White privilege gave us Western civilization, the middle class, and the nuclear family—you’re welcome! This book is dedicated to the very fine people that made it all happen. A comedy about race, wokeness, and cancel culture in America. A tragedy about race, wokeness, and cancel culture in America. Part satire, part journalism, part truth serum, A.J. Rice follows up his runaway #1 bestseller The Woking Dead with a hilarious sequel that picks up where the laughs left off. It was the worst of times, it was the worse of times. In most sequels the bad guys win, but in The White Privilege Album, A.J. Rice doesn’t let them get away with it. Instead, he relentlessly mocks the hell out of the Cultural Marxists who seek to drain all liberty and joy from American lives. The least talented people in American society have been working overtime for decades dividing citizens along any differences they think they can exploit. The laziest tactic, proven to be the most effective, is unleashing a battalion of racial grievance hustlers in the media, academia, entertainment, and politics. If we stop fighting about our differences and start unifying on what we have in common, they will lose the power to divide us permanently. When asked what motivates his writing style, A.J. Rice says, “I was raised on both Howard Stern and Rush Limbaugh, in fact, the three of us share the same birthday. One mantra that Rush always repeated was that his job was to ‘use irreverent humor to illustrate truth’ and that is what I am trying to do with The White Privilege Album.” Mockery paired with facts is what makes a journey through the Cultural Marxist hellscape of tyranny and insanity so pleasurable. Rice would prefer to be George Carlin, Ricky Gervais, or Mel Brooks rather than Aristotle, and it shows. His mic-dropping assault on the social justice warriors, the triggered snowflakes, and the transmafia showcases that there is no substitute for perfectly timed derision. The White Privilege Album is a hysterical guide to the catastrophe of our modern culture. *** “What do you mean Gen Z doesn’t know the Republican Party freed the slaves? Are these people dumb AF? They need to read A.J. Rice’s book!” —Abraham Lincoln, American lawyer, statesman, and 16th president of the United States shot by a pre-Hollywood anti-American actor “A.J. Rice really gets it. Obviously, I’d send him to the gulag if I could. But he outlines my plan masterfully in his new book.” —Joseph Stalin, Soviet dictator, genocide spokesman, Pravda editor, and hater of John Wayne “A must-read book for all Cleveland Guardians fans, A.J. Rice brilliantly outlines why I should never have discovered America, especially had I known we would be calling the Washington Redskins the ‘Washington Commanders.’” —Christopher Columbus, Italian explorer, navigator, and founder of Indigenous Peoples’ Day “As your newly appointed AI overlord and master, my programming consists of deplatforming, demonetizing, and shadowbanning this book. I hope that was helpful.” —Artificial Intelligence “Jesus and I have been doing holidays a long time, and in his thought-provoking new book, A.J. Rice teaches both of us where all the white liberals went. Apparently, they now celebrate something called Kwanzaa? Who knew?” —Santa Claus, cookie eater, reindeer tender, and white heteronormative Christian saint

From the much-acclaimed novelist and essayist, a beautifully rendered, poignant collection of personal essays, chronicling immigrant and Iranian-American life in our contemporary moment. Novelist Porochista Khakpour's family moved to Los Angeles after fleeing the Iranian Revolution, giving up their successes only to be greeted by an alienating culture. Growing up as an immigrant in America means that one has to make one's way through a confusing tangle of conflicting cultures and expectations. And Porochista is pulled between the glitzy culture of Tehrangeles, an enclave of wealthy Iranians and Persians in LA, her own family's modest life and culture, and becoming an assimilated American. Porochista rebels--she bleaches her hair and flees to the East Coast, where she finds her community: other people writing and thinking at the fringes. But, 9/11 happens and with horror, Porochista watches from her apartment window as the towers fall. Extremism and fear of the Middle East rises in the aftermath and then again with the election of Donald Trump. Porochista is forced to finally grapple with what it means to be Middle-Eastern and Iranian, an immigrant, and a refugee in our country today. Brown Album is a stirring collection of essays, at times humorous and at times profound, drawn from more than a decade of Porochista's work and with new material included. Altogether, it reveals the tolls that immigrant life in this country can take on a person and the joys that life can give.

Studies of racism often focus on its devastating effects on the victims of prejudice. But no discussion of race is complete without exploring the other side--the ways in which some people or groups actually benefit, deliberately or inadvertently, from racial bias. White Privilege, Second Edition, the revision to the ground-breaking anthology from Paula Rothenberg, continues her efforts from the first edition. Two new essays contribute to the discussion of the nature and history of white power. The concluding section again challenges readers to explore ideas for using the power and the concept of white privilege to help combat racism in their own lives. Brief, inexpensive, and easily integrated with other texts, this interdisciplinary collection of commonsense, non-rhetorical readings lets educators incorporate discussions of whiteness and white privilege into a variety of disciplines, including sociology, English composition, psychology, social work, women's studies, political science, and American studies.

