Most of us believe in information. Some believe in truths, while others believe in magic. Information is what we can see, truth is what we feel, and magic is what we instinctively know is true. On December 4th 1981 the president of the United States issued Executive Order 12333 concerning the activities of the intelligence community. Paragraph 2.11 of that order states; "No employee of the United States Government shall engage in, or conspire to engage in assassination." But upon learning of the political ties and aspirations of one charismatic young entertainer and philanthropist, certain agencies broke that order in the fall of 1996 when the star was killed in a barrage of bullets fired by a confidential informant commissioned for just such an act. After a decade of silence the files have been unsealed and the shooter will now be revealed. Some call him a hero, others say he's a villain, and some even call him a god. The White Book provides a glimpse at man's perspectives of the cultural history of the United States: assassination, government cover-ups, and his perpetual pursuit of what sets us all free: the truth.

White Book is a strange and beautiful visionary and mystical text: “Could I not be a Quiet Man? / Could I not be a Speaker of these Words? / Laughing, crying, I hear these Words / I hear the answer: The time is now / It is always now / And when I knew this truly / To the depth of my soul / I became human / And I took of the vision / The Vision of the New Year...” This sparse but beautiful volume is the fifth in the new Xibalba Books Poetry Series aimed at republishing selected highlights from Bruce's vast poetry archive.

"The general introduction to Ramtha and his teachings now revised and expanded with a foreword by JZ Knight, a glossary of terms and concepts used by Ramtha, a detailed index and a commentary essay showing the significance of Ramtha's teachings. It addresses questions on the Source of all existence, our forgotten divinity, life after death, evolution, love, the power of consciousness and the mind, lessons from nature, and Ramtha's ascension"--Publisher's website.

Marketing experts predict that by 2009, nearly 90% of all cell phones will contain a camera, as manufacturers race to create cheaper, easier-to-use models with more sophisticated cameras, more pixels, flash units and even multiple lenses. Already revolutionizing audiovisual communication, it's a trend that will only grow more explosively—and who better than National Geographic to create a how-to book aimed directly at the millions who carry a camera phone everywhere and want to make the most of it? Created by two top professionals, this generously illustrated nuts-and-bolts guide is the first of its kind to treat these units as genuine cameras instead of novelties, and the only one to include a full-color photo-essay demonstrating the full capabilities of the latest camera phones. In five easy-to-read chapters, the book explains how to choose good equipment; take better pictures; and store, print and send the best images. Readers will find practical tips on preventing or repairing water damage, protecting easily-scratched lenses inside pockets and purses, and retrieving accidentally-erased images. They'll also learn to access the events, advice, and opportunities of the burgeoning camera phone community, from film festivals to news organizations, moblogs, and more. Featuring the technical savvy of CNet.com's Aimee Baldridge and the creative skill of National Geographic photographer Robert Clark, a camera phone pioneer, this compact yet comprehensive reference combines up-to-the-minute expertise with superb examples, at an inexpensive price that makes it a perfect gift book—or an ideal impulse buy.

Each government engaged in the European War has issued a White, Green, Blue or Yellow Book, explaining the causes which led to its entry into the great conflict. These books are all interesting, and are full of valuable documentary information; but, if the busy people of America are to understand the reasons for their own participation in the war, some shorter cut to the desired end must be devised. We, therefore, offer a BLACK AND WHITE BOOK, in which our nation's reasons for going to war are set forth in pictures, a universal language which can be read at a glance by any one who has eyes to see. On August 1st, 1914, we were at peace with all the world. We were bound by ties of blood to every race on earth. Particularly close and intimate were our relations with the German people, whom we welcomed to our shores as among our most desirable citizens. Then, far away from us, apart from our interests or concerns—like a tragedy being played on the other side of the footlights—broke the frightful war of 1914. We looked on fascinated, but not convinced of the reality of its cruelty. For a little over eight months we watched it, when, on April 22nd, 1915, there appeared in the New York papers an advertisement stating that the great passenger ship “LUSITANIA” would sail on the 7th of May for Liverpool. In the next column, in equally conspicuous type, appeared a sinister warning to Americans, telling them to keep off the seas at peril of their lives. This was signed, “IMPERIAL GERMAN EMBASSY, Washington, D. C.” On May 7th came the fulfilment of the threat, and we awoke to the fact that we were not an audience looking at a tragedy, but the victims of the tragedy itself. Not until then was it brought home to us that our good German friends, whom we thought we knew so well, had been inoculated with the virus of a Junker madness, and that we were dealing with a people who had cast from them every restraint of fair fighting and had become the outlaw nation of the world. In the following pictures the Artist has attempted to show “Why we are at war.”