulable ideas. How, then, can they be treated as “speech” for constitutional purposes? What does the difficulty of that question suggest for First Amendment law and theory? And can law resolve such inquiries without relying on aesthetics, ethics, and philosophy? Comprehensive and compelling, this book represents a sustained effort to account, constitutionally, for these modes of “speech.” While it is firmly centered in debates about First Amendment issues, it addresses them in a novel way, using subject matter that is uniquely well suited to the task, and whose constitutional salience has been under-explored. Drawing on existing legal doctrine, aesthetics, and analytical philosophy, three celebrated law scholars show us how and why speech beyond words should be fundamental to our understanding of the First Amendment.

This volume of letters by Charles Burney, the first to be published since 1991, runs from 1794 to 10 January 1800, beginning with his recovery from a debilitating attack of rheumatism, continuing with the death of his wife in 1796, and ending with the shocking death of his daughter Susanna. Certain leitmotifs, typical of Burney's concerns, stand out throughout the volume: his trepidation over the war with France and its effect on domestic politics, his exhausting social life, his travels, and his publication of the memoirs of the poet and lyricist Metastasio. A staunch monarchist and a self-confessed 'allarmist', Burney is haunted 'day and night' by the French Revolution and the threat that Republican France poses to 'religion, morals, liberty, property, & life'. He frets frequently over those he considers to be domestic Jacobins, a word he uses forty-seven times in the course of the volume to describe anyone whose politics differ from his own conservative values. Although Burney turns sixty-eight in April 1794, in this volume he barely slows down his habitual hectic pace of teaching and publishing. In the summer of 1795, he publishes his final book, Memoirs of the Life and Writings of the Abate Pietro Metastasio, despite a hectic social life that sees him hobnobbing with the elite in society and politics and a love of travel that takes him to the homes of friends in Hampshire and Cheshire and into his past on a nostalgic visit to Shrewsbury, his childhood home.

Reveals how the culture and repertoire of the early Viennese ballroom permeated and intersected with other areas of musical life.

'An engrossing account of the events of 1914' - Sam Roberts, The New York Times

Dance can be a powerful means to create social harmony and enhance health. It is often overlooked as a way to make the world a better place. This book will give you insight into the depth of social partner dance and how it can improve well-being on physical, mental and social levels. The chapters shed light on the positive aspects of dance from the framework of urban kiz. It examines this dance from a philosophical and scientific point of view, making it the most comprehensive resource for dancers and a must-read for those interested in partner dance research.

Attend a grand ball of the bizarre and never look at dance the same way again! Weird Dance processes through the odd, grim, and unintentionally humorous history of dance, uncovering strange stories and weird facts. These dark tales of murder, rivalry, insanity, and more reveal all sorts of grim goings-on, proving that—for dancers—life was not just one grand plié. Stories include: An elderly woman who stepped out of her Strasbourg home one summer day in 1518 and began to dance furiously; nothing and no one could stop her. Soon, dozens more joined her, and so began another strange epidemic of the deadly dancing plague. The horrific fate of a young ballerina who had a run-in with a gaslight and saw her career go up in smoke. The medieval Dance of Death that reminded all of their inevitable doom. The controversial ballet that sparked a riot. The strange and macabre fate of the infamous Mata Hari’s head after her execution. The grotesque scarf accident that led to Isadora Duncan’s demise. From Roman Bacchanals to medieval and Renaissance dancing plagues, from the bloody world of ballet to scandals, ghosts, spirit possessions, superstitions, and more, you will attend a grand ball of the bizarre that shows just how awful dancers, choreographers, and even audience members have been to each other over the centuries.

This book documents hundreds of customs and traditions practiced in countries outside of the United States, showcasing the diversity of birth, coming-of-age, and death celebrations worldwide. From the beginning of our lives to the end, all of humanity celebrates life's milestones through traditions and unique customs. In the United States, we have specific events like baby showers, rites of passage such as Bat and Bar Mitzvahs and "sweet 16" birthday parties, and sober end-of-life traditions like obituaries and funeral services that honor those who have died. But what kinds of customs and traditions are practiced in other countries? How do people in other cultures welcome babies, prepare to enter into adulthood, and commemorate the end of the lives of loved ones? This three-volume encyclopedia covers more than 300 birth, life, and death customs, with the books' content organized chronologically by life stage. Volume 1 focuses on birth and childhood customs, Volume 2 documents adolescent and early-adulthood customs, and Volume 3 looks at aging and death customs. The entries in the first volume examine pre-birth traditions, such as baby showers and other gift-giving events, and post-birth customs, such as naming ceremonies, child-rearing practices, and traditions performed to ward off evil or promote good health. The second volume contains information about rites of passage as children become adults, including indigenous initiations, marriage customs, and religious ceremonies. The final volume concludes with coverage on customs associated with aging and death, such as retirement celebrations, elaborate funeral processions, and the creation of fantasy coffins. The set features beautiful color inserts that illustrate examples of celebrations and ceremonies and includes an appendix of excerpts from primary documents that include legislation on government-accepted names, wedding vows, and maternity/paternity leave regulations.