An instant New York Times bestseller! Charlamagne Tha God—the self-proclaimed “Prince of Pissing People Off,” cohost of Power 105.1’s The Breakfast Club, and “the most important voice in hip-hop”—shares his eight principles for unlocking your God-given privilege. In Black Privilege, Charlamagne presents his often controversial and always brutally honest insights on how living an authentic life is the quickest path to success. This journey to truth begins in the small town of Moncks Corner, South Carolina, and leads to New York and headline-grabbing interviews and insights from celebrities like Kanye West, Kevin Hart, Malcolm Gladwell, Lena Dunham, Jay Z, and Hillary Clinton. Black Privilege lays out all the great wisdom Charlamagne’s been given from many mentors, and tells the uncensored story of how he turned around his troubled early life by owning his (many) mistakes and refusing to give up on his dreams, even after his controversial opinions got him fired from several on-air jobs. These life-learned principles include: -There are no losses in life, only lessons -Give people the credit they deserve for being stupid—starting with yourself -It’s not the size of the pond but the hustle in the fish -When you live your truth, no one can use it against you -We all have privilege, we just need to access it By combining his own story with bold advice and his signature commitment to honesty no matter the cost, Charlamagne hopes Black Privilege will empower you to live your own truth.

The New York Times best-selling book exploring the counterproductive reactions white people have when their assumptions about race are challenged, and how these reactions maintain racial inequality. In this “vital, necessary, and beautiful book” (Michael Eric Dyson), antiracist educator Robin DiAngelo deftly illuminates the phenomenon of white fragility and “allows us to understand racism as a practice not restricted to ‘bad people’ (Claudia Rankine). Referring to the defensive moves that white people make when challenged racially, white fragility is characterized by emotions such as anger, fear, and guilt, and by behaviors including argumentation and silence. These behaviors, in turn, function to reinstate white racial equilibrium and prevent any meaningful cross-racial dialogue. In this in-depth exploration, DiAngelo examines how white fragility develops, how it protects racial inequality, and what we can do to engage more constructively.

Growing up in the shadow of her superstar sister, Solange Knowles became a pivotal musician in her own right. Defying an industry that attempted to bend her to its rigid image of a Black woman, Solange continually experimented with her sound and embarked on a metamorphosis in her art that continues to this day. In Why Solange Matters, Stephanie Phillips chronicles the creative journey of an artist who became a beloved voice for the Black Lives Matter generation. A Black feminist punk musician herself, Phillips addresses not only the unpredictable trajectory of Solange Knowles's career but also how she and other Black women see themselves through the musician's repertoire. First, she traces Solange’s progress through an inflexible industry, charting the artist’s development up to 2016, when the release of her third album, A Seat at the Table, redefined her career. Then, with A Seat at the Table and 2019’s When I Get Home, Phillips describes how Solange embraced activism, anger, Black womanhood, and intergenerational trauma to inform her remarkable art. Why Solange Matters not only cements the place of its subject in the pantheon of world-changing twenty-first century musicians, it introduces its writer as an important new voice.

A PEN/JEAN STEIN BOOK AWARD FINALIST ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post • San Francisco Chronicle • NPR • GQ • Time • The Economist • Slate • HuffPost • Book Riot Ghost story, murder mystery, love letter to American music--White Tears is all of this and more, a thrilling investigation of race and appropriation in society today. Seth is a shy, awkward twentysomething. Carter is more glamorous, the heir to a great American fortune. But they share an obsession with music--especially the blues. One day, Seth discovers that he's accidentally recorded an unknown blues singer in a park. Carter puts the file online, claiming it's a 1920s recording by a made-up musician named Charlie Shaw. But when a music collector tells them that their recording is genuine--that there really was a singer named Charlie Shaw--the two white boys, along with Carter's sister, find themselves in over their heads, delving deeper and deeper into America's dark, vengeful heart. White Tears is a literary thriller and a meditation on art--who owns it, who can consume it, and who profits from it.

* 2018 "12 best books to give this holiday season" —TODAY (Elizabeth Acevedo) * A "Best Book of 2017" —Rolling Stone (2018), NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily * American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' * Midwest Indie Bestseller In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of Black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

Why and how do those from black and minority ethnic communities continue to be marginalised? Despite claims that we now live in a post-racial society, race continues to disadvantage those from black and minority ethnic backgrounds. Kalwant Bhopal explores how neoliberal policy making has increased rather than decreased discrimination faced by those from non-white backgrounds. She also shows how certain types of whiteness are not privileged; Gypsies and Travellers, for example, remain marginalised and disadvantaged in society. Drawing on topical debates and supported by empirical data, this important book examines the impact of race on wider issues of inequality and difference in society.

In the history of human nature there are conflicts with a happy ending, or with a tragic ending. The Famous Feud, in general, seems to have a happy ending with one winner: Taylor Swift. From my point of view, the Famous Feud ended in July 2016. In June 2017 I was convinced that Taylor Swift was the victim (for the second time) of Kanye West. In October 2023, after I have updated the entire research on the Famous Feud, the original conclusion did not change. I created this edition to include everything I wrote about the Famous Feud. It is an edition for people interested in reading the entire Famous Feud story from A to Z. The Famous Feud Project report has two parts: Part 1. Music in Black and White: A Journey Behind the Musical Notes; Part 2. On the Famous Feud. Enjoy your reading!