Peter Stark is the legendary white Bushman who writes about his experiences in the former German South West Africa.

Laurens Van Der Post shared a deep-rooted attachment to Europe, Africa and Japan, and this work is a testament to his commitment to writing and initiating cultural and political commentaries on the issues and personalities of his time.

Another Pinkwaterpalooza, jam-packed with off-beat characters and wild happenings for a one-of-a-kind coming of age adventure!

The Bushman' is a perennial but changing image. The transformation of that image is important. It symbolizes the perception of Bushman or San society, of the ideas and values of ethnographers who have worked with Bushman peoples, and those of other anthropologists who use this work. Anthropology and the Bushman covers early travellers and settlers, classic nineteenth and twentieth-century ethnographers, North American and Japanese ecological traditions, the approaches of African ethnographers, and recent work on advocacy and social development. It reveals the impact of Bushman studies on anthropology and on the public. The book highlights how Bushman or San ethnography has contributed to anthropological controversy, for example in the debates on the degree of incorporation of San society within the wider political economy, and on the validity of the case for 'indigenous rights' as a special kind of human rights. Examining the changing image of the Bushman, Barnard provides a new contribution to an established anthropology debate.

The revised, updated version of this book includes an analysis of the sweeping political changes in South Africa since its original publcation in 1992. Other new material covers more theoretical issues and contemporary developments in scholarship, including a reconsideration of the film ?The Gods Must Be Crazy?; a discussion of ?expos thnography? and its attendant political/moral positioning; and an examination of the political situation in Namibia, with a close study of the near collapse of the Nyae Nyae Development Foundation.

The Bushman soldiers were the most outstanding all-round fighters of the Border War. As the first of the indigenous population to take up arms on South Africa's behalf, they were among the last to lay them down. The border's oldest and most bush-wise people, they became feared as relentless trackers and dedicated soldiers. Coming from a primitive hunter/gatherer culture, they responded well to a crash course in modern warfare. Their use of automatic weapons and mortars, coupled with their phenomenal tracking abilities, made them a formidable fighting force. During Operation Savannah they were deployed in a conventional role as Battle-Group Alpha, part of Task Force Zulu, and advanced approximately 2,000 kilometers in a month. Afterwards, some of the Bushmen were trained as parachutists and served as Recces behind enemy lines. Others were attached to various units as trackers and guides. Their loyalty and bravery was recognized in the award of Honoris Crux decorations to members and former members of this elite corps. Controversy followed the battalion to South Africa after the war. Persecuted for centuries, the Bushmen have displayed an uncanny ability to survive and have adapted remarkably well to the modern world. Their transition from the Stone Age in less than 20 years is a story, which will never be forgotten. Hailed as the 'Gurkhas of Africa' the Bushmen have proved themselves second to none. This is an exceptional record of 31 and 201 Battalions and their remarkable personnel, fully illustrated with many photographs.

J.M. Coetzee has new things to say about this relation between the ‘real’ and ‘fictions of the real’, and while much has already been written about him, these questions need to be more fully explored. The contributions to this volume are drawn together by the idea of the hinge between the world (whether understood in ontological, bio-ethical, personal and interpersonal, or socio-political terms) and fictional representations of it (whether understood in epistemological, ficto-biographical, formal, or stylistic terms). In this collection, the question of understanding itself — how we understand or imagine our place in the world — is shown to be central to our conception of that world. That is, rather than beginning with forms developed in socio-political understandings, Coetzee’s works ask us to consider what role fiction might play in relation to politics, in relation to history, in relation to ethics and our understanding of human agency and responsibility. Coetzee has a profound interest in the methods through which we make sense of the contemporary world and our place in it, and his approach appeals to readers of fiction, critics and philosophers alike. The central problems he deals with in his fiction are of the kind that confront people everywhere and so involve a "translatability" that allow the works to maintain relevance across cultures. Added to this, though, his fiction makes us question the nature of understanding itself. This book was originally published as a special issue of Textual Practice.