A lovely volume, being the catalog of an exhibition held at the Portland Art Museum. Its subject is the golden age (roughly 1780 to 1800) of what the Japanese call ukiyo-e, a term that embraces, but is not limited to, what in the West are simply called Japanese prints. In addition to the exhibition

Humanism built Western civilisation as we know it today. Its achievements include the liberation of the individual, democracy, universal rights, and widespread prosperity and comfort. Its ambassadors are the heroes of modern culture: Erasmus, Holbein, Shakespeare, Velázquez, Descartes, Kant, and Freud. Those who sought to contain humanism's pride within a frame of higher truth -- like Luther, Calvin, Poussin, Kierkegaard -- could barely interrupt its torrential progress. Those who sought to reform humanism's tenets -- like Marx, Darwin, and Nietzsche -- were tested by the success of their own prophecies. So runs the approved view; it is not shared by John Carroll. Rather, he articulates a disruptive and compelling alternative version of Western civilisation since the Renaissance and the Reformation contrived to unleash Reason, Will, and a superhuman Man on the world. Here, Carroll significantly reworks his bracing study of humanism's rise to pre-eminence and its headlong tumble into contradiction. This revised look at the failure of the West's 500-year experiment with humanism, and its dire cultural consequences, concludes with September 11.

Called to live in the world, but not to be of it, Christians must maintain a balancing act that becomes more precarious the further our culture departs from its Judeo-Christian roots. How should members of the church interact with such a culture, especially as deeply enmeshed as most of us have become? In this award-winning book -- now in paperback and with a new preface -- D. A. Carson applies his masterful touch to that problem. After exploring the classic typology of H. Richard Niebuhr with its five Christ-culture options, Carson offers an even more comprehensive paradigm for informing the Christian worldview. More than just theoretical, Christ and Culture Revisited is a practical guide for helping Christians untangle current messy debates about living in the world.

The Scientific Revolution Revisited brings Mikuláš Teich back to the great movement of thought and action that transformed European science and society in the seventeenth century. Drawing on a lifetime of scholarly experience in six penetrating chapters, Teich examines the ways of investigating and understanding nature that matured during the late Middle Ages and the Renaissance, charting their progress towards science as we now know it and insisting on the essential interpenetration of such inquiry with its changing social environment. The Scientific Revolution was marked by the global expansion of trade by European powers and by interstate rivalries for a stake in the developing world market, in which advanced medieval China, remarkably, did not participate. It is in the wake of these happenings, in Teich's original retelling, that the Thirty Years War and the Scientific Revolution emerge as products of and factors in an uneven transition in European and world history: from natural philosophy to modern science, feudalism to capitalism, the late medieval to the early modern period. ??With a narrative that moves from pre-classical thought to the European institutionalisation of science – and a scope that embraces figures both lionised and neglected, such as Nicole Oresme, Francis Bacon, Thomas Hobbes, Isaac Newton, René Descartes, Thaddeus Hagecius, Johann Joachim Becher – The Scientific Revolution Revisited illuminates the social and intellectual sea changes that shaped the modern world.

In late 1983, looking for the subjects and locations that would bring the desolate landscape of the American West to life for his iconic film Paris, Texas, German filmmaker Wim Wenders took his Makina Plaubel 6 x 7 camera on the road. Driving through Texas, Arizona, New Mexico and California, Wenders was captivated by the unique, saturated, colorful light of the vast, wild landscape of the American West--even in the 20th century, a land associated with cowboys and outlaws, and suffused with the mythology of the frontier. The series he produced, Written in the West, was first exhibited in 1986 at the Centre Pompidou in Paris, and first published in 2000. Roughly three decades later, in this expanded edition, Wenders adds 15 new images of the sleepy town that gave the movie its name--though no footage was ever actually shot there. Made with a Fuji 6 x 4.5 camera, the new photographs are poetic documents of an abiding fascination and a search for personal memories. Together, they add an essential new chapter to Wenders' classic Written in the West, now Revisited. Over the past four decades, through films like Paris, Texas (1984), Wings of Desire (1987), Buena Vista Social Club (1999) and Pina (2011), Wim Wenders (born 1945) has distinguished himself as one of the leading lights of New German Cinema and one of the great directors in contemporary film. Wenders has had an equally distinguished career in photography; his photographs are exhibited and collected internationally.

The retreat of the British Expeditionary Force from Mons in the early months of the First World War is one of the great dramas of European history. Blending his recreation of the military campaign with contemporary testimony and an account of his own ride over the route, Richard Holmes takes the reader on a unique journey - to glimpse the summer the old world ended.