This helpful resource provides extensive information about each hymn in The Presbyterian Hymnal (1990)--background detail about hymn origins, publication history, authors, translators, composers, and arrangers. Stories about some of the hymns are also included. An excellent handbook that supplies information useful for a variety of purposes.

Presents hymns and spirituals which accompany the Lutheran worship service.

Includes general hymns; hymns for feasts, seasons and saints' days; office hymns for the liturgical year; an enlarged eucharistic section; responsorial psalms and a new English folk mass setting.

In this book, Alan D. Strange investigates the Westminster Assembly and the Westminster Standards to determine whether they affirmed the imputation of Christ’s active obedience as necessary for our justification. He also gives a survey of church history before and during the Reformation to see how the Assembly relates to the tradition before it. This study also reflects on the relation of imputation to federal theology, modern challenges to the doctrine, and important rules for interpreting the confessional document. Table of Contents: 1. An Initial Approach to the Westminster Assembly’s Understanding of Christ’s Active Obedience 2. Antecedents to Active Obedience in the Ancient and Medieval Church 3. Active Obedience in the Reformation before the Westminster Assembly 4. The Work of the Westminster Assembly and Active Obedience, Part 1 5. The Work of the Westminster Assembly and Active Obedience, Part 2 6. The Imputation of Christ’s Active Obedience throughout the Westminster Standards 7. Active Obedience and Federal Theology 8. The Place of Active Obedience in Confessional Interpretation

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Originally published in 2003 and selected from papers given at the third biennial conference on Music in Nineteenth-Century Britain, this volume, in common with its two predecessors, reflects the interdisciplinary character of the topic. The introductory essay by Julian Rushton considers some of the questions that are key to this area of study: what is the nineteenth century, what is British music, and did London influence the continent? The essays that follow are divided into broad thematic groups covering aspects of gender, church music, national identity, and local and national institutions. This collection illustrates that while nineteenth-century British music studies is still in its infancy as a field of research, it is one that is burgeoning and contributing to our understanding of British social and cultural life of the period.