A teen is snatched outside her kung fu class and must figure out how to escape—and rescue another kidnapped victim—in The Girl in the White Van, a chilling YA mystery by New York Times bestselling author April Henry. When Savannah disappears soon after arguing with her mom’s boyfriend, everyone assumes she's run away. The truth is much worse. She’s been kidnapped by a man in a white van who locks her in an old trailer home, far from prying eyes. And worse yet, Savannah’s not alone: ten months earlier, Jenny met the same fate and nearly died trying to escape. Now as the two girls wonder if he will hold them captive forever or kill them, they must join forces to break out—even if it means they die trying. Christy Ottaviano Books

The White Savannahs, originally published in 1936, is the first study of Canadian poetry from a modern point of view. It contains essays on Archibald Lampman, Marjorie Pickthall, E.J. Pratt, Leo Kennedy, A.M. Klein, A.J.M. Smith, F.R. Scott, Marie Le Franc, and Dorothy Livesay. The contributions are based on a series of analytical essays originally published in the Canadian Forum and in the University of Toronto Quarterly. Professor Collin's work added much to the establishment of a new climate of opinion among readers and publishers of poetry in Canada.

Cordelia Owens can weave a hopeful dream around anything and is well used to winning the hearts of everyone in Savannah with her whimsy. Even when she receives word that her sweetheart has been lost during a raid on a Yankee vessel, she clings to hope and comes up with many a romantic tale of his eventual homecoming to reassure his mother and sister. But Phineas Dunn finds nothing redemptive in the first horrors of war. Struggling for months to make it home alive, he returns to Savannah injured and cynical, and all too sure that he is not the hero Cordelia seems determined to make him. Matters of black and white don't seem so simple anymore to Phin, and despite her best efforts, Delia's smiles can't erase all the complications in his life. And when Fort Pulaski falls and the future wavers, they both must decide where the dreams of a new America will take them, and if they will go together.

A story about the trials and triumphs of a Black chef from Queens, New York, and a White media entrepreneur from Staten Island who built a relationship and a restaurant in the Deep South, hoping to bridge biases and get people talking about race, gender, class, and culture. NAMED ONE OF THE BEST COOKBOOKS OF THE YEAR BY GARDEN & GUN • “Black, White, and The Grey blew me away.”—David Chang In this dual memoir, Mashama Bailey and John O. Morisano take turns telling how they went from tentative business partners to dear friends while turning a dilapidated formerly segregated Greyhound bus station into The Grey, now one of the most celebrated restaurants in the country. Recounting the trying process of building their restaurant business, they examine their most painful and joyous times, revealing how they came to understand their differences, recognize their biases, and continuously challenge themselves and each other to be better. Through it all, Bailey and Morisano display the uncommon vulnerability, humor, and humanity that anchor their relationship, showing how two citizens commit to playing their own small part in advancing equality against a backdrop of racism.

Black & White Edition of The Little Poetry Book of Savannah Don Newman's first volume of Savannah centric poetry reflects the close personal relationship between poet and subject often found in work dedicated to a particular place. Such intimate subjectivity may seem lofty at times. But this Savannah native has a way of bringing grandiose notions of his hometown down to earth. Here, the author's regional sensibilities-together with his stretch toward the universal-offer the reader a unique perspective and a tour of Savannah unattainable during a typical day of sightseeing. While by no means a comprehensive poetic look at the city, Newman's Little Poetry Book of Savannah will surely augment the traveler's backpack, give visitors a distinctive literary keepsake, and make the perfect gift for those back home who would like an authentic little piece of Savannah. Meditative, descriptive, fun, quirky, and enjoyably honest, Newman bares parts of his soul in this down-to-earth, head-in-the-clouds "poetry for everyone." For the slightly larger full color Special First Edition go here: https: //www.createspace.com/3574471

In this masterful portrait of life in Savannah before, during, and after the Civil War, prize-winning historian Jacqueline Jones transports readers to the balmy, raucous streets of that fabled Southern port city. Here is a subtle and rich social history that weaves together stories of the everyday lives of blacks and whites, rich and poor, men and women from all walks of life confronting the transformations that would alter their city forever. Deeply researched and vividly written, Saving Savannah is an invaluable contribution to our understanding of the Civil War years.

“Around these parts, the publication of a new George Dawes Green novel is an event. ... Green leans all the way into Southern Gothic, but the main grotesquerie is the city’s history, built on the backs of enslaved people. His prose is languid, even luxurious, but at critical moments of suspense, he pares it back to ramp up the terror.” —New York Times Book Review Savannah may appear to be “some town out of a fable,” with its vine flowers, turreted mansions, and ghost tours that romanticize the city’s history. But look deeper and you’ll uncover secrets, past and present, that tell a more sinister tale. It’s the story at the heart of George Dawes Green’s chilling new novel, The Kingdoms of Savannah. It begins quietly on a balmy Southern night as some locals gather at Bo Peep’s, one of the town’s favorite watering holes. Within an hour, however, a man will be murdered and his companion will be “disappeared.” An unlikely detective, Morgana Musgrove, doyenne of Savannah society, is called upon to unravel the mystery of these crimes. Morgana is an imperious, demanding, and conniving woman, whose four grown children are weary of her schemes. But one by one she inveigles them into helping with her investigation, and soon the family uncovers some terrifying truths—truths that will rock Savannah’s power structure to its core. Moving from the homeless encampments that ring the city to the stately homes of Savannah’s elite, Green’s novel brilliantly depicts the underbelly of a city with a dark history and the strangely mesmerizing dysfunction of a complex family.

An engaging narrative tells the story of Savannah, Georgia, from the hopeful arrival of its first permanent English settlers in 1733 to the uncertainties faced by its Civil War survivors in 1865. Reprint.

In this masterful portrait of life in Savannah before, during, and after the Civil War, prize-winning historian Jacqueline Jones transports readers to the balmy, raucous streets of that fabled Southern port city. Here is a subtle and rich social history that weaves together stories of the everyday lives of blacks and whites, rich and poor, men and women from all walks of life confronting the transformations that would alter their city forever. Deeply researched and vividly written, Saving Savannah is an invaluable contribution to our understanding of the Civil War years.

In this unique ethnography of urban southern Catholicism - one of the few substantial studies of modern African-American Catholics since the 1920s - Gary W. McDonogh employs a decade of anthropological and historical research to explore the contradictions and survival of black and Catholic parishes in Savannah. Given the disfranchisement of African Americans in the South as well as nativist responses to Catholics among both blacks and whites, those who are black and Catholic in Savannah constitute a double minority whose lives McDonogh explores by examining the interaction of community, church, and individual. A city divided for two centuries by conflicts over culture, class, and race, Savannah is permeated by ambiguous identities that often end up before the altar. Religion thus serves as a cultural language through which urban life can be observed as well as a system of belief and identity shared by blacks and Catholics. This multidisciplinary study links ethnography to wider debates on symbolism, gender, class, and cultural power. The vivid voices, memories, ritual and social acts, and observations of Savannah provide the basis for comparative insights and theoretical generalizations on communities within the United States and on a broad range of urban and religious issues.