A storm begins to brew as ancient ties calls the present. Cade finds himself, once again, caught up into the past. Something threatens the White Tree Now, as the last Keeper of the Tree, his job is to protect it. Will his abilities help him? Allies and foes, both mythical and legendary Cross his path as his journey unfolds. Join Cade as he faces new challenges Especially when he befriends a mysterious man Who is on a mission himself.

A contemporary envisioning of a nineteenth-century poem pairs artwork by G. Brian Karas with the Henry Wadsworth Longfellow classic. His brow is wet with honest sweat; He earns whate’er he can, And looks the whole world in the face, For he owes not any man. The neighborhood blacksmith is a quiet and unassuming presence, tucked in his smithy under the chestnut tree. Sturdy, generous, and with sadness of his own, he toils through the day, passing on the tools of his trade, and come evening, takes a well-deserved rest. Longfellow’s timeless poem is enhanced by G. Brian Karas’s thoughtful and contemporary art in this modern retelling of the tender tale of a humble craftsman. An afterword about the tools and the trade of blacksmithing will draw readers curious about this age-honored endeavor, which has seen renewed interest in developed countries and continues to be plied around the world.

Unique Element About the Author / Historical Context A POETRY COLLECTION by HENRY WADSWORTH LONGFELLOW. Ballads and Other Poems by AMERICAN author HENRY WADSWORTH LONGFELLOW (1807-1882) is a collection of poems first published in 1842 in the UNITED STATES. A popular LITERARY classic containing the popular "The Wreck of the Hesperus" and "The Village Blacksmith." Longfellow wrote many lyric poems known for their musicality and often presenting stories of mythology and legend. He became the most popular American poet of his day and had success overseas. Sneak Peak It was the schooner Hesperus, That sailed the wintry sea; And the skipper had taken his little daughtèr, To bear him company. Blue were her eyes as the fairy-flax, Her cheeks like the dawn of day, And her bosom white as the hawthorn buds, That ope in the month of May. Title Details  Originally published in 1842 Poetry collection 5.5 x 8.5 inches

Reprint of the original, first published in 1883.

"A black blacksmith from Alabama decides to make a name for himself through hard work, thrift and the relentless acquisition of land in Atlanta, Georgia. He has a loving and mutually supportive relationship with his wife Bira, five beautiful daughters and one son who is handicapped. The household is run according to a strict discipline and timetable, everyone to her or his task. As the daughters grow up, the blacksmith is most particular as to who they consort with and in which order they will eventually marry. Suitors must be educated and on their way to acquiring wealth in order to assure the blacksmith that his daughters will be appropriately provided for in the future. Then along comes the Piano Man who has been brought up principally in the North and in Europe, who is circumspect and sophisticated, and who is dazzling at the piano and in appearance. Furthermore, he is about to become a professor of music at the local university. This man is a catch worthy of one of the blacksmith's daughters - of Minnelsa, the eldest - or so the blacksmith decides. Then June, the rebellious youngest daughter has already determined otherwise. She has seen the Piano Man playing in the dive in the forest and this man is for her. To clinch the deal, the blacksmith tells the Piano Man that if he marries Minnelsa, he will be given a house and 50 acres of land as a dowry. For the previously itinerant Piano Man, this represents a grand settling down indeed. However, the strikingly attractive and musical June has other ideas."--Publisher's website.

" ... Finely crafted scholarship. Elegant and graceful, yet packed with knowledge and information, it embodies the aesthetic qualities which it describes and explores." American Ethnologist "The text is detailed and informative, and enjoyable reading ..." Choice "The Mande Blacksmith is an important book ... sensitive, sympathetic, multifaceted, and thorough ..." African Arts "McNaughton's Mande Blacksmiths is undeniably the most profound study of African artists yet published." Ethnoarts " ... penetrating ... McNaughton boldly grapples with the thorniest issues related to his subject and articulates them with clarity and precision." International Journal of African Historical Studies " ... a work in the best tradition of ethnographic research ... critical reappraisal, innovative inquiry, and fresh observation ... make this book an invaluable fund of new material on Mande societies ..." American Anthropologist "McNaughton ... provides an important interpretation of these artists' conceptual place as members of a complex culture." Religious Studies Review Examining the artistic, technological, social, and spiritual dimensions of Mande blacksmiths, who are the sculptors of their society, McNaughton defines these artists conceptual place as extraordinary members of a complex culture.

The original version of the Grimms' tales in English for the first time—in an acclaimed, illustrated edition When Jacob and Wilhelm Grimm published their Children's and Household Tales in 1812, followed by a second volume in 1815, they had no idea that such stories as "Rapunzel," "Hansel and Gretel," and "Cinderella" would become the most celebrated in the world. Yet few people today are familiar with the majority of tales from the two early volumes, since in the next four decades the Grimms would publish six other editions, each extensively revised in content and style. For the very first time, The Original Folk and Fairy Tales of the Brothers Grimm makes available in English all 156 stories from the 1812 and 1815 editions. These narrative gems, newly translated and brought together in one beautiful book, are accompanied by sumptuous new illustrations from award-winning artist Andrea Dezsö. From "The Frog King" to "The Golden Key," wondrous worlds unfold—heroes and heroines are rewarded, weaker animals triumph over the strong, and simple bumpkins prove themselves not so simple after all. Esteemed fairy tale scholar Jack Zipes offers accessible translations that retain the spare description and engaging storytelling style of the originals. Indeed, this is what makes the tales from the 1812 and 1815 editions unique—they reflect diverse voices, rooted in oral traditions, that are absent from the Grimms' later, more embellished collections of tales. Zipes's introduction gives important historical context, and the book includes the Grimms' prefaces and notes. A delight to read, The Original Folk and Fairy Tales of the Brothers Grimm presents these peerless stories to a whole new generation of readers.